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Author: Roger Ebert Publisher: University of Chicago Press ISBN: 0226182118 Category : Performing Arts Languages : en Pages : 438
Book Description
Roger Ebert has been writing film reviews for the Chicago Sun-Times for over four decades now and his biweekly essays on great movies have been appearing there since 1996. As Ebert noted in the introduction to the first collection of those pieces, “They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone. But it’s fair to say: If you want to take a tour of the landmarks of the first century of cinema, start here. Enter The Great Movies III, Ebert’s third collection of essays on the crème de la crème of the silver screen, each one a model of critical appreciation and a blend of love and analysis that will send readers back to the films with a fresh set of eyes and renewed enthusiasm—or maybe even lead to a first-time viewing. From The Godfather: Part II to Groundhog Day, from The Last Picture Show to Last Tango in Paris, the hundred pieces gathered here display a welcome balance between the familiar and the esoteric, spanning Hollywood blockbusters and hidden gems, independent works and foreign language films alike. Each essay draws on Ebert’s vast knowledge of the cinema, its fascinating history, and its breadth of techniques, introducing newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well. Named the most powerful pundit in America by Forbes magazine, and a winner of the Pulitzer Prize, Roger Ebert is inarguably the most prominent and influential authority on the cinema today. The Great Movies III is sure to please his many fans and further enhance his reputation as America’s most respected—and trusted—film critic.
Author: Roger Ebert Publisher: University of Chicago Press ISBN: 0226182118 Category : Performing Arts Languages : en Pages : 438
Book Description
Roger Ebert has been writing film reviews for the Chicago Sun-Times for over four decades now and his biweekly essays on great movies have been appearing there since 1996. As Ebert noted in the introduction to the first collection of those pieces, “They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone. But it’s fair to say: If you want to take a tour of the landmarks of the first century of cinema, start here. Enter The Great Movies III, Ebert’s third collection of essays on the crème de la crème of the silver screen, each one a model of critical appreciation and a blend of love and analysis that will send readers back to the films with a fresh set of eyes and renewed enthusiasm—or maybe even lead to a first-time viewing. From The Godfather: Part II to Groundhog Day, from The Last Picture Show to Last Tango in Paris, the hundred pieces gathered here display a welcome balance between the familiar and the esoteric, spanning Hollywood blockbusters and hidden gems, independent works and foreign language films alike. Each essay draws on Ebert’s vast knowledge of the cinema, its fascinating history, and its breadth of techniques, introducing newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well. Named the most powerful pundit in America by Forbes magazine, and a winner of the Pulitzer Prize, Roger Ebert is inarguably the most prominent and influential authority on the cinema today. The Great Movies III is sure to please his many fans and further enhance his reputation as America’s most respected—and trusted—film critic.
Author: Roger Ebert Publisher: ReadHowYouWant.com ISBN: 1459605985 Category : Performing Arts Languages : en Pages : 450
Book Description
Roger Ebert wrote the first film review that director Martin Scorsese ever received - for 1967's I Call First, later renamed Who's That Knocking at My Door - creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America's most respected film critic's en...
Author: Matt Zoller Seitz Publisher: Abrams ISBN: 164700117X Category : Performing Arts Languages : en Pages : 632
Book Description
The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine. In this latest one-volume entry in The Wes Anderson Collection series—the only book to take readers behind the scenes of The French Dispatch—everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.
Author: Stephen Farber Publisher: Rutgers University Press ISBN: 1978808836 Category : Performing Arts Languages : en Pages : 270
Book Description
Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962—the year of To Kill a Mockingbird and The Manchurian Candidate—gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.
Author: Luis Reyes Publisher: Lone Eagle Publishing Company, LLC ISBN: 9781580650250 Category : Biography & Autobiography Languages : en Pages : 612
Book Description
From the early passions of the 'Latin Lover of the silver screen', to the adventures of modem-day heroes such as Antonio Banderas, this is an illuminating voyage into the careers and contributions of some of film history's most legendary performers. The book is a fascinating Who's Who of superstars, including Jennifer Lopez, Andy Garcia, Salma Hayek, Cameron Diaz, Freddie Prinze Jr, Jimmy Smits, John Leguizamo, Penelope Cruz and many more. The book gives readers not an entertaining but also an important record of Hispanic contributions to the greatest art form of the twentieth century. Some 400 films and television shows from the past years are listed with credits, synopses, production information relating to Hispanic stars and their contributions, as well as critical commentary. Contains an alphabetical listing of Hispanic/Latino actors, actresses, directors, producers and other behind-the-scenes people, together with their biographies. The book is beautifully illustrated with black-and-white photographs' selected from co-author Luis Reyes' personal collection.
Author: Harry Medved Publisher: St. Martin's Griffin ISBN: 1429907177 Category : Travel Languages : en Pages : 432
Book Description
LET THE MOVIES BE YOUR GUIDE! * Hike THE TREASURE OF THE SIERRA MADRE Trail! * Behold the KILL BILL Chapel! * Enter THE DOORS Indian Caves! * Swim at BEACH BLANKET BINGO's Malibu! * Escape to SOME LIKE IT HOT's Resort! * Raft the STAGECOACH River! * Explore HIGH PLAIN DRIFTER's Ghostly Lake! * Trek to the LOST HORIZON Waterfall! * Discover the STAR WARS Sand Dunes! Here is the first comprehensive guide to Southern California's outdoor filming locations taking you to more than 50 of the Golden State's most cinematic beaches, mountains, deserts, lakes, hot springs and waterfalls. Illustrated with over 100 scenic photos and 20 easy-to-read maps, Hollywood Escapes: The Moviegoer's Guide to Exploring Southern California's Great Outdours not only takes you to movie history's most memorable destinations, but also recommends places to dine and lodge along the way, from mountain hideaways to beach side resorts. Written by inveterate movie buffs and outdoors enthusiasts Harry Medved and Bruce Akiyama, these two native Southern Californians have interviewed dozens of actors, filmmakers, location scouts and rangers to help you explore Hollywood's most spectacular scenery.
Author: David Bordwell Publisher: ISBN: 9780077108328 Category : Motion pictures Languages : en Pages : 532
Book Description
Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website.
Author: Roger Ebert
Author: Roger Ebert
Author: Roger Ebert
Author: Gail Kinn
Author: Matt Zoller Seitz
Author: Stephen Farber
Author: Luis Reyes
Author: Harry Medved
Author: Vincent Canby
Author: David Bordwell
Author: