Author: J. M. Ledgard
Publisher: FSG Originals
ISBN: 0374714460
Category : Political Science
Languages : en
Pages : 48
Book Description
From the author of Submergence comes a digital-original triptych of essays that examine humanity in the modern age. Terra Firma Triptych begins in a wilderness in South Sudan. J. M. Ledgard is there in search of a still point, untouched by humankind--a goal complicated by the contingent of armed rangers accompanying him. Next, a trip through Rwanda--taking a borrowed car toward crocodile-infested lakes near the border with Burundi--a road trip that unexpectedly ends up at the site of the country's proposed future in the sky. And finally Ledgard takes us straight into a vision of that very future, of a continent poised to take advantage of current and near-future technological advances--a vision that feels Star Trek fanciful at first, then not just practical but necessary. As a novelist, Ledgard is celebrated for his ability to allow his imagination and ideas to fly wide and free even as he grounds his stories in contemporary political reality, earning simultaneous comparisons to both W. G. Sebald and John le Carré. As a journalist, he has covered East Africa for The Economist for more than a decade. In Terra Firma Triptych, Ledgard is able to summon the searching, soaring, poetic voice of the novelist and to latch it to the gritty vision of the reporter on the ground to show us a world in which connectivity has become paramount, in which isolation and uncharted landscapes verge on obsolete, and yet new frontiers still beckon. Each panel of the triptych informs the one before--each goads us forward even as it questions the acceleration. What is certain is that we are hurtling into tomorrow together, and our potential depends on the generosity of our imagination.
Terra Firma Triptych
Author: J. M. Ledgard
Publisher: FSG Originals
ISBN: 0374714460
Category : Political Science
Languages : en
Pages : 48
Book Description
From the author of Submergence comes a digital-original triptych of essays that examine humanity in the modern age. Terra Firma Triptych begins in a wilderness in South Sudan. J. M. Ledgard is there in search of a still point, untouched by humankind--a goal complicated by the contingent of armed rangers accompanying him. Next, a trip through Rwanda--taking a borrowed car toward crocodile-infested lakes near the border with Burundi--a road trip that unexpectedly ends up at the site of the country's proposed future in the sky. And finally Ledgard takes us straight into a vision of that very future, of a continent poised to take advantage of current and near-future technological advances--a vision that feels Star Trek fanciful at first, then not just practical but necessary. As a novelist, Ledgard is celebrated for his ability to allow his imagination and ideas to fly wide and free even as he grounds his stories in contemporary political reality, earning simultaneous comparisons to both W. G. Sebald and John le Carré. As a journalist, he has covered East Africa for The Economist for more than a decade. In Terra Firma Triptych, Ledgard is able to summon the searching, soaring, poetic voice of the novelist and to latch it to the gritty vision of the reporter on the ground to show us a world in which connectivity has become paramount, in which isolation and uncharted landscapes verge on obsolete, and yet new frontiers still beckon. Each panel of the triptych informs the one before--each goads us forward even as it questions the acceleration. What is certain is that we are hurtling into tomorrow together, and our potential depends on the generosity of our imagination.
Publisher: FSG Originals
ISBN: 0374714460
Category : Political Science
Languages : en
Pages : 48
Book Description
From the author of Submergence comes a digital-original triptych of essays that examine humanity in the modern age. Terra Firma Triptych begins in a wilderness in South Sudan. J. M. Ledgard is there in search of a still point, untouched by humankind--a goal complicated by the contingent of armed rangers accompanying him. Next, a trip through Rwanda--taking a borrowed car toward crocodile-infested lakes near the border with Burundi--a road trip that unexpectedly ends up at the site of the country's proposed future in the sky. And finally Ledgard takes us straight into a vision of that very future, of a continent poised to take advantage of current and near-future technological advances--a vision that feels Star Trek fanciful at first, then not just practical but necessary. As a novelist, Ledgard is celebrated for his ability to allow his imagination and ideas to fly wide and free even as he grounds his stories in contemporary political reality, earning simultaneous comparisons to both W. G. Sebald and John le Carré. As a journalist, he has covered East Africa for The Economist for more than a decade. In Terra Firma Triptych, Ledgard is able to summon the searching, soaring, poetic voice of the novelist and to latch it to the gritty vision of the reporter on the ground to show us a world in which connectivity has become paramount, in which isolation and uncharted landscapes verge on obsolete, and yet new frontiers still beckon. Each panel of the triptych informs the one before--each goads us forward even as it questions the acceleration. What is certain is that we are hurtling into tomorrow together, and our potential depends on the generosity of our imagination.
