Author: Miklós Boskovits
Publisher: Edizioni Polistampa
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 278
Book Description
This book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.
The Alana Collection: Italian paintings from the 13th to 15th century
Author: Miklós Boskovits
Publisher: Edizioni Polistampa
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 278
Book Description
This book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.
Publisher: Edizioni Polistampa
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 278
Book Description
This book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.
Frame Work
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 552
Book Description
The Sexuality of Christ in Renaissance Art and in Modern Oblivion
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022622631X
Category : Art
Languages : en
Pages : 426
Book Description
Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
Publisher: University of Chicago Press
ISBN: 022622631X
Category : Art
Languages : en
Pages : 426
Book Description
Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
Italian, Spanish, and French Paintings
Author: John and Mable Ringling Museum of Art
Publisher: Scala
ISBN:
Category : Art
Languages : en
Pages : 556
Book Description
Presenting a wealth of new research, analysis and previously unpublished documentation, this volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velazquez. A rich resource for scholars and enthusiasts alike, this book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned color photography of each work.
Publisher: Scala
ISBN:
Category : Art
Languages : en
Pages : 556
Book Description
Presenting a wealth of new research, analysis and previously unpublished documentation, this volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velazquez. A rich resource for scholars and enthusiasts alike, this book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned color photography of each work.
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
Dressing Renaissance Florence
Author: Carole Collier Frick
Publisher: JHU Press
ISBN: 9780801882647
Category : History
Languages : en
Pages : 372
Book Description
As portraits, private diaries, and estate inventories make clear, elite families of the Italian Renaissance were obsessed with fashion, investing as much as forty percent of their fortunes on clothing. In fact, the most elaborate outfits of the period could cost more than a good-sized farm out in the Mugello. Yet despite its prominence in both daily life and the economy, clothing has been largely overlooked in the rich historiography of Renaissance Italy. In Dressing Renaissance Florence, however, Carole Collier Frick provides the first in-depth study of the Renaissance fashion industry, focusing on Florence, a city founded on cloth, a city of wool manufacturers, finishers, and merchants, of silk dyers, brocade weavers, pearl dealers, and goldsmiths. From the artisans who designed and assembled the outfits to the families who amassed fabulous wardrobes, Frick's wide-ranging and innovative interdisciplinary history explores the social and political implications of clothing in Renaissance Italy's most style-conscious city. Frick begins with a detailed account of the industry itself -- its organization within the guild structure of the city, the specialized work done by male and female workers of differing social status, the materials used and their sources, and the garments and accessories produced. She then shows how the driving force behind the growth of the industry was the elite families of Florence, who, in order to maintain their social standing and family honor, made continuous purchases of clothing -- whether for everyday use or special occasions -- for their families and households. And she concludes with an analysis of the clothes themselves: what pieces made up an outfit; how outfits differed for men, women, and children; and what colors, fabrics, and design elements were popular. Further, and perhaps more basically, she asks how we know what we know about Renaissance fashion and looks to both Florence's sumptuary laws, which defined what could be worn on the streets, and the depiction of contemporary clothing in Florentine art for the answer. For Florence's elite, appearance and display were intimately bound up with self-identity. Dressing Renaissance Florence enables us to better understand the social and cultural milieu of Renaissance Italy.
