Author: Marianna Kistler Beach Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Paths to the Press
Sweetie Ladd's Historic Fort Worth
Author: Cissy Stewart Lale
Publisher: TCU Press
ISBN: 9780875651965
Category : Art
Languages : en
Pages : 94
Book Description
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
Publisher: TCU Press
ISBN: 9780875651965
Category : Art
Languages : en
Pages : 94
Book Description
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
Making the Unknown Known
Author: Victoria H. Cummins
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Ray Gloeckler, Master Printmaker
Author: Andrew Stevens
Publisher: Chazen Museum of Art
ISBN: 9780932900340
Category : Art
Languages : en
Pages : 124
Book Description
With a sharp eye for the ludicrous in American society and an abiding sense of humor, Wisconsin artist Ray Gloeckler creates images that lampoon the inflated and celebrate the everyday. This publication goes beyond the Elvehjem's (now Chazen's) 2004 exhibition to publish over 200 prints Gloeckler made from 1955 through 2004. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Publisher: Chazen Museum of Art
ISBN: 9780932900340
Category : Art
Languages : en
Pages : 124
Book Description
With a sharp eye for the ludicrous in American society and an abiding sense of humor, Wisconsin artist Ray Gloeckler creates images that lampoon the inflated and celebrate the everyday. This publication goes beyond the Elvehjem's (now Chazen's) 2004 exhibition to publish over 200 prints Gloeckler made from 1955 through 2004. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Of Birds and Texas
Author: Stuart Gentling
Publisher: University of Texas Press
ISBN: 0292728344
Category : Art
Languages : en
Pages : 236
Book Description
As Audubon's "Birds of America" was the most magnificent ornithological publication of the 19th century, "Of Birds and Texas" may rightfully claim that honor for the 20th. A.C. Greene praised it as "the most stunning and prodigious book in Texas history (and possibly forever)." 50 color plates.
Publisher: University of Texas Press
ISBN: 0292728344
Category : Art
Languages : en
Pages : 236
Book Description
As Audubon's "Birds of America" was the most magnificent ornithological publication of the 19th century, "Of Birds and Texas" may rightfully claim that honor for the 20th. A.C. Greene praised it as "the most stunning and prodigious book in Texas history (and possibly forever)." 50 color plates.
Art Guide Texas
Author: Rebecca S. Cohen
Publisher: University of Texas Press
ISBN: 9780292712300
Category : Travel
Languages : en
Pages : 492
Book Description
Texas is an art lover's paradise. More than one hundred venues located within the state welcome visitors to experience the visual arts. These include internationally recognized collections such as the Chinati Foundation, the Kimbell Art Museum, the Menil Collection, and the Nasher Sculpture Center; renowned encyclopedic institutions such as the Museum of Fine Arts, Houston, the Dallas Museum of Art, and the San Antonio Museum of Art; and dozens of first-rate art centers, alternative spaces, and university galleries. In addition to delighting the eye with a wide-ranging assortment of exhibitions, many of these museums and galleries are housed within architectural gems. To enhance the reader's visits to familiar destinations and to encourage the exploration of lesser-known venues, Art Guide Texas presents the only in-depth survey devoted exclusively to the state's nonprofit visual arts institutions. Rebecca Cohen organizes the book regionally. Individual entries for museums and galleries give essential contact information, including phone numbers and Web sites, as well as a description of the collection(s) and past exhibitions, a brief history of the institution, significant architectural details about the building, and assorted practical tips. Black-and-white photographs accompany many of the entries, as well as notable quotes on art and architecture. In addition, Cohen's essays on the phenomenal late-twentieth-century growth of the arts in Texas and on arts activity in the different regions of the state provide a helpful context for exploring the arts in Texas.
