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Author: Sidney Thomas Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 118
Book Description
Looks at two of Shakespeare's creations, Hamlet and Richard lll by studying them in relationship to earlier dramatic types and to each other.
Author: Sidney Thomas Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 118
Book Description
Looks at two of Shakespeare's creations, Hamlet and Richard lll by studying them in relationship to earlier dramatic types and to each other.
Author: Larry S. Champion Publisher: University of Georgia Press ISBN: 082033846X Category : Literary Criticism Languages : en Pages : 236
Book Description
Larry S. Champion examines Shakespeare's English history plays and describes the structural devices through which Shakespeare controls the audience's angle of vision and its response to the pattern of historical events. Champion observes the experimentation between stage worlds and the significance of a dramatic technique unique to the history play—one that combines the detachment of a documentary necessary for a broad intellectual view of history and the simultaneous engagement between character and spectator. Champion sees a conscious bifurcation occurring in Shakespeare's dramaturgy after Richard II. In Julius Caesar, Shakespeare continues to focus on the psychological analysis and internalized protagonist which lead to his major tragic achievements. In King John and Henry IV, the playwright develops a middle ground between the polarities of Henry VI, in which the flat, onedimensional characters essentially serve the purposes of the narrative, and the tragedies, in which the spectator's consuming interest is in the developing centralfigure whose critical moments they share. Champion sees Henry V as the culmination of Shakespeare's e fforts in the English history play.
Author: Larry S. Champion Publisher: University of Georgia Press ISBN: 0820338443 Category : Literary Criticism Languages : en Pages : 288
Book Description
This work directs attention to the various structural devices by which Shakespeare creates and sustains anticipation in his audience whil simultaneously provoking them to participate in the tragic protagonist's anguish.
Author: Hugh M. Richmond Publisher: Twayne Publishers ISBN: Category : Drama Languages : en Pages : 328
Book Description
The full range of literary traditions comes to life in the Twayne Critical Essays Series. Volume editors have carefully selected critical essays that represent the full spectrum of controversies, trends and methodologies relating to each author's work. Essays include writings from the author's native country and abroad, with interpretations from the time they were writing, through the present day. Each volume includes: -- An introduction providing the reader with a lucid overview of criticism from its beginnings -- illuminating controversies, evaluating approaches and sorting out the schools of thought -- The most influential reviews and the best reprinted scholarly essays -- A section devoted exclusively to reviews and reactions by the subject's contemporaries -- Original essays, new translations and revisions commissioned especially for the series -- Previously unpublished materials such as interviews, lost letters and manuscript fragments -- A bibliography of the subject's writings and interviews -- A name and subject index
Author: Marvin Rosenberg Publisher: University of Delaware Press ISBN: 9780874134803 Category : Drama Languages : en Pages : 1006
Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Author: Herbert R. Coursen Publisher: Peter Lang ISBN: 9781433109249 Category : Drama Languages : en Pages : 238
Book Description
Contemporary Shakespeare Production suggests that analysis and description of selected productions is the only valid approach to understanding Shakespeare's art. It looks specifically at Richard II, Henry V, Ophelia, The Tempest, allusions to Shakespeare in film, and recent film and television productions of As You Like It, The Merchant of Venice, and King Lear. --Book Jacket.
Author: Bernard McElroy Publisher: Princeton University Press ISBN: 1400855942 Category : Literary Criticism Languages : en Pages : 266
Book Description
Despite their diversity in tone and subject matter, Shakespeare's four mature tragedies--Hamlet, Othello, King Lear, and Macbeth--all have an essential experience in common. Bernard McElroy defines this experience as the collapse of the subjective world of the tragic hero. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Sidney Thomas
Author: Sidney Thomas
Author: Sidney Thomas
Author: William Shakespeare
Author: Larry S. Champion
Author: Larry S. Champion
Author: George Watson
Author: Hugh M. Richmond
Author: Marvin Rosenberg
Author: Herbert R. Coursen
Author: Bernard McElroy