Author: Arthur William Blaxall
Publisher:
ISBN:
Category : Blind
Languages : en
Pages : 64
Book Description
Ten Cameos from Darkest Africa
Author: Arthur William Blaxall
Publisher:
ISBN:
Category : Blind
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Blind
Languages : en
Pages : 64
Book Description
Ten Cameos from Darkest Africa
Author: Arthur William Blaxall
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Ten Cameos From Darkest Africa
Author: By a W Blaxall
Publisher: Hassell Street Press
ISBN: 9781013572234
Category :
Languages : en
Pages : 64
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Hassell Street Press
ISBN: 9781013572234
Category :
Languages : en
Pages : 64
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catalog of the African Collection
Author: Northwestern University (Evanston, Ill.). Library
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 670
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 670
Book Description
Catalog of the Melville J. Herskovits Library of African Studies, Northwestern University Library (Evanston, Illinois) and Africana in Selected Libraries
Author: Melville J. Herskovits Library of African Studies
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 674
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 674
Book Description
Dictionary Catalog of the Schomburg Collection of Negro Literature & History
Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 980
Book Description
Register of Documents
The New African
Straight Lick
Author: J. Ronald Green
Publisher: Indiana University Press
ISBN: 0253109221
Category : Performing Arts
Languages : en
Pages : 314
Book Description
A critical examination of the films of Oscar Micheaux. One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time. Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.
Publisher: Indiana University Press
ISBN: 0253109221
Category : Performing Arts
Languages : en
Pages : 314
Book Description
A critical examination of the films of Oscar Micheaux. One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time. Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.