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Author: Marshall N. Price Publisher: Hudson Hills ISBN: 9781887149174 Category : Art Languages : en Pages : 98
Book Description
Comprised of nearly fifty paintings, sculptures and works on paper, The Abstract Impulse highlights artists in such critical movements as Abstract Expressionism, Minimalism, and Op Art. Artists who are included are such canonical figures as Robert Motherwell, Jasper Johns, Helen Frankenthaler, and Robert Mangold among others. This publication, together with its coinciding exhibition, seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection.
Author: Marshall N. Price Publisher: Hudson Hills ISBN: 9781887149174 Category : Art Languages : en Pages : 98
Book Description
Comprised of nearly fifty paintings, sculptures and works on paper, The Abstract Impulse highlights artists in such critical movements as Abstract Expressionism, Minimalism, and Op Art. Artists who are included are such canonical figures as Robert Motherwell, Jasper Johns, Helen Frankenthaler, and Robert Mangold among others. This publication, together with its coinciding exhibition, seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection.
Author: Barbara Brotherton Publisher: ISBN: 9780932216694 Category : ART Languages : en Pages : 0
Book Description
Robert Davidson has been a pivotal figure in the Northwest Coast Native art renaissance since he erected the first totem pole in nearly a century in his ancestral Masset village in 1969. For over forty years he has absorbed the bedrock art traditions of Haida art and craft, working in the ancient forms of his grandfather, the influential Haida artist Charles Edensaw. Davidson has taken new directions within the highly disciplined structure of the old Northwest Coast models--in wood sculpture, ceremonial arts, jewelry, and prints. Less known are his recent forays into abstraction, explored in boldly minimalist easel paintings, graphic work, and sculpture. Pared to essential lines, elemental shapes, and bold colors, these startlingly modern works insinuate themselves into a lifetime's body of work which has usually been labeled as "traditional." Robert Davidson features paintings, sculptures, and prints created since 2005, as well as key images from earlier in his career, that show Davidson's impulse toward an elemental language of form. These essays investigate the complex fusion of sources Davidson draws upon, placing the work in the larger context of contemporary art, and examines the ways in which the work mediates the dualities of tradition and innovation, the spheres of the community and the gallery, and the personal and the collective.
Author: John Paul Ito Publisher: Indiana University Press ISBN: 0253049946 Category : Music Languages : en Pages : 398
Book Description
Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.
Author: Niels Brønsted Publisher: BoD – Books on Demand ISBN: 874308639X Category : Philosophy Languages : en Pages : 406
Book Description
The Inner Dimensions of Life is a compressed yet exhaustive educational presentation of the esoteric teachings in three volumes, subtitled Esoteric Philosophy, Esoteric Psychology, and Esoteric Sociology. With a background in many years of work as a teacher in his Esoteric School, the author has gathered and edited a comprehensive and thoroughly tested curriculum, including illustrations and copious source references. Thus, the work appeals to readers who will be content with a general view, as well as those who wish to delve deeper into the subject. The third volume, Esoteric Sociology, touches upon the way one as an esotericist can relate to groups, society, and the world in general. The global perspective is dealt with in four chapters on The Law of Karma, The Dark Forces, The New Group of World Servers, and The Externalization of the Hierarchy. These are followed by a chapter on Economy - the cause of many of humanity's current problems, which are treated in the next chapter. The book and the work is concluded with the subject Group Work, which perhaps holds the most important message for humans nearing an esoteric approach to life.
Author: Deng Xiaomang Publisher: Routledge ISBN: 100054740X Category : Philosophy Languages : en Pages : 165
Book Description
This volume explores the unity of logic, epistemology and ontology in Hegel's dialectic and the interrelation among the three, thereby revealing the internal features of Hegel's dialectic as well as the connection and divergence between Hegel's and Marx's philosophical thought. As the final volume of a three-volume set that gives insights into Hegel's dialectic and his overall philosophical thought, the book analyzes Hegel's dialectic as "a unity of three." As logic, it transcends language and is therefore epistemology; as epistemology, it transcends theory and is therefore ontology; as ontology, it transcends existing things and is therefore logic. Hegel's dialectic thus demonstrates itself as the revolutionary development of each of these three fields in the history of Western philosophy. The principle of the agreement of logic with history thereby expressed immediately becomes one of the most important philosophical sources of inspiration for Marx's historical materialism. A more profound understanding of Hegel's philosophy will therefore deepen our understanding of the philosophy of Marxism. The title will appeal to scholars and students interested in Hegel's and Marx's philosophy, German classical philosophy and Western philosophy.
