Textiles in the Art Institute of Chicago PDF Download

Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 160

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Author: Erica Warren
Publisher: Yale University Press
ISBN: 0300254318
Category : Art
Languages : en
Pages : 97

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Book Description
A beautifully illustrated look at the work of one of today’s most unique and exciting artists Bisa Butler (b. 1973) is an American artist who creates arresting and psychologically nuanced portraits composed entirely of vibrantly colored and patterned fabrics that she cuts, layers, and stitches together. Often depicting scenes from African American life and history, Butler invites viewers to invest in the lives of the people she represents while simultaneously expanding art-historical narratives about American quiltmaking. Situating her interdisciplinary work within the broader history of textiles, photography, and contemporary art, contributions by a group of scholars—and entries by the artist herself—illuminate Butler’s approach to color, use of African-print fabrics, and wide-ranging sources of inspiration. Offering an in-depth exploration of one of America's most innovative contemporary artists, this volume will serve as a primary resource that both introduces Butler’s work and establishes a scholarly foundation for future research.

Author: Zoë Ryan
Publisher: Yale University Press
ISBN: 0300247052
Category : Art
Languages : en
Pages : 237

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Book Description
This publication brings together six artists and designers working in Mexico at midcentury who expanded the horizons of modernism.

Author: William Laffan
Publisher: Yale University Press
ISBN: 0300210604
Category : Art
Languages : en
Pages : 289

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Book Description
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.

Author: John Vollmer
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 120

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Mayer Thurman."--BOOK JACKET.

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 344

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Book Description
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.

Author: Julia Bryan-Wilson
Publisher: University of Chicago Press
ISBN: 0226077829
Category : Art
Languages : en
Pages : 335

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Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

Author: Steve McQueen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136

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Book Description

Author: Judith A. Barter
Publisher: Art Inst of Chicago
ISBN: 9780300113419
Category : Architecture
Languages : en
Pages : 96

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Book Description
This volume focuses on a wide range of Victorian-era objects from Britain and the United States in the collection of the Art Institute of Chicago. The following topics are explored: still-life painting in nineteenth-century America; the burgeoning Victorian print market; a fascinating sketchbook used by the English painter Edward Burne-Jones; a spectacular Gothic-style British wine cabinet; and a rare photographic album compiled by an aristocratic English family. Also featured, in a portfolio section, are other highlights from the museum's Victorian collection, including furniture, paintings, photographs, textiles, and works on paper by such noted artists as Julia Margaret Cameron, William Morris, and John Everett Millais.

Author: Koenraad Brosens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424

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Book Description
"This lavishly illustrated book presents a rich variety of European tapestries from the Art Institute of Chicago. These exquisite examples of the art of tapestry weaving include medieval, Renaissance, and Baroque works manufactured at many of the foremost workshops in the major centers of production. Among the pieces discussed are The Annunciation, a Renaissance masterpiece designed by an artist in the circle of Andrea Mantegna; The Story of Caesar and Cleopatra, a magnificent series of fourteen tapestries now attributed with certainty to Justus van Egmont, who worked in Rubens's studio; Autumn and Winter, based on designs by Charles Le Bron; and The Elephant, woven after a design by Jean-Baptiste Monnoyer. An international team of scholars explains the history of this previously unpublished collection and offers new designer and workshop attributions, design and source identifications, and provenance information." --Book Jacket.