Literature and the Anthropocene
Author: Pieter Vermeulen
Publisher: Routledge
ISBN: 1351005405
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Anthropocene has fundamentally changed the way we think about our relation to nonhuman life and to the planet. This book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a compelling case for literature’s unique contribution to contemporary environmental thought. It pays attention to literature’s imaginative and narrative resources, and also to its appeal to the emotions and its relation to the material world. As the Anthropocene enjoins us to read the signals the planet is sending and to ponder the traces we leave on the Earth, it is also, this book argues, a literary problem. Literature and the Anthropocene maps key debates and introduces the often difficult vocabulary for capturing the entanglement of human and nonhuman lives in an insightful way. Alternating between accessible discussions of prominent theories and concise readings of major works of Anthropocene literature, the book serves as an indispensable guide to this exciting new subfield for academics and students of literature and the environmental humanities.
Publisher: Routledge
ISBN: 1351005405
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Anthropocene has fundamentally changed the way we think about our relation to nonhuman life and to the planet. This book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a compelling case for literature’s unique contribution to contemporary environmental thought. It pays attention to literature’s imaginative and narrative resources, and also to its appeal to the emotions and its relation to the material world. As the Anthropocene enjoins us to read the signals the planet is sending and to ponder the traces we leave on the Earth, it is also, this book argues, a literary problem. Literature and the Anthropocene maps key debates and introduces the often difficult vocabulary for capturing the entanglement of human and nonhuman lives in an insightful way. Alternating between accessible discussions of prominent theories and concise readings of major works of Anthropocene literature, the book serves as an indispensable guide to this exciting new subfield for academics and students of literature and the environmental humanities.
The Tufnell Triptych
Author: Brian Louis Pearce
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 138
Book Description
A Medieval Triptych
Author: Thomas E. Vesce
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 264
Book Description
The Rites of Assent
Author: Sacvan Bercovitch
Publisher: Routledge
ISBN: 1317796195
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.
Publisher: Routledge
ISBN: 1317796195
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.
The Rough Guide to Venice & the Veneto
Author: Jonathan Buckley
Publisher: Penguin
ISBN: 1409366502
Category : Travel
Languages : en
Pages : 497
Book Description
The Rough Guide to Venice & the Veneto, long established as the most thorough and reliable guide to the city and its surroundings, has been completely redesigned and updated for this ninth edition. Unrivaled in its coverage of the Doge's Palace, the Basilica di San Marco and all the other major sights, the Rough Guide also reveals the treasures to be found in the districts that lie off the usual tourist trails - and has plenty of maps to make sure you find them easily. As well as being packed with stories that illuminate the city's history, the Rough Guide tells you more about the city as it is today than any other guidebook, with features on everything from flood-prevention projects to the travails of Venice's football team. It will tell you the best places to stay, eat and drink, in all price ranges, from backwater bars to gourmet restaurants, from homely B&Bs to spectacular Grand Canal hotels. Make the most of your time with The Rough Guide to Venice & the Veneto. Now available in ePub format.
Publisher: Penguin
ISBN: 1409366502
Category : Travel
Languages : en
Pages : 497
Book Description
The Rough Guide to Venice & the Veneto, long established as the most thorough and reliable guide to the city and its surroundings, has been completely redesigned and updated for this ninth edition. Unrivaled in its coverage of the Doge's Palace, the Basilica di San Marco and all the other major sights, the Rough Guide also reveals the treasures to be found in the districts that lie off the usual tourist trails - and has plenty of maps to make sure you find them easily. As well as being packed with stories that illuminate the city's history, the Rough Guide tells you more about the city as it is today than any other guidebook, with features on everything from flood-prevention projects to the travails of Venice's football team. It will tell you the best places to stay, eat and drink, in all price ranges, from backwater bars to gourmet restaurants, from homely B&Bs to spectacular Grand Canal hotels. Make the most of your time with The Rough Guide to Venice & the Veneto. Now available in ePub format.
