Bach and Handel PDF Download

Author: Alfred Mann
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 140

View

Book Description

Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260

View

Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.

Author: Christoph Wolff
Publisher: Oxford University Press, USA
ISBN: 9780199248841
Category : Biography & Autobiography
Languages : en
Pages : 644

View

Book Description
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.

Author: Martin Geck
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764

View

Book Description
Publisher Description

Author: M. T. Anderson
Publisher: Candlewick Press
ISBN: 0763666009
Category : Juvenile Nonfiction
Languages : en
Pages : 26

View

Book Description
In this biography, the man who would later compose some of the world's most beautiful music is shown to have once been a stubborn little boy with a mind of his own.

Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465

View

Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.

Author: Donald Burrows
Publisher: Cambridge University Press
ISBN: 9780521456135
Category : Biography & Autobiography
Languages : en
Pages : 372

View

Book Description
A Companion to one of the principal creative figures in Baroque music.

Author: Howard Goodall
Publisher: Simon and Schuster
ISBN: 1639361219
Category : Music
Languages : en
Pages : 471

View

Book Description
Why did prehistoric people start making music? What does every postwar pop song have in common? A “masterful” tour of music through the ages (Booklist, starred review). Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly specialized and complex. In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall does away with stuffy biographies, unhelpful labels, and tired terminology. Instead, he leads us through the story of music as it happened, idea by idea, so that each musical innovation—harmony, notation, sung theater, the orchestra, dance music, recording, broadcasting—strikes us with its original force. He focuses on what changed when and why, picking out the discoveries that revolutionized man-made sound and bringing to life musical visionaries from the little-known Pérotin to the colossus of Wagner. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant, and what all post-war pop songs have in common. The story of music is the story of our urge to invent, connect, rebel—and entertain. Howard Goodall's beautifully clear and compelling account is both a hymn to human endeavor and a groundbreaking map of our musical journey.

Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199813698
Category : Music
Languages : en
Pages : 6390

View

Book Description
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c

Author: Laurence Dreyfus
Publisher: Harvard University Press
ISBN: 0674013565
Category : Music
Languages : en
Pages : 281

View

Book Description
In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach’s music “against the grain” of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach’s approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics. “Invention”—the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition—emerges as an invaluable key in Dreyfus’s analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach’s working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach’s unusual appropriations of French and Italian styles—and about the elevation of various genres far above their conventional status. Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.