Publisher: University of Texas Press
ISBN: 9780292712300
Category : Travel
Languages : en
Pages : 492
Book Description
Texas is an art lover's paradise. More than one hundred venues located within the state welcome visitors to experience the visual arts. These include internationally recognized collections such as the Chinati Foundation, the Kimbell Art Museum, the Menil Collection, and the Nasher Sculpture Center; renowned encyclopedic institutions such as the Museum of Fine Arts, Houston, the Dallas Museum of Art, and the San Antonio Museum of Art; and dozens of first-rate art centers, alternative spaces, and university galleries. In addition to delighting the eye with a wide-ranging assortment of exhibitions, many of these museums and galleries are housed within architectural gems. To enhance the reader's visits to familiar destinations and to encourage the exploration of lesser-known venues, Art Guide Texas presents the only in-depth survey devoted exclusively to the state's nonprofit visual arts institutions. Rebecca Cohen organizes the book regionally. Individual entries for museums and galleries give essential contact information, including phone numbers and Web sites, as well as a description of the collection(s) and past exhibitions, a brief history of the institution, significant architectural details about the building, and assorted practical tips. Black-and-white photographs accompany many of the entries, as well as notable quotes on art and architecture. In addition, Cohen's essays on the phenomenal late-twentieth-century growth of the arts in Texas and on arts activity in the different regions of the state provide a helpful context for exploring the arts in Texas.
East Texas Impressions
Author: Charles D. Jones
Publisher: Stephen F. Austin University Press
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
Limited Edition Charles D. Jones is an East Texas legend, a Renaissance man by all measures. This newest book from the author of Honey Bucket Charlie and Chopper Blues attests to that talent and artistic brilliance. Here, beautifully printed and housed in an embossed cloth cover is a retrospective of nearly a half-century of Jones's artwork--drawings and sketches, paintings and prints, and woodcuts that range from blues musicians to modern authors, horses to insects, and flora of East Texas. The range of Jones' work is phenomenal; not only have his works hung in prestigious galleries throughout the United States, Europe, and Latin American, but it has graced numerous book covers, promotional items, and cd-jackets. Readers who come to this work will be amazed at the power and energy, the force with which Jones reckons daily.
Publisher: Stephen F. Austin University Press
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
Limited Edition Charles D. Jones is an East Texas legend, a Renaissance man by all measures. This newest book from the author of Honey Bucket Charlie and Chopper Blues attests to that talent and artistic brilliance. Here, beautifully printed and housed in an embossed cloth cover is a retrospective of nearly a half-century of Jones's artwork--drawings and sketches, paintings and prints, and woodcuts that range from blues musicians to modern authors, horses to insects, and flora of East Texas. The range of Jones' work is phenomenal; not only have his works hung in prestigious galleries throughout the United States, Europe, and Latin American, but it has graced numerous book covers, promotional items, and cd-jackets. Readers who come to this work will be amazed at the power and energy, the force with which Jones reckons daily.
Chuck Close Prints
Author: Terrie Sultan
Publisher: Prestel Publishing
ISBN: 9783791349664
Category : Printmakers
Languages : en
Pages : 0
Book Description
This essential volume on Chuck Close's innovative and groundbreaking techniques presents a life's work in printmaking by one of the most influential artists of our time. Since the retrospective exhibition of Chuck Close's prints first began touring in 2003, it has visited some 20 venues around the world, even as the artist has persisted in working prolifically and brilliantly in various print media. Revealing the full arc of Close's career in printmaking, including his most recent work and technical achievements, this book features everything from woodcuts, Woodbury types, and anamorphic etchings to felt hand-stamp prints, pulp-paper multiples, and watercolor pigment prints. With a thorough introduction, an essay by the distinguished scholar Richard Shiff, and interviews with the artist and master printmakers, this classic study will stand as the definitive reference on Close's print practice for years to come.
Publisher: Prestel Publishing
ISBN: 9783791349664
Category : Printmakers
Languages : en
Pages : 0
Book Description
This essential volume on Chuck Close's innovative and groundbreaking techniques presents a life's work in printmaking by one of the most influential artists of our time. Since the retrospective exhibition of Chuck Close's prints first began touring in 2003, it has visited some 20 venues around the world, even as the artist has persisted in working prolifically and brilliantly in various print media. Revealing the full arc of Close's career in printmaking, including his most recent work and technical achievements, this book features everything from woodcuts, Woodbury types, and anamorphic etchings to felt hand-stamp prints, pulp-paper multiples, and watercolor pigment prints. With a thorough introduction, an essay by the distinguished scholar Richard Shiff, and interviews with the artist and master printmakers, this classic study will stand as the definitive reference on Close's print practice for years to come.