Vertigo
Author: Andrea Cavalletti
Publisher: Fordham University Press
ISBN: 082329806X
Category : Performing Arts
Languages : en
Pages : 224
Book Description
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Publisher: Fordham University Press
ISBN: 082329806X
Category : Performing Arts
Languages : en
Pages : 224
Book Description
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Structure in Thought and Feeling (PLE: Emotion)
Author: Susan Aylwin
Publisher: Psychology Press
ISBN: 1317616456
Category : Psychology
Languages : en
Pages : 291
Book Description
How does a person’s way of thinking influence their personality, their values and their choice of career? In this important study, originally published in 1985, Susan Aylwin uses such questions as a starting point for elucidating the relationship between thought and feeling. Three modes of thought are compared in detail: inner speech, visual imagery and enactive imagery – the last being an important addition to our understanding of mental representations. The structural characteristics of all three types are analysed using an association technique. Their affective aspects are then explored through a variety of means, including the analysis of daydreams, an examination of the evaluative complements of categorizing, the study of cognitive style, an exploration of such social feelings as embarrassment, and the experiential study of strong emotion. The author ends by integrating her findings, showing how thought and feeling are related aspects of the temporal organization of consciousness. Structure in Thought and Feeling is written in a lively and accessible style, and brings a refreshing perspective to many issues of central concern to psychologists interested in cognition, emotion, personality and psychotherapy.
Publisher: Psychology Press
ISBN: 1317616456
Category : Psychology
Languages : en
Pages : 291
Book Description
How does a person’s way of thinking influence their personality, their values and their choice of career? In this important study, originally published in 1985, Susan Aylwin uses such questions as a starting point for elucidating the relationship between thought and feeling. Three modes of thought are compared in detail: inner speech, visual imagery and enactive imagery – the last being an important addition to our understanding of mental representations. The structural characteristics of all three types are analysed using an association technique. Their affective aspects are then explored through a variety of means, including the analysis of daydreams, an examination of the evaluative complements of categorizing, the study of cognitive style, an exploration of such social feelings as embarrassment, and the experiential study of strong emotion. The author ends by integrating her findings, showing how thought and feeling are related aspects of the temporal organization of consciousness. Structure in Thought and Feeling is written in a lively and accessible style, and brings a refreshing perspective to many issues of central concern to psychologists interested in cognition, emotion, personality and psychotherapy.
Brett: A portrait of Brett Whiteley by his sister
Author: Frannie Hopkirk
Publisher: Pan
ISBN: 1743341334
Category : Biography & Autobiography
Languages : en
Pages : 479
Book Description
'Brett was the sweetest, funniest, cleverest man I've ever known, my confidant and best friend. He had a rare radiance, an inner certainty which was compelling and hugely attractive.' Frannie Hopkirk knew Brett Whiteley all his life. He was her brother. Here, for the first time, one of those closest to Brett presents a vivid and movingly personal insight into his life and work. Throughout their lives, despite the sometimes vast geographical distances that separated them, brother and sister maintained a strong spiritual connection, an unbreakable bond. This brave, often painfully honest but loving portrait could only have been written by someone who Brett knew and trusted implicitly. They were born two years and one week apart into an average to extraordinary middle-class family. Brett was a streetwise larrikin from the very beginning, both a leader and a loner, spending hours drawing the harbour from his bedroom window in their Longueville home or plotting all kinds of mischief for his gang. Frannie adored her brother, and was a willing participant in his chaotic adventures. At the time Brett was awarded his travelling art scholarship and left for Europe, Frannie married and moved to New Zealand. Five years later, Frannie was the mother of five and Brett had stepped into the international art scene. Staying with Brett and Wendy in New York, Frannie had her first taste of the rock'n'roll generation that held such fascination for Brett, and her writing captures the essence of the hip '60s. The lives of brother and sister seemed to run on parallel lines, and often intersected. When the Whiteleys returned to Australia in the '70s, Frannie was part of the Lavender Bay scene. Throughout Brett's life Frannie watched and celebrated his success, as well as sharing his disappointments. She also experienced her own joys and tragedies as the mother of a large family in New Zealand, then living with her lover in London, eventually moving back to Sydney and then to the Central West of NSW, a landscape familiar to her and Brett from boarding school. This is her story too. For Brett Whiteley, art and life were intertwined. Frannie examines the relationship between her brother's life and art as she discusses Brett's major works and some lesser known paintings and drawings. She knew the young man who dreamed of fame as an artist while he sketched the ferries ploughing across Sydney Harbour. She understood when he painted The American Dream as a response to the toxic influence of American culture and violence, and she shared his devotion and connection to works such as Alchemy. During the last years of his life, Brett relied on Frannie and she became his closest friend. As his addiction to heroin deepened and ultimately controlled him, she offered him unconditional love. Her compassion and understanding set this book apart as a unique and moving account of the life of one of Australia's greatest artists.
