Testo e immagine nell'alto Medioevo PDF Download

Author: Centro italiano di studi sull'alto Medioevo
Publisher: Fondazione CISAM
ISBN:
Category : Antiques & Collectibles
Languages : it
Pages : 664

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Author: A.W. Reinink
Publisher: Springer Science & Business Media
ISBN: 9401140065
Category : Art
Languages : en
Pages : 1054

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Book Description
Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.

Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346

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"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

Author: Marie-France Auzépy
Publisher: Routledge
ISBN: 1351923781
Category : History
Languages : en
Pages : 368

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The Life of Stephen the Younger is one of the rare sources for Byzantium in the ’Dark Ages’ and one of the key witnesses to the history of Iconoclasm. This book presents a new edition of the text, together with a French translation and commentary, and an important introduction. Stephen was a hermit, killed in 765 at the order of the emperor Constantine V; his Life was written in 809, some forty years after the 7th Ecumenical Council, Nicaea II, at which Orthodoxy was affirmed. Professor Auzépy shows how the Life reflects the politics of the era, both those of the patriarchate on which the author depended, and of the female monastery near which Stephen had lived, and transforms the probable victim of a failed political plot into a Christ-like figure martyred by a diabolic emperor. La Vie d’Etienne le Jeune est une des rares sources sur l’histoire de Byzance durant le Haut Moyen-Age et un témoignage majeur de la querelle iconoclaste. Cet ouvrage, comprenant une importante introduction, présente une nouvelle édition du texte, accompagnée d’une traduction française annotée. Etienne est un ermite qui fut assassiné en 765 sur l’ordre de l’empereur Constantin V. Sa Vie fut écrite en 809, une quarantaine d’années après le septième concile œcuménique de Nicée II, au cours duquel fut affirmé l’Orthodoxie. Le professeur Auzépy démontre comment la Vie reflète les enjeux politiques de cette époque, ceux du patriarcat dont l’auteur dépendait comme ceux du monastère de femmes auprès duquel Etienne a vécu, et comment la Vie transforme son héros, probablement mis à mort dans le cadre d’un complot, en une figure de saint moine martyrisé par un empereur diabolique. Winner of the "Prix Charles Diehl de l'Académie des Inscriptions et Belles-Lettres 1999".

Author: Herbert L. Kessler
Publisher: University of Pennsylvania Press
ISBN: 9780812235609
Category : Art
Languages : en
Pages : 300

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How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?

Author: Pasquale Orsini
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110575590
Category : Language Arts & Disciplines
Languages : en
Pages : 342

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Book Description
The volume contains a critical review of data, results and open problems concerning the principal Greek and Coptic majuscule bookhands, based on previous research of the author, revised and updated to offer an overview of the different graphic phenomena. Although the various chapters address the history of different types of scripts (i.e. biblical majuscule, sloping poitend majuscule, liturgical majuscule, epigraphic and monumental scripts), their juxtaposition allows us to identify common issues of the comparative method of palaeography. From an overall critical assessment of these aspects the impossibility of applying a unique historical paradigm to interpret the formal expressions and the history of the different bookhands comes up, due to the fact that each script follows different paths. Particular attention is also devoted to the use of Greek majuscules in the writing of ancient Christian books. A modern and critical awareness of palaeographic method may help to place the individual witnesses in the context of the main graphic trends, in the social and cultural environments in which they developed, and in a more accurate chronological framework.

Author: Celia Chazelle
Publisher: Cambridge University Press
ISBN: 9780521801034
Category : Art
Languages : en
Pages : 364

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The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.

Author: Augustine Casiday
Publisher: Routledge
ISBN: 135195380X
Category : History
Languages : en
Pages : 374

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Book Description
The Byzantine Empire - the Christianized Roman Empire - very soon defined itself in terms of correct theological belief, 'orthodoxy'. The terms of this belief were hammered out, for the most part, by bishops, but doctrinal decisions were made in councils called by the Emperors, many of whom involved themselves directly in the definition of 'orthodoxy'. Iconoclasm was an example of such imperial involvement, as was the final overthrow of iconoclasm. That controversy ensured that questions of Christian art were also seen by Byzantines as implicated in the question of orthodoxy. The papers gathered in this volume derive from those presented at the 36th Spring Symposium of Byzantine Studies, Durham, March 2002. They discuss how orthodoxy was defined, and the different interests that it represented; how orthodoxy was expressed in art and the music of the liturgy; and how orthodoxy helped shape the Byzantine Empire's sense of its own identity, an identity defined against the 'other' - Jews, heretics and, especially from the turn of the first millennium, the Latin West. These considerations raise wider questions about the way in which societies and groups use world-views and issues of belief to express and articulate identity. At a time when, with the enlargement of the European Union, questions of identity within Europe are once again becoming pressing, there is much in these essays of topical relevance.

Author: Irene Berti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110533367
Category : Literary Collections
Languages : en
Pages : 454

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Book Description
This edited volume includes a compilation of new approaches to the investigation of inscriptions from different cultural contexts. Innovative research questions about "material text cultures" are examined with reference to Classical Athens, late ancient and Byzantine churches and urban spaces, Hellenistic and Roman cities, and medieval buildings.

Author: Jennifer P. Kingsley
Publisher: Penn State Press
ISBN: 0271077646
Category : Art
Languages : en
Pages : 489

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Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.