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Testo e immagine nell'alto Medioevo

Testo e immagine nell'alto Medioevo PDF Author:
Publisher:
ISBN:
Category : Art and literature
Languages : de
Pages : 696

Book Description


Testo e immagine nell'alto Medioevo

Testo e immagine nell'alto Medioevo PDF Author:
Publisher:
ISBN:
Category : Art and literature
Languages : de
Pages : 696

Book Description


Testo e immagine nell'alto Medioevo

Testo e immagine nell'alto Medioevo PDF Author: Centro italiano di studi sull'alto Medioevo
Publisher: Fondazione CISAM
ISBN:
Category : Antiques & Collectibles
Languages : de
Pages : 668

Book Description


Testo e immagine nell'Alto Medioevo

Testo e immagine nell'Alto Medioevo PDF Author:
Publisher:
ISBN:
Category : Diplomatics
Languages : it
Pages : 532

Book Description


Testo e immagine nell'alto medioevo

Testo e immagine nell'alto medioevo PDF Author:
Publisher:
ISBN:
Category : Idols and images
Languages : it
Pages : 480

Book Description


Testo e immagine nell'alto Medioevo

Testo e immagine nell'alto Medioevo PDF Author: Centro italiano di studi sull'alto Medioevo
Publisher: Fondazione CISAM
ISBN:
Category : Antiques & Collectibles
Languages : it
Pages : 664

Book Description


Iconophilia

Iconophilia PDF Author: Francesca Dell'Acqua
Publisher: Routledge
ISBN: 135181110X
Category : History
Languages : en
Pages : 505

Book Description
Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.

A Companion to Medieval Art

A Companion to Medieval Art PDF Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040

Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

The sensual icon

The sensual icon PDF Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346

Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

Memory & Oblivion

Memory & Oblivion PDF Author: A.W. Reinink
Publisher: Springer Science & Business Media
ISBN: 9401140065
Category : Art
Languages : en
Pages : 1054

Book Description
Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.

La Vie d'Etienne le Jeune par Étienne le Diacre

La Vie d'Etienne le Jeune par Étienne le Diacre PDF Author: Marie-France Auzépy
Publisher: Routledge
ISBN: 1351923781
Category : History
Languages : en
Pages : 376

Book Description
The Life of Stephen the Younger is one of the rare sources for Byzantium in the ’Dark Ages’ and one of the key witnesses to the history of Iconoclasm. This book presents a new edition of the text, together with a French translation and commentary, and an important introduction. Stephen was a hermit, killed in 765 at the order of the emperor Constantine V; his Life was written in 809, some forty years after the 7th Ecumenical Council, Nicaea II, at which Orthodoxy was affirmed. Professor Auzépy shows how the Life reflects the politics of the era, both those of the patriarchate on which the author depended, and of the female monastery near which Stephen had lived, and transforms the probable victim of a failed political plot into a Christ-like figure martyred by a diabolic emperor. La Vie d’Etienne le Jeune est une des rares sources sur l’histoire de Byzance durant le Haut Moyen-Age et un témoignage majeur de la querelle iconoclaste. Cet ouvrage, comprenant une importante introduction, présente une nouvelle édition du texte, accompagnée d’une traduction française annotée. Etienne est un ermite qui fut assassiné en 765 sur l’ordre de l’empereur Constantin V. Sa Vie fut écrite en 809, une quarantaine d’années après le septième concile œcuménique de Nicée II, au cours duquel fut affirmé l’Orthodoxie. Le professeur Auzépy démontre comment la Vie reflète les enjeux politiques de cette époque, ceux du patriarcat dont l’auteur dépendait comme ceux du monastère de femmes auprès duquel Etienne a vécu, et comment la Vie transforme son héros, probablement mis à mort dans le cadre d’un complot, en une figure de saint moine martyrisé par un empereur diabolique. Winner of the "Prix Charles Diehl de l'Académie des Inscriptions et Belles-Lettres 1999".