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Author: William Percy Publisher: Anaphora Literary Press ISBN: 1681145626 Category : Drama Languages : en Pages : 168
Book Description
A rare marinal about disguised identities and loves among the Greco-Roman deities under the Mediterranean Sea. Percy described Aphrodisia as an experiment in a new genre he was inventing, the marinal, designed to contrast the pastoral set on land in the countryside. Beyond this setting, this comedy focuses on taking to an extreme the popular European trope of disguises by having most of the main characters reveal themselves to have an identity other than the one they present themselves as. Arion relates a sad story that is an original translation of a segment out of Bartas’ Weeks about him being a poor singer who was captured by pirates, but in the conclusion, Arion reveals himself to actually be Jupiter, the King of the gods in Roman mythology. And Talus pretends to be an engineer and Vulcan’s (god of fire) son, when he is really Neptune (god of water). In standard published plots from the Renaissance, these revelations prove to have been necessary to further the goals of the characters, but in this censored story, the disguises cause lifetimes of misery and prevent all who are disguised from achieving their romantic and power goals. Percy has designed a plot that subversively shows how common pseudonyms and fraudulent identities are in British society, as it confesses the Workshop’s role in selling ghostwriting services. On the surface, the story is dense with innovative love entanglements, and the mythological misadventures of complex and stumbling characters. The preparations for Empress Cytherea’s arrival and the Aphrodisia feast in her honor also showcases realistic details about what a day might have been like when the aristocratic Percy family prepared for James I’s visit to their Sion House on June 8, 1603, just before James was crowned. “Fascinating study of disguise, identity, self-fashioning, metamorphosis, and authorship. *****” —LibraryThing, Early Reviewers, Charles Alan Ralston Plot and Staging Text Terms, References, Questions, Exercises
Author: William Percy Publisher: Anaphora Literary Press ISBN: 1681145626 Category : Drama Languages : en Pages : 168
Book Description
A rare marinal about disguised identities and loves among the Greco-Roman deities under the Mediterranean Sea. Percy described Aphrodisia as an experiment in a new genre he was inventing, the marinal, designed to contrast the pastoral set on land in the countryside. Beyond this setting, this comedy focuses on taking to an extreme the popular European trope of disguises by having most of the main characters reveal themselves to have an identity other than the one they present themselves as. Arion relates a sad story that is an original translation of a segment out of Bartas’ Weeks about him being a poor singer who was captured by pirates, but in the conclusion, Arion reveals himself to actually be Jupiter, the King of the gods in Roman mythology. And Talus pretends to be an engineer and Vulcan’s (god of fire) son, when he is really Neptune (god of water). In standard published plots from the Renaissance, these revelations prove to have been necessary to further the goals of the characters, but in this censored story, the disguises cause lifetimes of misery and prevent all who are disguised from achieving their romantic and power goals. Percy has designed a plot that subversively shows how common pseudonyms and fraudulent identities are in British society, as it confesses the Workshop’s role in selling ghostwriting services. On the surface, the story is dense with innovative love entanglements, and the mythological misadventures of complex and stumbling characters. The preparations for Empress Cytherea’s arrival and the Aphrodisia feast in her honor also showcases realistic details about what a day might have been like when the aristocratic Percy family prepared for James I’s visit to their Sion House on June 8, 1603, just before James was crowned. “Fascinating study of disguise, identity, self-fashioning, metamorphosis, and authorship. *****” —LibraryThing, Early Reviewers, Charles Alan Ralston Plot and Staging Text Terms, References, Questions, Exercises
Author: Julie Bruton-Seal Publisher: Globe Pequot ISBN: 9780762779871 Category : Aphrodisiac cooking Languages : en Pages : 0
Book Description
A book of make-your-own aphrodisiacs with ingredients and recipes to create a variety of love-enhancing elixirs, tinctures, oils, and edibles, all illustrated with original photography by authors.
Author: Ladelle McWhorter Publisher: Indiana University Press ISBN: 9780253213259 Category : Philosophy Languages : en Pages : 288
Book Description
Sexual identities are dangerous, Michel Foucault tells us. Categories of desire harden into stereotypes by which the forces of normalization hold us and judge us. In Bodies and Pleasures, Ladelle McWhorter reads Foucault from an original and personal angle, motivated by the differences this experience has made in her life. At the same time, her analysis advances discussion of key issues in Foucault scholarship: the genealogical critique, the status of the subject and humanism, essentialism versus social construction, and the relationships between identity, community, and political action. Weaving her own experience of coming to grips with her lesbian sexual identity into her readings of Foucault's most recent writings on sexuality and power, McWhorter argues compellingly that Foucault's texts should be read less for the arguments they advance and more for their transformative effect. By exploring bodies and pleasures—gardening, line dancing, or doing philosophy, for example—McWhorter shows that it isn't necessary to conform with socially recognized sexual identities. Bodies and Pleasures takes the reader beyond unexplored norms and imposed identities as it points the way toward a personal politics, ethics, and style that challenges our sexual selves.
