Ten Israeli Folk Dances PDF Download

Author: Rivka Sturman
Publisher:
ISBN:
Category :
Languages : en
Pages : 25

View

Book Description

Author: Rivka Sturman
Publisher:
ISBN:
Category : Folk dancing
Languages : en
Pages : 25

View

Book Description

Author: Gurit Kadman
Publisher:
ISBN:
Category : Folk dance music
Languages : en
Pages : 36

View

Book Description

Author: Dvora Lapson
Publisher:
ISBN:
Category : Fasts and feasts
Languages : en
Pages : 184

View

Book Description

Author: Nathan Vizonsky
Publisher:
ISBN:
Category : Beggar dance (Dance)
Languages : en
Pages : 76

View

Book Description

Author: Matti Goldschmidt
Publisher:
ISBN:
Category : Bible and dance
Languages : en
Pages : 208

View

Book Description
A brief history of Israeli folk dance is accompanied by directions for fifty-three Israeli folk dances and songs for each dance.

Author: Gurit Kadman
Publisher:
ISBN:
Category :
Languages : en
Pages : 27

View

Book Description

Author: Judith Brin Ingber
Publisher:
ISBN:
Category : Folk Dancing Israel
Languages : en
Pages : 72

View

Book Description

Author: Judith Brin Ingber
Publisher: Wayne State University Press
ISBN: 0814333303
Category : History
Languages : en
Pages : 474

View

Book Description
A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.

Author: Elke Kaschl
Publisher: BRILL
ISBN: 9789004132382
Category : Social Science
Languages : en
Pages : 372

View

Book Description
"Dance and Authenticity" is an ethnography of dance performance and cultural form. It describes how "dabkeh," a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish "debkah" as a means of affirming Israeli Jewish belonging and common society. The Palestinian "dabkeh," in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.