Book Description
This publication is a detailed study of the 14th - 16th century Thai ceramic wares that played a role in the local Buddhist, Brahman and Animist religious ceremonies, approached from an art historical point of view. It also establishes the degree of interaction between the many cultures that influenced the form, design, function and usage of these wares, and draws on the underlying historic, religious and stylistic linkages with India, China, Sri Lanka, Burma Cambodia and other parts of Southeast Asia. A background to the history, politics and cultural practices of Thailand introduces the subject, followed by a systematic analysis of the Thai products. Throughout the study, comparisons are made with other Asian cultures, decorative styles and chronology, all of which add further dimensions to a hitherto relatively unexplored art form. This voluminous and painstaking research was undertaken by the authors over a period of twenty years, inspired by their personal interest in the subject. The resultant major reference work on Thai ecclesiastical ceramics has had the help of many international museum curators, archaeologists, collectors and dealers. The authors have had access to practically all known major collections around the world, many of which have not been published before. Aided by over 830 photographs, maps and specially commissioned line drawings, the subject is explicitly illustrated, compiled and discussed in great detail. By drawing these different aspects together, this major study should appeal equally to collectors, researchers and those with a wider interest in the rich religious and cultural life of the area. Book jacket.
Author: Dawn F. Rooney Publisher: River books ISBN: 9786167339689 Category : Porcelain, Chinese Languages : en Pages : 0
Book Description
Bencharong, a unique class of Chinese export ware, was made exclusively for Thai royalty and the ruling elite in the late 18th and 19th centuries. These rare and highly collectable enamelled porcelain belongs in time and place to the broader tradition of Chinese export art for the European and American markets, but it is distinctively Thai. -- Back cover.
Author: Art Gallery of South Australia Publisher: ISBN: Category : Art Languages : en Pages : 222
Book Description
This book provides an introduction to the glazed ceramic traditions of Thailand, Cambodia, and Vietnam - their origins and distinctive stylistic and technical character - as well as a presentation of 313 fine pieces from the Collection of the Art Gallery of South Australia.
Author: Asian Art Museum of San Francisco Publisher: Oxford University Press, USA ISBN: Category : Antiques & Collectibles Languages : en Pages : 208
Book Description
This book is published in conjunction with the exhibition of the James and Elaine Connell Collection at the Asian Art Museum of San Francisco in late 1993. In addition to catalogue entries written by Nancy Tingley, it contains scholarly contributions by John Guy, John Shaw, and Louise Allison Cort on recent archaeological research at the Thai kiln sites, the role of Thai ceramics in maritime trade, and Japanese evidence concerning the dispersal and chronology of Thai ceramics.
Author: John N. Miksic Publisher: Editions Didier Millet ISBN: 9814260134 Category : Antiques & Collectibles Languages : en Pages : 178
Book Description
Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.
Author: Promsak Jermsawatdi Publisher: Abhinav Publications ISBN: 9788170170907 Category : Art, Buddhist Languages : en Pages : 264
Book Description
The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.
Author: Nicol Guérin
Author: Dawn F. Rooney
Author: Art Gallery of South Australia
Author: Art Gallery of South Australia
Author: Asian Art Museum of San Francisco
Author: John N. Miksic
Author: Promsak Jermsawatdi
Author: 
Author: Patrick Maveety
Author: Wudhi Mekdhanasarn