Publisher: JHU Press
ISBN: 9780801882647
Category : History
Languages : en
Pages : 372
Book Description
As portraits, private diaries, and estate inventories make clear, elite families of the Italian Renaissance were obsessed with fashion, investing as much as forty percent of their fortunes on clothing. In fact, the most elaborate outfits of the period could cost more than a good-sized farm out in the Mugello. Yet despite its prominence in both daily life and the economy, clothing has been largely overlooked in the rich historiography of Renaissance Italy. In Dressing Renaissance Florence, however, Carole Collier Frick provides the first in-depth study of the Renaissance fashion industry, focusing on Florence, a city founded on cloth, a city of wool manufacturers, finishers, and merchants, of silk dyers, brocade weavers, pearl dealers, and goldsmiths. From the artisans who designed and assembled the outfits to the families who amassed fabulous wardrobes, Frick's wide-ranging and innovative interdisciplinary history explores the social and political implications of clothing in Renaissance Italy's most style-conscious city. Frick begins with a detailed account of the industry itself -- its organization within the guild structure of the city, the specialized work done by male and female workers of differing social status, the materials used and their sources, and the garments and accessories produced. She then shows how the driving force behind the growth of the industry was the elite families of Florence, who, in order to maintain their social standing and family honor, made continuous purchases of clothing -- whether for everyday use or special occasions -- for their families and households. And she concludes with an analysis of the clothes themselves: what pieces made up an outfit; how outfits differed for men, women, and children; and what colors, fabrics, and design elements were popular. Further, and perhaps more basically, she asks how we know what we know about Renaissance fashion and looks to both Florence's sumptuary laws, which defined what could be worn on the streets, and the depiction of contemporary clothing in Florentine art for the answer. For Florence's elite, appearance and display were intimately bound up with self-identity. Dressing Renaissance Florence enables us to better understand the social and cultural milieu of Renaissance Italy.
Italian Paintings of the Thirteenth and Fourteenth Centuries
Author: Miklós Boskovits
Publisher:
ISBN: 9780894683985
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780894683985
Category :
Languages : en
Pages :
Book Description
The Pittas Collection
Author: Stefano G. Casu
Publisher:
ISBN: 9788874611508
Category : Art
Languages : it
Pages : 235
Book Description
Publisher:
ISBN: 9788874611508
Category : Art
Languages : it
Pages : 235
Book Description
The Italian Wife
Author: Kate Furnivall
Publisher: Penguin
ISBN: 0698196333
Category : Fiction
Languages : en
Pages : 433
Book Description
The New York Times bestselling author of The Russian Concubine returns with a stunning new novel set in Mussolini’s Italy. Isabella Berotti is an architect, helping to create showpieces that will reflect the glory of her country’s Fascist leaders. She is not a deeply political sort, but designing these buildings of grandiose beauty helps her forget about the pain she’s felt since her husband was murdered years ago. One of her greatest accomplishments is the clock tower in the town of Bellina, outside Rome. But as she is admiring it one day, a woman approaches her, asking her to watch her ten-year-old daughter. Minutes later, to Isabella’s horror, the woman leaps to her death from that very clock tower. There are photos of the woman right after the suicide, taken by Roberto Falco. A propaganda photographer for Il Duce, he is expected to show his nation in the most flattering light. But what Roberto and Isabella have seen reflects a more brutal reality, and in a place where everyone is watching and friends turn on friends to save themselves, their decision to take a closer look may be a dangerous mistake.
Publisher: Penguin
ISBN: 0698196333
Category : Fiction
Languages : en
Pages : 433
Book Description
The New York Times bestselling author of The Russian Concubine returns with a stunning new novel set in Mussolini’s Italy. Isabella Berotti is an architect, helping to create showpieces that will reflect the glory of her country’s Fascist leaders. She is not a deeply political sort, but designing these buildings of grandiose beauty helps her forget about the pain she’s felt since her husband was murdered years ago. One of her greatest accomplishments is the clock tower in the town of Bellina, outside Rome. But as she is admiring it one day, a woman approaches her, asking her to watch her ten-year-old daughter. Minutes later, to Isabella’s horror, the woman leaps to her death from that very clock tower. There are photos of the woman right after the suicide, taken by Roberto Falco. A propaganda photographer for Il Duce, he is expected to show his nation in the most flattering light. But what Roberto and Isabella have seen reflects a more brutal reality, and in a place where everyone is watching and friends turn on friends to save themselves, their decision to take a closer look may be a dangerous mistake.