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Author: William H. Gerdts Publisher: ISBN: Category : Architecture Languages : en Pages : 136
Book Description
No aspect of American art commands as much interest and appreciation as American Impressionism. Lavishly illustrated and gracefully written, The Golden Age of American Impressionism explores the full range of artistic achievement within this popular movement, with masterworks by such distinguished artists as Mary Cassatt, Childe Hassam, Theodore Robinson, John Twachtman, and Julian Alden Weir, among others.
Author: William H. Gerdts Publisher: ISBN: Category : Architecture Languages : en Pages : 136
Book Description
No aspect of American art commands as much interest and appreciation as American Impressionism. Lavishly illustrated and gracefully written, The Golden Age of American Impressionism explores the full range of artistic achievement within this popular movement, with masterworks by such distinguished artists as Mary Cassatt, Childe Hassam, Theodore Robinson, John Twachtman, and Julian Alden Weir, among others.
Author: Judith A. Barter Publisher: ISBN: 9780300175745 Category : Art Languages : en Pages : 0
Book Description
The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein. Distributed for the Art Institute of Chicago
Author: Judith A. Barter Publisher: ISBN: 9780865592506 Category : Art Languages : en Pages : 157
Book Description
The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with reproduced images of lesser-known artists who worked in the Impressionist vein.
Author: William H. Gerdts Publisher: New York : Abbeville Press ISBN: Category : Art Languages : en Pages : 344
Book Description
Lavishly illustrated with more than 400 paintings by 125 different artists, this volume contains documentary photographs of the artists and quotations from their private letters and journals complementing the text. Beginning with a brief prelude discussing the roots of Impressionism in America and its relationship to French Impressionism, Gerdts recounts the early adventures of American artists in Claude Monet's village of Giverny, evaluates Impressionism's progress from an avant-garde aesthetic to its triumph during the 1813 Chicago World Fair and its replacement by the radical styles of Cubism and Futurism. Also studies how Impressionism flourished across the United States and includes an exhaustive bibliography. Among the masters reproduced are Childe Hassam, John Twachtman, Edmund Tarbell, and Frederick Frieseke. ISBN 0-89659-451-3 : $85.00. (For use only in the library).
Author: Kirstin Ringelberg Publisher: Routledge ISBN: 1351551981 Category : Art Languages : en Pages : 178
Book Description
Were late nineteenth-century gender boundaries as restrictive as is generally held? In Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space, Kirstin Ringelberg argues that it is time to bring the current re-evaluation of the notion of separate spheres to these images. Focusing on studio paintings by American artists William Merritt Chase and Mary Fairchild MacMonnies Low, she explores how the home-based painting studio existed outside of entrenched gendered divisions of public and private space and argues that representations of these studios are at odds with standard perceptions of the images, their creators, and the concept of gender in the nineteenth century. Unlike most of their bourgeois contemporaries, Gilded Age artists, whether male or female, often melded the worlds of work and home. Through analysis of both paintings and literature of the time, Ringelberg reveals how art history continues to support a false dichotomy; that, in fact, paintings that show women negotiating a complex combination of professionalism and domesticity are still overlooked in favor of those that emphasize women as decorative objects. Redefining Gender in American Impressionist Studio Paintings challenges the dominant interpretation of American (and European) Impressionism, and considers both men and women artists as active performers of multivalent identities.
Author: Laura Anne Kalba Publisher: Penn State Press ISBN: 0271079789 Category : Art Languages : en Pages : 713
Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: William H. Gerdts
Author: William H. Gerdts
Author: Judith A. Barter
Author: Judith A. Barter
Author: Emily Ballew Neff
Author: Helene Barbara Weinberg
Author: William H. Gerdts
Author: San Antonio Museum of Art
Author: Kirstin Ringelberg
Author: Laura Anne Kalba
Author: Lisa N. Peters