Author: Dan SicoliPublisher: Pudding House Publications
ISBN: 9781589982611
Category : Poetry
Languages : en
Pages : 40
Book Description
The Allegories
Author: Dan SicoliPublisher: Pudding House Publications
ISBN: 9781589982611
Category : Poetry
Languages : en
Pages : 40
Book Description
The Allegories of the Apocalypse Expounded. Shewing the Nature and Object of the Great Events Now Taking Place on this Orb. Being Chapters XV. and XVI. of the “Analogies of Being.” To which is Appended the Sectional Analysis of the Whole of that Work
Author: Joseph WOOD (of Ealing.)Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 78
Book Description
Siegfried Kracauer, or, The Allegories of Improvisation
Author: Miguel VeddaPublisher: Springer Nature
ISBN: 3030679659
Category : Political Science
Languages : en
Pages : 242
Book Description
This book analyses multiple facets of Kracauer’s work, comprehending the essayistic, narrative, philosophical, theoretical and critical writings, and putting special emphasis on some aspects: the phenomenology of metropolis, the theory of historiographic method, the reflections on the crisis of the subject and the emergence of a new subjectivity, the new forms of perception and aesthetic behaviour in late capitalism, the function of critic-intellectuals, the sociology of the middle classes, the theory of fascism, the aesthetical and sociological reflections on literary genres, the politicization of melancholy. An original feature of this book is the attention it pays to the links between Kracauer’s theoretical and critical writings and the traditions of heterodox Marxism, against a habitual tendency to obliterate the political (and emancipatory) dimension in the German author.
The Symbolism of Medieval Churches
Author: Mark SpurrellPublisher: Routledge
ISBN: 042967807X
Category : Architecture
Languages : en
Pages : 225
Book Description
The Symbolism of Medieval Churches: An Introduction explores the ways in which the medieval church building and key features of it were used as symbols, particularly to represent different relationships within the Church and the virtues of the Christian life. This book introduces the reader to the definition, form, and use of medieval symbols, and the significance that they held and still hold for some people, exploring the context in which church symbolism developed, and examining the major influences that shaped it. Among the topics discussed are allegory, typology, moral interpretation, and anagogy. Further chapters also consider the work of key figures, including Hugh and Richard of St Victor and Abbot Suger at St-Denis. Finally, the book contrasts the Eastern world with the Western world, taking a look at the late Middle Ages and what happened to church symbolism once Aristotle had ousted Plato from the schools. Entering into the medieval mind and placing church symbolism in its context, The Symbolism of Medieval Churches will be of great interest to upper-level undergraduates, postgraduates, and scholars working on Architectural History, Medieval Art, Church History, and Medieval History more widely.
Allegories of One's Own Mind
Author: David G. RiedePublisher: Ohio State University Press
ISBN: 0814210082
Category : English poetry
Languages : en
Pages : 236
Book Description
Perhaps because major Victorians like Thomas Carlyle and Matthew Arnold proscribed Romantic melancholy as morbidly diseased and unsuitable for poetic expression, critics have neglected or understated the central importance of melancholy in Victorian poetry. Allegories of One's Own Mind re-directs our attention to a mode that Arnold was rejecting as morbid but also acknowledging when he disparaged the widely current idea that the highest ambition of poetry should be to present an allegory of the poet's own mind. This book shows how early Victorian poets suffered from and railed against what they perceived to be a "disabling post-Wordsworthian melancholy"-we might refer to it as depression-and yet benefited from this self-absorbed or love-obsessed state, which ironically made them more productive. David G. Riede argues that the dominant thematic and formal concerns of the age, in fact, are embodied in the ambivalence of Carlyle, Arnold, and others, who pitted a Victorian ideology of duty, rationality, and high moral character against a still compelling Romantic cultivation of the deep self intuited as melancholy. Such ambivalence, in fact, is in itself constitutive of melancholy, long understood as the product of conscience raging against inchoate desire, and it constitutes the mood of the age's most important poetry, represented here in the major works of Alfred Tennyson, Elizabeth Barrett Browning, and even in the notoriously "optimistic" Robert Browning. David G. Riede is professor of English at The Ohio State University.
Reading the Allegorical Intertext
Author: Judith H. AndersonPublisher: Fordham Univ Press
ISBN: 0823228495
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.
The Allegory of the Church
Author: Calvin B. KendallPublisher: University of Toronto Press
ISBN: 0802042627
Category : Religion
Languages : en
Pages : 458
Book Description
The Allegory of the Church is the first full-length study of Romanesque verse inscriptions in the context of church portals and portal sculpture, and is the product of a twenty-year study.
Evelyn Pickering De Morgan and the Allegorical Body
Author: Elise Lawton SmithPublisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638835
Category : Art
Languages : en
Pages : 268
Book Description
"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".
Interpretation and Allegory
Author: WhitmanPublisher: BRILL
ISBN: 9004453598
Category : History
Languages : en
Pages : 529
Book Description
Western literary, philosophical, and religious traditions from Plato and Paul to Augustine and Avicenna have utilized, exploited, or been subjected to allegorical interpretation. Naturally developing a composite picture of interpretive allegory from such a large landscape faces numerous difficulties. As the editor puts it, “to imagine a ‘definitive’ account of the theory and practice of allegorical interpretation in the West would require something of an allegorical vision in its own right.” With that caveat in mind, however, the international team of contributors—from a variety of disciplines—offers a “historical and conceptual framework” for understanding interpretive allegory in the West, from antiquity through the early and late medieval and renaissance periods, and from the eighteenth through the twentieth centuries. This publication has also been published in hardback, please click here for details.
A Dictionary of Symbols
Author: Juan Eduardo CirlotPublisher: Courier Corporation
ISBN: 9780486425238
Category : Social Science
Languages : en
Pages : 532
Book Description
A valuable reference, this informative and entertaining volume presents a key to elucidating the symbolic worlds encountered in both the arts and the history of ideas. Alphabetical entries clarify essential meanings of each symbol, as drawn from religion, astrology, alchemy, numerology, other sources. 32 black-and-white illustrations.