Publisher: Pan
ISBN: 1743341334
Category : Biography & Autobiography
Languages : en
Pages : 479
Book Description
'Brett was the sweetest, funniest, cleverest man I've ever known, my confidant and best friend. He had a rare radiance, an inner certainty which was compelling and hugely attractive.' Frannie Hopkirk knew Brett Whiteley all his life. He was her brother. Here, for the first time, one of those closest to Brett presents a vivid and movingly personal insight into his life and work. Throughout their lives, despite the sometimes vast geographical distances that separated them, brother and sister maintained a strong spiritual connection, an unbreakable bond. This brave, often painfully honest but loving portrait could only have been written by someone who Brett knew and trusted implicitly. They were born two years and one week apart into an average to extraordinary middle-class family. Brett was a streetwise larrikin from the very beginning, both a leader and a loner, spending hours drawing the harbour from his bedroom window in their Longueville home or plotting all kinds of mischief for his gang. Frannie adored her brother, and was a willing participant in his chaotic adventures. At the time Brett was awarded his travelling art scholarship and left for Europe, Frannie married and moved to New Zealand. Five years later, Frannie was the mother of five and Brett had stepped into the international art scene. Staying with Brett and Wendy in New York, Frannie had her first taste of the rock'n'roll generation that held such fascination for Brett, and her writing captures the essence of the hip '60s. The lives of brother and sister seemed to run on parallel lines, and often intersected. When the Whiteleys returned to Australia in the '70s, Frannie was part of the Lavender Bay scene. Throughout Brett's life Frannie watched and celebrated his success, as well as sharing his disappointments. She also experienced her own joys and tragedies as the mother of a large family in New Zealand, then living with her lover in London, eventually moving back to Sydney and then to the Central West of NSW, a landscape familiar to her and Brett from boarding school. This is her story too. For Brett Whiteley, art and life were intertwined. Frannie examines the relationship between her brother's life and art as she discusses Brett's major works and some lesser known paintings and drawings. She knew the young man who dreamed of fame as an artist while he sketched the ferries ploughing across Sydney Harbour. She understood when he painted The American Dream as a response to the toxic influence of American culture and violence, and she shared his devotion and connection to works such as Alchemy. During the last years of his life, Brett relied on Frannie and she became his closest friend. As his addiction to heroin deepened and ultimately controlled him, she offered him unconditional love. Her compassion and understanding set this book apart as a unique and moving account of the life of one of Australia's greatest artists.
Screenside Strikes Back
Author: J. A. Hailey
Publisher: Indiependent Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 360
Book Description
Esmeralda and BC set out on another spying mission, this one to investigate the body farming activities of the people who have stolen their way into immortality. What they discover is way beyond their worst nightmares, and the virtual world of Screenside, consumed with guilt at its role in unleashing a beast on mankind, begins preparing for potential war, knowing itself to be the last line of defense of a human world oblivious to the danger of apocalypse by plan! Stealing empty bodies from the body farms of the digital people they call nonborns, they are able to go to war in virtual-managed human soldiers that can be ethically permitted to die in battle. Virtuals have all the advantages when it comes to combat against human forces, not least of all being the extraordinary capabilities acquired by human bodies under virtual management. Thus, when the Chinese nonborn begins genocide of unarmed civilians, forcing Screenside to commence a ferocious military assault on many fronts, the evil digital people of Never Death are soon cornered. But cornering the Beast has always been fraught with danger, as it can do anything at all to preserve itself…
Publisher: Indiependent Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 360
Book Description
Esmeralda and BC set out on another spying mission, this one to investigate the body farming activities of the people who have stolen their way into immortality. What they discover is way beyond their worst nightmares, and the virtual world of Screenside, consumed with guilt at its role in unleashing a beast on mankind, begins preparing for potential war, knowing itself to be the last line of defense of a human world oblivious to the danger of apocalypse by plan! Stealing empty bodies from the body farms of the digital people they call nonborns, they are able to go to war in virtual-managed human soldiers that can be ethically permitted to die in battle. Virtuals have all the advantages when it comes to combat against human forces, not least of all being the extraordinary capabilities acquired by human bodies under virtual management. Thus, when the Chinese nonborn begins genocide of unarmed civilians, forcing Screenside to commence a ferocious military assault on many fronts, the evil digital people of Never Death are soon cornered. But cornering the Beast has always been fraught with danger, as it can do anything at all to preserve itself…