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Author: Laura Sjoberg Publisher: University of Georgia Press ISBN: 0820335835 Category : Political Science Languages : en Pages : 270
Book Description
In the last decade the world has witnessed a rise in women's participation in terrorism. Women, Gender, and Terrorism explores women's relationship with terrorism, with a keen eye on the political, gender, racial, and cultural dynamics of the contemporary world. Throughout most of the twentieth century, it was rare to hear about women terrorists. In the new millennium, however, women have increasingly taken active roles in carrying out suicide bombings, hijacking airplanes, and taking hostages in such places as Palestine, Iraq, Afghanistan, Sri Lanka, Lebanon, and Chechnya. These women terrorists have been the subject of a substantial amount of media and scholarly attention, but the analysis of women, gender, and terrorism has been sparse and riddled with stereotypical thinking about women's capabilities and motivations. In the first section of this volume, contributors offer an overview of women's participation in and relationships with contemporary terrorism, and a historical chapter traces their involvement in the politics and conflicts of Islamic societies. The next section includes empirical and theoretical analysis of terrorist movements in Chechnya, Kashmir, Palestine, and Sri Lanka. The third section turns to women's involvement in al Qaeda and includes critical interrogations of the gendered media and the scholarly presentations of those women. The conclusion offers ways to further explore the subject of gender and terrorism based on the contributions made to the volume. Contributors to Women, Gender, and Terrorism expand our understanding of terrorism, one of the most troubling and complicated facets of the modern world.
Author: Laura Sjoberg Publisher: University of Georgia Press ISBN: 0820335835 Category : Political Science Languages : en Pages : 270
Book Description
In the last decade the world has witnessed a rise in women's participation in terrorism. Women, Gender, and Terrorism explores women's relationship with terrorism, with a keen eye on the political, gender, racial, and cultural dynamics of the contemporary world. Throughout most of the twentieth century, it was rare to hear about women terrorists. In the new millennium, however, women have increasingly taken active roles in carrying out suicide bombings, hijacking airplanes, and taking hostages in such places as Palestine, Iraq, Afghanistan, Sri Lanka, Lebanon, and Chechnya. These women terrorists have been the subject of a substantial amount of media and scholarly attention, but the analysis of women, gender, and terrorism has been sparse and riddled with stereotypical thinking about women's capabilities and motivations. In the first section of this volume, contributors offer an overview of women's participation in and relationships with contemporary terrorism, and a historical chapter traces their involvement in the politics and conflicts of Islamic societies. The next section includes empirical and theoretical analysis of terrorist movements in Chechnya, Kashmir, Palestine, and Sri Lanka. The third section turns to women's involvement in al Qaeda and includes critical interrogations of the gendered media and the scholarly presentations of those women. The conclusion offers ways to further explore the subject of gender and terrorism based on the contributions made to the volume. Contributors to Women, Gender, and Terrorism expand our understanding of terrorism, one of the most troubling and complicated facets of the modern world.
Author: Gianfranco Sanguinetti Publisher: Bread and Circuses Publishing ISBN: 1625178883 Category : History Languages : en Pages : 371
Book Description
This collection brings together a spread of writers, revolutionaries and reprobates to offer up a variety of critical perspectives on key European armed struggle groups from the 1970's . Gianfranco Sanguinetti, founding member of the Italian Section of the Situationist International, writes in 'On Terrorism and the State', 1978 : "Italian terrorism is the last enigma of the society of the spectacle and only those who reason dialectically can solve it.... Today, all those who speak of social revolution without denouncing and combating the terrorist counter-revolution have a corpse in their mouths." Dave and Stuart Wise, (King Mob) look into the relationship between the Italian Communist Party, workers struggles post 68' and the roots of the Red Brigades, concluding of the latter: "they added to the substitutionism of Lenin, who replaced the proletariat by the Party, by replacing the Party with the armed struggle." Prof. Charity Scribner (MIT), contributes "Buildings on Fire: The Situationist International and the Red Army Faction", exploring how and why the SI and the RAF's differing definitions of autonomy produced divergent modes of resistance : "Both the RAF and the Situationists drew from the arsenals of anarchism and Marxism. But whereas Debord critiqued the society of the spectacle...the leaders of the RAF became fodder for the media machine, leaving a legacy heavy on style, but light on political analysis." Tom Vague contributes fast paced, potted histories of the RAF and Angry Brigade, both strong on time line energy, both useful entry level introductions to the respective narratives. John Barker was sentenced to ten years at the Old Bailey in 1972 for his Angry Brigade activities ("they framed a guilty man"), and here he laments Tom Vague's "fetishisation of the Angry Brigade" and "how comfortable he is with ‘the situationist angle' while saying nothing about the analysis and theory that came out of the Italian movement from Potere Operaio onwards, which was more important to us." Barker's piece, dated from the late 1990's, goes on to give a brief, but uniquely frank first person perspective on the AB's activities, viewed through the prism of realism, maturity, and continued belief in the revolutionary potential of mass working class action over the clandestine, substitutionist activities of the few - a fitting end to this book.
Author: Laurie Oullette Publisher: Columbia University Press ISBN: 0231529317 Category : Performing Arts Languages : en Pages : 299
Book Description
How "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Author: Stephen Ferguson II Publisher: Bloomsbury Publishing ISBN: 1350368954 Category : Philosophy Languages : en Pages : 265
Book Description
Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the cultural turn in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.
Author: H. Y. Sharada Prasad Publisher: Orient Blackswan ISBN: 9788180280023 Category : Biography & Autobiography Languages : en Pages : 352
Book Description
H. Y. Sharada Prasad Has Lived Through Interesting Times, Turbulent Times, Times Of Great Hope And Dispair. He Has Been Witness To Some Momentous Events Of Recent Indian History. This Book Captures Some Of These Moments In Elegantly Crafted And Sometimes Delightfully Anecdotal Prose.
Author: Patrick Harrington Publisher: Lulu.com ISBN: 1847281184 Category : Performing Arts Languages : en Pages : 194
Book Description
First published in 1992 Counter Culture was conceived as part of a 'War of Position' against capitalism. It represents a vibrant alternative view of popular culture through reviews, debate and commentary. This anthology is an introduction to a radical new way of looking at our world. www.altculture.org
Author: Christina Gerhardt Publisher: Bloomsbury Publishing USA ISBN: 150133669X Category : History Languages : en Pages : 322
Book Description
Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts.
Author: Laura Sjoberg
Author: Laura Sjoberg
Author: Tom Vague
Author: Gianfranco Sanguinetti
Author: Laurie Oullette
Author: Stephen Ferguson II
Author: Tom Vague
Author: 
Author: H. Y. Sharada Prasad
Author: Patrick Harrington
Author: Christina Gerhardt