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Author: Louise A. Mayo Publisher: ISBN: Category : History Languages : en Pages : 232
Book Description
Analyzes religious books, fiction, comic magazines, songs, burlesque pieces, political statements, and representative newspapers and periodicals. In the religious sphere, Jews were seen as the murderers of Christ, but hostile religious images diminished considerably by the end of the century. Literary caricatures and the press depicted the Jews as pawnbrokers and peddlers, with an overwhelming concern for wealth. Discusses the Shylock image which was less venomous than the European version. On the other hand, Jews were also depicted as industrious, honorable, law-abiding, family-centered, and intelligent. Concludes that political and ideological antisemitism was not characteristic of 19th century American society - the ambivalent attitude reflected contradictions in the goal of building an open society while rejecting and excluding aliens.
Author: Louise A. Mayo Publisher: ISBN: Category : History Languages : en Pages : 232
Book Description
Analyzes religious books, fiction, comic magazines, songs, burlesque pieces, political statements, and representative newspapers and periodicals. In the religious sphere, Jews were seen as the murderers of Christ, but hostile religious images diminished considerably by the end of the century. Literary caricatures and the press depicted the Jews as pawnbrokers and peddlers, with an overwhelming concern for wealth. Discusses the Shylock image which was less venomous than the European version. On the other hand, Jews were also depicted as industrious, honorable, law-abiding, family-centered, and intelligent. Concludes that political and ideological antisemitism was not characteristic of 19th century American society - the ambivalent attitude reflected contradictions in the goal of building an open society while rejecting and excluding aliens.
Author: Whitney Phillips Publisher: John Wiley & Sons ISBN: 1509501282 Category : Computers Languages : en Pages : 240
Book Description
This book explores the weird and mean and in-between that characterize everyday expression online, from absurdist photoshops to antagonistic Twitter hashtags to deceptive identity play. Whitney Phillips and Ryan M. Milner focus especially on the ambivalence of this expression: the fact that it is too unwieldy, too variable across cases, to be essentialized as old or new, vernacular or institutional, generative or destructive. Online expression is, instead, all of the above. This ambivalence, the authors argue, hinges on available digital tools. That said, there is nothing unexpected or surprising about even the strangest online behavior. Ours is a brave new world, and there is nothing new under the sun – a point necessary to understanding not just that online spaces are rife with oddity, mischief, and antagonism, but why these behaviors matter. The Ambivalent Internet is essential reading for students and scholars of digital media and related fields across the humanities, as well as anyone interested in mediated culture and expression.
Author: Sheldon M. Garon Publisher: Cornell University Press ISBN: 9780801473029 Category : Business & Economics Languages : en Pages : 332
Book Description
A comparative examination of the ambivalence provoked, especially in East and Southeast Asia, by the global spread of "American" consumer culture.
Author: Patricia Hayes Publisher: Ohio University Press ISBN: 0821446886 Category : History Languages : en Pages : 367
Book Description
Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson
Author: Stefanie Torres Publisher: Createspace Independent Publishing Platform ISBN: 9781986981286 Category : Languages : en Pages : 216
Book Description
I had a job to do. An assignment I had been hoping for. To anyone else it might have appeared easy. Interview the well-known plastic surgeon, Dr. Kean Bennett. Determined to succeed, I powered right into it. Except the man hated the media with an inexplainable passion. And he despised me for being another annoying journalist chasing a story. His story. That's when I screwed up. I gave the surgeon the power to destroy me. Complete obliteration. I've always believed there could be good hiding in the darkness, but maybe I was mistaken. My problem? I came to that conclusion much too late. I had already risked my life to get what I wanted.
Author: Jenny Huberman Publisher: Rutgers University Press ISBN: 0813566509 Category : Social Science Languages : en Pages : 345
Book Description
Jenny Huberman provides an ethnographic study of encounters between western tourists and the children who work as unlicensed peddlers and guides along the riverfront city of Banaras, India. She examines how and why these children elicit such powerful reactions from western tourists and locals in their community as well as how the children themselves experience their work and render it meaningful. Ambivalent Encounters brings together scholarship on the anthropology of childhood, tourism, consumption, and exchange to ask why children emerge as objects of the international tourist gaze; what role they play in representing socio-economic change; how children are valued and devalued; why they elicit anxieties, fantasies, and debates; and what these tourist encounters teach us more generally about the nature of human interaction. It examines the role of gender in mediating experiences of social change—girls are praised by locals for participating constructively in the informal tourist economy while boys are accused of deviant behavior. Huberman is interested equally in the children’s and adults’ perspectives; her own experiences as a western visitor and researcher provide an intriguing entry into her interpretations.
Author: Kenneth Weisbrode Publisher: MIT Press ISBN: 0262301075 Category : Philosophy Languages : en Pages : 90
Book Description
A concise guide to ambivalence, from Adam and Eve (to eat the apple or not?) to Hamlet (to be or not?) to globalization (e pluribus unum or not?). Why is it so hard to make up our minds? Adam and Eve set the template: Do we or don't we eat the apple? They chose, half-heartedly, and nothing was ever the same again. With this book, Kenneth Weisbrode offers a crisp, literate, and provocative introduction to the age-old struggle with ambivalence. Ambivalence results from a basic desire to have it both ways. This is only natural—although insisting upon it against all reason often results not in "both" but in the disappointing "neither." Ambivalence has insinuated itself into our culture as a kind of obligatory reflex, or default position, before practically every choice we make. It affects not only individuals; organizations, societies, and cultures can also be ambivalent. How often have we asked the scornful question, "Are we the Hamlet of nations"? How often have we demanded that our leaders appear decisive, judicious, and stalwart? And how eager have we been to censure them when they hesitate or waver? Weisbrode traces the concept of ambivalence, from the Garden of Eden to Freud and beyond. The Obama era, he says, may be America's own era of ambivalence: neither red nor blue but a multicolored kaleidoscope. Ambivalence, he argues, need not be destructive. We must learn to distinguish it from its symptoms—selfishness, ambiguity, and indecision—and accept that frustration, guilt, and paralysis felt by individuals need not lead automatically to a collective pathology. Drawing upon examples from philosophy, history, literature, and the social sciences, On Ambivalence is a pocket-sized portrait of a complex human condition. It should be read by anyone who has ever grappled with making the right choice.
Author: Mary Titus Publisher: University of Georgia Press ISBN: 0820341142 Category : Literary Criticism Languages : en Pages : 266
Book Description
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.
Author: Dario Gamboni Publisher: Reaktion Books ISBN: 9781861891495 Category : Ambiguity Languages : en Pages : 312
Book Description
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Author: Louise A. Mayo
Author: Louise A. Mayo
Author: Whitney Phillips
Author: Sheldon M. Garon
Author: Patricia Hayes
Author: Stefanie Torres
Author: 
Author: Jenny Huberman
Author: Kenneth Weisbrode
Author: Mary Titus
Author: Dario Gamboni