Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 270
Book Description
Tentative Lists of Objects Desirable for a Collection of Casts, Sculptural and Architectural, Intended to Illustrate the History of Plastic Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 270
Book Description
Tentative Lists of Objects Desirable for a Collection of Casts
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 272
Book Description
Tentative List of Objects Desirable for a Collection of Casts, Sculptural and Architectural, Intended to Illustrate the History of Plastic Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 266
Book Description
Publisher:
ISBN:
Category : Architectural casts
Languages : en
Pages : 266
Book Description
The Bulletin of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
New ser. v. 6-10 include 77th-81 Report of the trustees, 1946-50 (previously published separately)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
New ser. v. 6-10 include 77th-81 Report of the trustees, 1946-50 (previously published separately)
The Art Bulletin
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
Book Description
Includes section: Notes and reviews.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
Book Description
Includes section: Notes and reviews.
Art of the Classical World in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392171
Category : Art
Languages : en
Pages : 522
Book Description
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
Publisher: Metropolitan Museum of Art
ISBN: 1588392171
Category : Art
Languages : en
Pages : 522
Book Description
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
Art History Through the Camera's Lens
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1134304455
Category : Art
Languages : en
Pages : 444
Book Description
Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.
Publisher: Routledge
ISBN: 1134304455
Category : Art
Languages : en
Pages : 444
Book Description
Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 772
Book Description
Domenico Brucciani and the Formatori of 19th-Century Britain
Author: Rebecca Wade
Publisher: Bloomsbury Publishing USA
ISBN: 150133221X
Category : Art
Languages : en
Pages : 215
Book Description
Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
Publisher: Bloomsbury Publishing USA
ISBN: 150133221X
Category : Art
Languages : en
Pages : 215
Book Description
Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
Italy for Sale
Author:
Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501
Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501
Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.