Author: Tatyana Naumenko
Publisher: Litres
ISBN: 504108422X
Category : Social Science
Languages : en
Pages :
Book Description
In this monograph, Tatyana Naumenko, Doctor of Arts and a professor at Moscow’s Gnessin Russian Academy of Music, looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the former Soviet Union and post-Soviet Russia. The Annex lists dissertations approved between 1970 and 2013.
Textological Aspects of Musicology in Russia and the Former Soviet Union
Author: Tatyana Naumenko
Publisher: Litres
ISBN: 504108422X
Category : Social Science
Languages : en
Pages :
Book Description
In this monograph, Tatyana Naumenko, Doctor of Arts and a professor at Moscow’s Gnessin Russian Academy of Music, looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the former Soviet Union and post-Soviet Russia. The Annex lists dissertations approved between 1970 and 2013.
Publisher: Litres
ISBN: 504108422X
Category : Social Science
Languages : en
Pages :
Book Description
In this monograph, Tatyana Naumenko, Doctor of Arts and a professor at Moscow’s Gnessin Russian Academy of Music, looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the former Soviet Union and post-Soviet Russia. The Annex lists dissertations approved between 1970 and 2013.
Textological Aspects of Musicology in Russia and the Former Soviet Union
Author: Tatyana Naumenko
Publisher:
ISBN:
Category : Musicology
Languages : en
Pages : 446
Book Description
"In this monograph, Tatyana Naumenko [...] looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the Former Soviet Union and post-Soviet Russia. The annex lists dissertations approved between 1970 and 2013"--verso title page.
Publisher:
ISBN:
Category : Musicology
Languages : en
Pages : 446
Book Description
"In this monograph, Tatyana Naumenko [...] looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the Former Soviet Union and post-Soviet Russia. The annex lists dissertations approved between 1970 and 2013"--verso title page.
Music and Musical Life in Soviet Russia
Russian Music Since 1917
Author: Patrick Zuk
Publisher: Proceedings of the British Aca
ISBN: 9780197266151
Category : Music
Languages : en
Pages : 434
Book Description
This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.
Publisher: Proceedings of the British Aca
ISBN: 9780197266151
Category : Music
Languages : en
Pages : 434
Book Description
This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.
The Theory of Music in Russia and the Soviet Union, Ca. 1650-1950
Author: Ellon DeGrief Carpenter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 552
Book Description
History of Russian Music
Author: Maes/Pomerans
Publisher:
ISBN: 9780520354951
Category : MUSIC
Languages : en
Pages : 0
Book Description
Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
Publisher:
ISBN: 9780520354951
Category : MUSIC
Languages : en
Pages : 0
Book Description
Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
Music and Musical Life in Soviet Russia, 1917-1981
Author: Boris Schwarz
Publisher:
ISBN: 9780835739504
Category :
Languages : en
Pages : 735
Book Description
Publisher:
ISBN: 9780835739504
Category :
Languages : en
Pages : 735
Book Description
Music and Musical Life in Soviet Russia, 1917-1970
Author: Boris Schwarz
Publisher: London : Barrie and Jenkins
ISBN:
Category : Music
Languages : en
Pages : 572
Book Description
Publisher: London : Barrie and Jenkins
ISBN:
Category : Music
Languages : en
Pages : 572
Book Description
A History of Russian-Soviet Music
Author: James Bakst
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
On Russian Music
Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520268067
Category : Biography & Autobiography
Languages : en
Pages : 416
Book Description
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Publisher: Univ of California Press
ISBN: 0520268067
Category : Biography & Autobiography
Languages : en
Pages : 416
Book Description
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.