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Author: Bernard W. Bell Publisher: Amherst : University of Massachusetts Press ISBN: Category : Literary Criticism Languages : en Pages : 456
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Author: Bernard W. Bell Publisher: Amherst : University of Massachusetts Press ISBN: Category : Literary Criticism Languages : en Pages : 456
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Author: Bernard W. Bell Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 528
Book Description
In 1987 Bernard W. Bell published "The Afro-American Novel and Its Tradition", a comprehensive interpretive history of more than 150 novels written by African Americans from 1853 to 1983. This is a sequel and companion to the earlier work, expanding the coverage to 2001.
Author: Valerie Babb Publisher: Cambridge University Press ISBN: 1108210279 Category : Literary Criticism Languages : en Pages : 499
Book Description
A History of the African American Novel offers an in-depth overview of the development of the novel and its major genres. In the first part of this book, Valerie Babb examines the evolution of the novel from the 1850s to the present, showing how the concept of black identity has transformed along with the art form. The second part of this History explores the prominent genres of African American novels, such as neoslave narratives, detective fiction, and speculative fiction, and considers how each one reflects changing understandings of blackness. This book builds on other literary histories by including early black print culture, African American graphic novels, pulp fiction, and the history of adaptation of black novels to film. By placing novels in conversation with other documents - early black newspapers and magazines, film, and authorial correspondence - A History of the African American Novel brings many voices to the table to broaden interpretations of the novel's development.
Author: Maria Giulia Fabi Publisher: University of Illinois Press ISBN: 9780252026676 Category : Literary Criticism Languages : en Pages : 210
Book Description
Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African-American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters. Focusing on the trope of passing -- black characters lightskinned enough to pass for white -- M. Giulia Fabi shows how early African-American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, James Weldon Johnson, Frances E. W. Harper, and Edward A. Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Celebrating a distinctive, African-American history, culture, and worldview, these authors used passing to challenge the myths of racial purity and the color line. Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. She also gives a historical overview of the canon-making enterprises of African-American critics from the 1850s to the 1990s and considers how their concerns about crafting a particular image for African-American literature affected their perceptions of nineteenth-century black fiction.
Author: Dickson D. Bruce Publisher: University of Virginia Press ISBN: 9780813920672 Category : History Languages : en Pages : 396
Book Description
From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation. Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.
Author: Bernard W. Bell Publisher: Wayne State University Press ISBN: 0814337155 Category : Literary Collections Languages : en Pages : 355
Book Description
An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell. Bearing Witness to African American Literature: Validating and Valorizing Its Authority, Authenticity, and Agency collects twenty-three of Bernard W. Bell’s lectures and essays that were first presented between 1968 and 2008. From his role in the culture wars as a graduate student activist in the Black Studies Movement to his work in the transcultural Globalization Movement as an international scholar and Fulbright cultural ambassador in Spain, Portugal, and China, Bell’s long and inspiring journey traces the modern institutional origins and the contemporary challengers of African American literary studies. This volume is made up of five sections, including chapters on W. E. B. DuBois’s theory and trope of double consciousness, an original theory of residually oral forms for reading the African American novel, an argument for an African Americentric vernacular and literary tradition, and a deconstruction of the myths of the American melting pot and literary mainstream. Bell considers texts by contemporary writers like Toni Morrison, Alice Walker, William Styron, James Baldwin, and Jean Toomer, as well as works by Mark Twain, Frederick Douglas, and William Faulkner. In a style that ranges from lyricism to the classic jeremiad, Bell emphasizes that his work bears the imprint of many major influences, including his mentor, poet and scholar Sterling A. Brown, and W. E. B. DuBois. Taken together, the chapters demonstrate Bell’s central place as a revisionist African American literary and cultural theorist, historian, and critic. Bearing Witness to African American Literature will be an invaluable introduction to major issues in the African American literary tradition for scholars of American, African American, and cultural studies.
Author: Bernard W. Bell Publisher: Univ of Massachusetts Press ISBN: Category : History Languages : en Pages : 452
Book Description
This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.
Author: Maryemma Graham Publisher: Routledge ISBN: 1136671919 Category : Education Languages : en Pages : 265
Book Description
This book is written by teachers interested in bringing African American literature into the classroom. Documented here is the learning process that these educators experienced themselves as they read and discussed the stories & pedagogical.
Author: Michael Awkward Publisher: Columbia University Press ISBN: 0231068077 Category : Literary Criticism Languages : en Pages : 192
Book Description
A critical look at works from this emerging body of literature. Examines Their eyes were watching God, The bluest eye, The women of Brewster Place, and The color purple. Provides insight to the aesthetically complex and ideologically challenging novels of Afro- American women. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stephanie Brown Publisher: Univ. Press of Mississippi ISBN: 1604739746 Category : Literary Criticism Languages : en Pages : 203
Book Description
Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding. In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators. Wright's Native Son (1940) is typically considered to have inaugurated an era of social realism in African-American literature. And Ellison's Invisible Man (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, "costume dramas." Their status as "lesser lights" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.
Author: Bernard W. Bell
Author: Bernard W. Bell
Author: Bernard W. Bell
Author: Valerie Babb
Author: Maria Giulia Fabi
Author: Dickson D. Bruce
Author: Bernard W. Bell
Author: Bernard W. Bell
Author: Maryemma Graham
Author: Michael Awkward
Author: Stephanie Brown