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Author: Michael Paglia Publisher: SF Design, LLC / Frescobooks ISBN: 9781934491461 Category : Art, Abstract Languages : en Pages : 0
Book Description
Texas Abstract: Modern / Contemporary examines the development, establishment, and continued presence of abstraction in the art scene in Texas. Texas Abstract begins with a section that discusses the context of modernist abstraction and its place in the history of Texas art. The state's first abstract painters appeared in the late 1930s and into the 1940s. By the 1950s and 1960s, abstraction had been accepted by many of the most significant Texas artists working at that time. The book also includes a series of chapters devoted to individual contemporary abstractionists currently active in Texas. These artists have embraced in their efforts the wide range of cutting-edge abstract styles of our time. These contemporary abstractions are more international in their outlook than were those of earlier Texas artists, and thus Texas is today an important place for contemporary abstraction.
Author: Michael Paglia Publisher: SF Design, LLC / Frescobooks ISBN: 9781934491461 Category : Art, Abstract Languages : en Pages : 0
Book Description
Texas Abstract: Modern / Contemporary examines the development, establishment, and continued presence of abstraction in the art scene in Texas. Texas Abstract begins with a section that discusses the context of modernist abstraction and its place in the history of Texas art. The state's first abstract painters appeared in the late 1930s and into the 1940s. By the 1950s and 1960s, abstraction had been accepted by many of the most significant Texas artists working at that time. The book also includes a series of chapters devoted to individual contemporary abstractionists currently active in Texas. These artists have embraced in their efforts the wide range of cutting-edge abstract styles of our time. These contemporary abstractions are more international in their outlook than were those of earlier Texas artists, and thus Texas is today an important place for contemporary abstraction.
Author: Suzanne Weaver Publisher: ISBN: 9781883502089 Category : Languages : en Pages :
Book Description
This catalogue is published on the occasion of the exhibition Texas Women: A New History of Abstract Art, organized by the San Antonio Museum of Art and on view February 7 through May 3, 2020.
Author: Amy Von Lintel Publisher: Texas A&M University Press ISBN: 1623498503 Category : Art Languages : en Pages : 278
Book Description
In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.
Author: Shirley Reece-Hughes Publisher: Texas A&M University Press ISBN: 1623498899 Category : Art Languages : en Pages : 446
Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.
Author: Amy Von Lintel Publisher: American Wests, Sponsored by W ISBN: 9781648430152 Category : Art Languages : en Pages : 341
Book Description
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
Author: Michael Paglia
Author: Michael Paglia
Author: 
Author: Suzanne Weaver
Author: Oklahoma Geological Survey
Author: Nelson Horatio Darton
Author: Amy Von Lintel
Author: 
Author: American Association for the Advancement of Science
Author: Shirley Reece-Hughes
Author: Amy Von Lintel