Author: Michel Foucault Publisher: Springer ISBN: 1349739006 Category : Philosophy Languages : en Pages : 340
Book Description
“The working hypothesis is this: it is true that sexuality as experience is obviously not independent of codes and systems of prohibitions, but it needs to be recalled straightaway that these codes are astonishingly stable, continuous, and slow to change. It needs to be recalled also that the way in which they are observed or transgressed also seems to be very stable and very repetitive. On the other hand, the point of historical mobility, what no doubt change most often, what are most fragile, are modalities of experience.” - Michel Foucault In 1981 Foucault delivered a course of lectures which marked a decisive reorientation in his thought and of the project of a History of Sexuality outlined in 1976. It was in these lectures that arts of living became the focal point around which he developed a new way of thinking about subjectivity. It was also the moment when Foucault problematized a conception of ethics understood as the patient elaboration of a relationship of self to self. It was the study of the sexual experience of the Ancients that made these new conceptual developments possible. Within this framework, Foucault examined medical writings, tracts on marriage, the philosophy of love, or the prognostic value of erotic dreams, for evidence of a structuration of the subject in his relationship to pleasures (aphrodisia) which is prior to the modern construction of a science of sexuality as well as to the Christian fearful obsession with the flesh. What was actually at stake was establishing that the imposition of a scrupulous and interminable hermeneutics of desire was the invention of Christianity. But to do this it was necessary to establish the irreducible specificity of ancient techniques of self. In these lectures, which clearly foreshadow The Use of Pleasures and The Care of Self, Foucault examines the Greek subordination of gender differences to the primacy of an opposition between active and passive, as well as the development by Imperial stoicism of a model of the conjugal bond which advocates unwavering fidelity and shared feelings and which leads to the disqualification of homosexuality.
Author: Robert Lynn Asprin Publisher: Open Road Media ISBN: 1504060458 Category : Fiction Languages : en Pages : 704
Book Description
Experience “a bold and daring experiment in fantasy storytelling” with the first three books in the bestselling Thieves’ World® series (Fantasy-Faction). Created by the New York Times–bestselling author of the Myth series, as well as the Phule’s Company series, Thieves’ World® brings together classic fantasy’s finest authors to flesh out the shared world with their own unforgettable characters and epic worldbuilding. The first three books include stories by Lynn Abbey, Poul Anderson, Robert Lynn Asprin, Marion Zimmer Bradley, C. J. Cherryh, David Drake, Philip José Farmer, Joe Haldeman, Janet Morris, Andrew J. Offutt, and others. They introduce you to the nefarious citizens of the city of Sanctuary, including One-Thumb, the proprietor of the Vulgar Unicorn tavern; Regli, a nobleman; Illyra, the seer; Hanes, the thief; Jubal, the crime lord; and Tempus Thales, the immortal mercenary. “Game of Thrones has come to an end. . . . [Here’s] a fantasy series to fill the void. . . . You’ll be pulled into political intrigues, watch new gods replace old, and witness fortunes rise and fall and rise again.” — Book Riot “Sanctuary was the city where anything could happen, where characters created by some of the best fantasy writers of the generation crossed paths and shared adventures.” —Black Gate
Author: Anthony Elliott Publisher: Taylor & Francis ISBN: 1135196508 Category : Psychology Languages : en Pages : 427
Book Description
The Routledge Handbook of Identity Studies offers an exceptionally clear overview of the analysis of identity in the social sciences, and in so doing seeks to develop a new agenda for identity-studies in the twenty-first century. The key theories of identity, ranging from classical accounts to postmodern, psychoanalytic and feminist approaches, are drawn together and critically appraised, and there are substantive sections looking at racial, ethnic, gendered, queer, consumerist, virtual and global identities. The Handbook also makes an essential contribution to the debate now opening up over identity-politics and its cultural consequences. From anti-globalization protestors to new ecological warriors, from devotees of therapy culture to defenders of international human rights: the culture of identity-politics is fast redefining the public political sphere. What future for politics is there after the turn to identity? Throughout there is a strong emphasis on interdisciplinarity with essays covering sociology, psychology, politics, cultural studies and history. The Handbook’s clear and direct style will appeal to a wide undergraduate audience in the social sciences and humanities.
Author: Robert Lynn Asprin Publisher: Open Road Media ISBN: 1504075617 Category : Fiction Languages : en Pages : 695
Book Description
Volumes ten, eleven, and twelve bring the original, classic shared-world fantasy series to a close with an action-packed ending. As the storms of war blow past Sanctuary, the city rebuilds. Citizens work to put their lives back in order. Rights are wronged, debts are paid, and vengeance is pursued. But laborers are disappearing, a battle is brewing, and a sandstorm is blowing in from the desert, ready to envelop the city in chaos . . . Get lost in the adventure with this collection co-edited by Robert Lynn Asprin, New York Times–bestselling author of the Myth Adventures series, featuring colorful stories by fantasy’s best authors like Lynn Abbey, Robin W. Bailey, John Brunner, C. J. Cherryh, Jon DeCles, David Drake, Duane McGowen, Janet Morris, Mark C. Perry, Andrew Offutt, Diana L. Paxson, and C. S. Williams. Praise for the Thieves’ World® series “It’s a collection to be raced through, to see what will happen. And it’s a collection to drag one’s feet through, lest the end come too soon.” —Fantasy-Faction “Game of Thrones has come to an end. . . . [Here’s] a fantasy series to fill the void. . . . You’ll be pulled into political intrigues, watch new gods replace old, and witness fortunes rise and fall and rise again.” —Book Riot “Sanctuary was the city where anything could happen, where characters created by some of the best fantasy writers of the generation crossed paths and shared adventures.” —Black Gate“/P>
Author: William Percy
Author: William Percy
Author: Craig Elliott
Author: Paolo Serpieri
Author: Julie Bruton-Seal
Author: Ladelle McWhorter
Author: Michel Foucault
Author: Ronald Bogue
Author: Robert Lynn Asprin
Author: Anthony Elliott
Author: Robert Lynn Asprin