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Author: Dusadee Swangviboonpong Publisher: Routledge ISBN: 1351546848 Category : Music Languages : en Pages : 257
Book Description
Thai classical singing is a genre that blossomed during the golden age of music in the royal court at Bangkok during the nineteenth century. It took a variety of forms including unaccompanied songs used for narration in plays, instrumental music that was used to accompany mimed actions, and songs of entertainment accompanied by an instrumental ensemble. Today, Thai classical singing is found widely outside the court, and its influence is evident in many traditional songs. This book is the first in English to provide a detailed study of Thai classical singing. Dusadee Swangviboonpong discusses the historical background to this long-established genre, the vocal techniques that it employs, the contexts in which it is performed, the degree of improvisation that performers use, the setting of texts and the methods used to teach the songs. Teaching methods still tend to focus on oral transmission, although there have been recent attempts by the Thai authorities to standardize the way singing is taught and practised. These controls are, argues the author, a threat to the the variety in style and approach that has characterised this music and kept it alive. The book features transcriptions of Thai classical songs and a glossary of Thai terms, so making it a useful introduction to the genre.
Author: Dusadee Swangviboonpong Publisher: Routledge ISBN: 1351546848 Category : Music Languages : en Pages : 257
Book Description
Thai classical singing is a genre that blossomed during the golden age of music in the royal court at Bangkok during the nineteenth century. It took a variety of forms including unaccompanied songs used for narration in plays, instrumental music that was used to accompany mimed actions, and songs of entertainment accompanied by an instrumental ensemble. Today, Thai classical singing is found widely outside the court, and its influence is evident in many traditional songs. This book is the first in English to provide a detailed study of Thai classical singing. Dusadee Swangviboonpong discusses the historical background to this long-established genre, the vocal techniques that it employs, the contexts in which it is performed, the degree of improvisation that performers use, the setting of texts and the methods used to teach the songs. Teaching methods still tend to focus on oral transmission, although there have been recent attempts by the Thai authorities to standardize the way singing is taught and practised. These controls are, argues the author, a threat to the the variety in style and approach that has characterised this music and kept it alive. The book features transcriptions of Thai classical songs and a glossary of Thai terms, so making it a useful introduction to the genre.
Author: David Morton Publisher: Univ of California Press ISBN: 9780520018761 Category : Music Languages : en Pages : 280
Book Description
This is a thorough treatment of the diverse elements which make up and contribute to traditional Thai music. It includes an historice/prehistoric statement, photographs of the instrumentation and analyses of tuning, rhythm, etc.
Author: Shane Homan Publisher: Taylor & Francis ISBN: 1040031145 Category : Music Languages : en Pages : 209
Book Description
How does popular music influence the culture and reputation of a city, and what does a city do to popular music? Interrogating Popular Music and the City examines the ways in which urban environments and music cultures intersect in various locales around the globe. Music and cities have been partners in an often clumsy, sometimes accidental but always exciting dance. Heritage and immigration, noise and art, policy and politics are some of the topics that are addressed in this critical examination of relationships between cities and music. The book draws upon an international array of researchers, encompassing hip hop in Beijing; the city favelas of Brazil; from Melbourne bars to European parliaments; to heritage and tourism debates in Salzburg and Manchester. In doing so, it interrogates the different agendas of audiences, musicians and policy-makers in distinct urban settings.
Author: Terry Miller Publisher: Praeger ISBN: Category : Education Languages : en Pages : 368
Book Description
This volume describes the traditional vocal and instrumental music of the Lao-speaking people living in Northeast Thailand. Beginning with a description of the cultural and historical contexts of this music, Miller continues with an overview of Northeast Thai music, its instruments, concepts, and certain proto-musical genres. Individual chapters deal separately with the non-technical aspects, including the history, texts, economics, and performance practices of both kaen playing and mawlum singing. Another chapter discusses all technical matters concerning the vocal genres, including the tonal nature of the Lao language, the relationship between melody and linguistic tone, scales, rhythm and meter, form, and tempo. The final two chapters deal specifically with the kaen--a bamboo mouth organ with 6, 14, 16, or 18 tubes, each with a free-reed. This volume is generously illustrated with musical examples transcribed from field recordings made in Northeast Thailand, numerous photographs, and line drawings. Miller concludes with a series of translations of texts from musical examples; an extensive glossary which includes two forms of romanization, the Thai spelling, and a brief description; and, finally, a bibliography, discography, and index.
Author: Terry Miller Publisher: Routledge ISBN: 1135901546 Category : Music Languages : en Pages : 517
Book Description
The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
Author: Dusadee Swangviboonpong
Author: Dusadee Swangviboonpong
Author: David Morton
Author: Thailand. Dept. of Fine Arts
Author: Quthit Naksawat
Author: Thailand. Krom Sinlapākō̜n
Author: Shane Homan
Author: 
Author: Terry Miller
Author: Manop Wisuttipaet
Author: Terry Miller