P. Terenti Afri Andria PDF Download

Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 280

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Author: Hannah Čulík-Baird
Publisher: Cambridge University Press
ISBN: 1009033085
Category : History
Languages : en
Pages : 321

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Book Description
The writings of Cicero contain hundreds of quotations of Latin poetry. This book examines his citations of Latin poets writing in diverse poetic genres and demonstrates the importance of poetry as an ethical, historical, and linguistic resource in the late Roman Republic. Hannah Čulík-Baird studies Cicero's use of poetry in his letters, speeches, and philosophical works, contextualizing his practice within the broader intellectual trends of contemporary Rome. Cicero's quotations of the 'classic' Latin poets, such as Ennius, Pacuvius, Accius, and Lucilius, are responsible for preserving the most significant fragments of verse from the second century BCE. The book also therefore examines the process of fragmentation in classical antiquity, with particular attention to the relationship between quotation and fragmentation. The Appendices collect perceptible instances of poetic citation (Greek as well as Latin) in the Ciceronian corpus.

Author: Menander, John Maxwell Edmonds
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 812

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Author: Menander (Dichter, Griechenland)
Publisher: Harvard University Press
ISBN: 9780674995062
Category : Classical drama (Comedy)
Languages : en
Pages : 524

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Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 492

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Author: William Thomas Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 422

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Author: Robert J. Forman
Publisher: Scarecrow Press
ISBN: 9780893566593
Category : Drama
Languages : en
Pages : 258

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Book Description
An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.

Author: Alan H. Sommerstein
Publisher: Routledge
ISBN: 1135014647
Category : Drama
Languages : en
Pages : 340

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Book Description
The comedies of the Athenian dramatist Menander (c. 342-291 BC) and his contemporaries were the ultimate source of a Western tradition of light drama that has continued to the present day. Yet for over a millennium, Menander’s own plays were thought to have been completely lost. Thanks to a long and continuing series of papyrus discoveries, Menander has now been able to take his place among the major surviving ancient Greek dramatists alongside Aeschylus, Sophocles, Euripides and Aristophanes. In this book, sixteen contributors examine and explore the Menander we know today in light of the various literary, intellectual, and social contexts in which his plays can be viewed. Topics covered include: the society, culture, and politics of his generation; the intellectual currents of the period; the literary precursors who inspired Menander (or whom he expected his audiences to recall); and responses to Menander, from his own time to ours. As the first wide-ranging collective study of Menander in English, this book is essential reading for those interested in ancient comedy the world over.

Author: O. B. Hardison Jr.
Publisher: JHU Press
ISBN: 1421430886
Category : Literary Criticism
Languages : en
Pages : 398

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Book Description
Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.

Author: T. F. Earle
Publisher: Routledge
ISBN: 1351541153
Category : Foreign Language Study
Languages : en
Pages : 352

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Book Description
The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.