The Aesthetic of Beuron and Other Writings PDF Download

Author: Peter Lenz
Publisher:
ISBN: 9780903427104
Category : Aesthetics
Languages : en
Pages : 105

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Author: Desiderius Lenz
Publisher:
ISBN: 9781903427101
Category : Aesthetics
Languages : en
Pages : 105

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Author: Carles Rius
Publisher: Edicions Universitat Barcelona
ISBN: 8447537919
Category : Architecture
Languages : en
Pages : 221

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Book Description
The fascination that the work of Gaudí arouses is due in large part to the enigmatic symbolism of its forms, full of mystical and philosophical significance that is sometimes difficult for observers to perceive, but which becomes clearer when analysed in the light of certain very influential currents of ideas in the art of the nineteenth and early twentieth centuries. Based on the study of Casa Bellesguard and the Temple of the Sagrada Família, this book opens up new avenues for interpreting Gaudí’s symbolism, discovering the ties existing between the work of the Catalan architect and that of the German painter Peter Lenz, which at the same time is rooted in the early Romantic period. Aimed at both specialists and the general public, Antoni Gaudí: Casa Bellesguard as the Key to His Symbolism not only broadens the knowledge and the documentation of Gaudí’s creative universe, but also contributes to enriching our perception of his work.

Author: Janina Ramirez
Publisher: Harlequin
ISBN: 0369734742
Category : History
Languages : en
Pages : 310

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THE #1 INTERNATIONAL BESTSELLER *A "Next Big Idea Book Club" Must Read* A groundbreaking reappraisal of medieval femininity, revealing why women have been written out of history and why it matters The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women’s names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burned, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated. Only now, through a careful examination of the artifacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women, such as: Jadwiga, the only female king in Europe Margery Kempe, who exploited her image and story to ensure her notoriety Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England In Femina, Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.

Author: Timothy D. J. Chappell
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 256

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Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226

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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?

Author: Paul Natorp
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 492

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Author: Gino Severini
Publisher:
ISBN: 9781903427057
Category : Art and science
Languages : en
Pages : 218

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Author: W. G. Sebald
Publisher: New Directions Publishing
ISBN: 0811221296
Category : Fiction
Languages : en
Pages : 188

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A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs—the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.

Author: David Hiley
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764

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Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.