Author: Josef Helfenstein Publisher: University of Washington Press ISBN: Category : Art Languages : en Pages : 212
Book Description
"'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first large-scale exhibition focusing on the works of two major figures in American and African American art history: Bill Traylor (1854-1949), a draftsman, and William Edmondson (1874-1951), a sculptor. Although Traylor and Edmondson are typically defined as "folk" or "outsider" artists whose works reflect the roots of African American culture, their work was discovered and first discussed in the broader context of modernism. Born a slave in 1854, Bill Traylor worked as a cotton laborer throughout much of his life. At the age of 85, while living on the streets in downtown Montgomery, Alabama, he picked up a pencil and began to draw. When he died ten years later, he had created more than 1,500 works of art that simultaneously pulse with the musical energy of the blues and reflect on the economic depression and race relations in Alabama during the 1930s and 1940s. William Edmondson was born into poverty in 1874, and in the early 1930s he began to gather discarded stones carving them into simple, but powerful tombstones. He died in 1951 leaving behind a body of work full of strongly abstract forms and divine inspiration. Paradoxically, Edmondson and Traylor were among the first African Americans to gain recognition from the official art world. In 1937 Edmondson was the first black artist to be exhibited at The Museum of Modern Art, New York, and Traylor's work was shown both in Montgomery and in New York in the 1940s. After World War II and the deaths of both artists (1949 and 1951), shifting priorities in institutional culture, politics, and taste, but especially the dominance of Greenbergian aesthetic dogmatism, removed artists like Traylor and Edmondson from a (by now much narrower) view of modern art. As a result, the work of both artists fell into oblivion for several decades. However, the civil rights movement and black cultural movements in the 1960s paved the way for a reevaluation and rediscovery. ... 'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first exhibition, however, in which their work and careers will be discussed outside of the reductive framework of "self-taught" art -- namely, within the broader context of American and European culture of the first half of the twentieth century. The aesthetic language of the work of both Edmondson and Traylor, its simplicity, freshness, and independence -- in other words, its radical modernity -- made it so attractive for young artists, photographers, and curators who were part of the modernist movement in America in the 1930s. This exhibition and publication are part of a broader tendency to revisit the history of modernism in the United States and especially those exponents who have been excluded from the canon of modern art for several decades. It is time to discuss and recognize the role and place of Bill Traylor and William Edmondson and their work outside the ghetto of "outsider" and "self-taught" art. This exhibition and publication offer a vehicle to better understand the aesthetic language of this work and the larger framework of cultural and social impulses to which it is related. But most importantly, the exhibition positions Traylor and Edmondson within the aesthetic discourse and institutional framework of modern art, which since World War II has increasingly become a synonym for mainstream, established art."--
Author: Edward Ragg Publisher: Cambridge University Press ISBN: 1139489992 Category : Literary Criticism Languages : en Pages :
Book Description
Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
Author: C. W. Maris Publisher: Springer ISBN: 9401744300 Category : Philosophy Languages : en Pages : 486
Book Description
a. 'Two things fill the mind with ever new and increasing admiration and awe, the oftener and the more steadily we reflect on them: the starry heavens above and the moral law within. ' Thus Kant formulates his attitude to morality (Critique of Practical Reason, p. 260). He draws a sharp distinction between these two objects of admiration. The starry sky, he writes, represents my relationship to the natural, empirical world. Moral law, on the other hand, is of a completely different order. It ' . . . begins from my invisible self, my personality, and exhibits me in a world which has true infinity, but which is traceable only by the understanding and with which I discern that I am not in a merely contingent but in a universal and necessary connection (. . . ). ' (p. 260). So Kant sees morality as a separate metaphysical order opposed to the world of empirical phenomena. Human beings belong to both worlds. According to Kant, the personality derives nothing of value from its relationship with the empirical world. His part in the sensuous world of nature places man on a level with any animal which before long must give back to the rest of nature the substances of which it is made.
Author: Aaron Horne Publisher: Bloomsbury Publishing USA ISBN: 0313064865 Category : Music Languages : en Pages : 558
Book Description
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
Author: Vincent G. Duffy Publisher: Springer ISBN: 331921070X Category : Computers Languages : en Pages : 551
Book Description
The two-volume set LNCS 9184-9185 constitutes the constitutes the refereed proceedings of the 6th International Conference on Digital Human Modeling and Applications in Health, Safety, Ergonomics and Risk Management 2015, held as part of the 17th International Conference on Human-Computer Interaction, HCII 2015, held in Los Angeles, CA, USA, in August 2015. The total of 1462 papers and 246 posters presented at the HCII 2015 conferences was carefully reviewed and selected from 4843 submissions. These papers address the latest research and development efforts and highlight the human aspects of design and use of computing systems. The papers thoroughly cover the entire field of human-computer interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas. The total of 96 contributions included in the DHM proceedings were carefully reviewed and selected for inclusion in this two-volume set. The 52 papers included in this volume are organized in the following topical sections: anthropometry and ergonomics; motion modeling and tracking; human modeling in transport and aviation; human modeling in medicine and surgery; quality in healthcare.
Author: Marshall N. Price
Author: Marshall N. Price
Author: Barbara Brotherton
Author: John Paul Ito
Author: Niels Brønsted
Author: Deng Xiaomang
Author: Josef Helfenstein
Author: Edward Ragg
Author: C. W. Maris
Author: Aaron Horne
Author: Vincent G. Duffy