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The Animated Image

The Animated Image PDF Author: Stijn Bussels
Publisher: Walter de Gruyter
ISBN: 3050062614
Category : Art
Languages : en
Pages : 224

Book Description
Many Romans wrote about the belief that an image - a sculpture or painting, as well as a verbal description or a personage on stage - is not a representation, but the image’s prototype or that an image had particular aspects of life. A first group of authors explained these believes as incorrect observation or wrong mental processing by the beholder. Other authors pointed at the excellent craftsmanship of the maker of the image. A third group looked at the supernatural involvement of its prototype, often a god. Together these discourses on the animation of images bring us to what intellectuals from all over the Roman empire saw as reprehensible or acceptable in beholding images as works of art or as cult images. Moreover, these discourses touch upon ontological and epistemological problems. The barrier between life and death was explored and also the conditions to obtain knowledge from observation.

The Art of the Animated Image: Without special title

The Art of the Animated Image: Without special title PDF Author: Charles Solomon
Publisher:
ISBN:
Category : Animated films
Languages : en
Pages : 108

Book Description


The Animated Image

The Animated Image PDF Author: Stijn Bussels
Publisher: Walter de Gruyter
ISBN: 3050062614
Category : Art
Languages : en
Pages : 224

Book Description
Many Romans wrote about the belief that an image - a sculpture or painting, as well as a verbal description or a personage on stage - is not a representation, but the image’s prototype or that an image had particular aspects of life. A first group of authors explained these believes as incorrect observation or wrong mental processing by the beholder. Other authors pointed at the excellent craftsmanship of the maker of the image. A third group looked at the supernatural involvement of its prototype, often a god. Together these discourses on the animation of images bring us to what intellectuals from all over the Roman empire saw as reprehensible or acceptable in beholding images as works of art or as cult images. Moreover, these discourses touch upon ontological and epistemological problems. The barrier between life and death was explored and also the conditions to obtain knowledge from observation.

Castlevania: The Art of the Animated Series

Castlevania: The Art of the Animated Series PDF Author: Frederator Studios
Publisher: Dark Horse Comics
ISBN: 1506715591
Category : Art
Languages : en
Pages : 200

Book Description
Fans of Castlevania will covet this opportunity to learn all there is to know about the development of the animated series with this beautifu, expertly designed, full color, hardcover art book featuring concept art and commentary from all four seasons of the hit animated series. Gothic adventure and horror abound in Netflix's Castlevania. Now explore the work behind the scenes of the popular show that was originally inspired by the classic video games! Hundreds of pieces of ultra-detailed artwork are contained in these pages, including stunning, never-before-seen illustrations of monsters, characters, and environments. Experience the labor of love expressed while adapting the design for Dracula's castle, and get a closer look at the intricacies of each prop's fastidiously created components!

Indies Unlimited: Authors' Snarkopaedia

Indies Unlimited: Authors' Snarkopaedia PDF Author: K. S. Brooks
Publisher: Createspace Independent Pub
ISBN: 9781480213425
Category : Language Arts & Disciplines
Languages : en
Pages : 136

Book Description
In Volume One of the Authors' Snarkopaedia, sentences have been painstakingly crafted together using nouns, verbs and other words, bringing you paragraphs of text. These paragraphs flow into pages of expert tips, advice and insight for authors at all levels of the publication food chain. Any book can claim to offer this type of information, but they can't give you what sets the Indies Unlimited Authors' Snarkopaedia above the rest: the "je ne sais squat" of the high decorated staff of the Snarkology Department at the Indies Unlimited Online Academy. Their groundbreaking and empirical research over the years sheds new and snarkified light on subjects ranging from book publishing and marketing to the nuts and bolts of writing and technology. If you like information to grab you by the throat and smack you in the face, the Indies Unlimited Authors' Snarkopaedia is the reference book for you.

Magic Moving Images

Magic Moving Images PDF Author: Colin Ord
Publisher: Tarquin Group
ISBN: 9781899618743
Category : Flip books
Languages : en
Pages : 0

Book Description
Features images that transform into magical animations. This work is suitable for various ages.

Animation Magic 2001

Animation Magic 2001 PDF Author: Disney Book Group
Publisher: Disney Press
ISBN: 9780786832613
Category : Juvenile Fiction
Languages : en
Pages : 0

Book Description
Discusses the techniques and people involved in creating Disney's animated films, from the first story idea to opening night.

Transmission

Transmission PDF Author: Betti-Sue Hertz
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 116

Book Description
A comprehensive examination of the relationship between the work of renowned surrealist Roberto Matta (1912–2002) and his son, conceptual artist, Gordon Matta-Clark (1943-1978).

That's Enough, Folks

That's Enough, Folks PDF Author: Henry T. Sampson
Publisher: Rlpg/Galleys
ISBN:
Category : Performing Arts
Languages : en
Pages : 320

Book Description
An authoritative and valuable resource for students and scholars of film animation and African-American history, film buffs, and casual readers. It is the first and only book to detail the history of black images in animated cartoons. Using advertisements, quotes from producers, newspaper reviews, and other sources, Sampson traces stereotypical black images through their transition from the first newspaper comic strips in the late 1890s, to their inclusion in the first silent theatrical cartoons, through the peak of their popularity in 1930s musical cartoons, to their gradual decline in the 1960s. He provides detailed storylines with dialogue, revealing the extensive use of negative caricatures of African Americans. Sampson devotes chapters to cartoon series starring black characters; cartoons burlesquing life on the old slave plantation with "happy" slaves Uncle Tom and Topsy; depictions of the African safari that include the white hunter, his devoted servant, and bloodthirsty black cannibals; and cartoons featuring the music and the widely popular entertainment style of famous 1930s black stars including Cab Calloway, Louis Armstrong, and Fats Waller. That's Enough Folks includes many rare, previously unpublished illustrations and original animation stills and an appendix listing cartoon titles with black characters along with brief descriptions of gags in these cartoons.

The Walt Disney Film Archives. the Animated Movies 1921-1968

The Walt Disney Film Archives. the Animated Movies 1921-1968 PDF Author: Daniel Kothenschulte
Publisher: Taschen
ISBN: 9783836576154
Category :
Languages : en
Pages : 620

Book Description
In TASCHEN's first volume of one of the most expansive illustrated publications on Disney animation, 1,500 images take us to the beating heart of the studio's "Golden Age of Animation." Derived from the XXL book, this new edition again includes behind-the-scenes photos, story sketches, and cel setups of famous film scenes. It spans each of the...

Thinking with Animation

Thinking with Animation PDF Author: Joff P. N. Bradley
Publisher: Cambridge Scholars Publishing
ISBN: 1527573613
Category : Philosophy
Languages : en
Pages : 295

Book Description
This volume brings together scholars based predominantly in Asia to contribute provocative and experimental essays on the dynamic relationship between animation and philosophy. In an inventive and playful philosophical way, they address not only the mainstay of Japanese animation, but also Korean film, picture books and Mickey Mouse to understand what we might call film-philosophy in Asia. In thinking animation with concepts from the technicolour philosophies of Deleuze, Guattari, Stiegler, Benjamin, Kristeva and Heidegger, the book sees animation not as a representation of a philosophical idea per se, but conceptualizes it as a philosophical thinking-device. In the images themselves, what is at work is not just the thinking of a particular director or manga artist, but, rather, thinking as such, through and by the images themselves. The scholars in this collection are committed to thinking images themselves as thought-experiments and thinking machines.