Author: Horace Coffin StantonPublisher:
ISBN:
Category : Parapsychology
Languages : en
Pages : 512
Book Description
Telepathy of the Celestial World
Author: Horace Coffin StantonPublisher:
ISBN:
Category : Parapsychology
Languages : en
Pages : 512
Book Description
The Princeton Theological Review
Author: Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 738
Book Description
Includes section "Reviews of recent literature."
Michigan Library Bulletin
Author: Michigan State LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Bookseller and the Stationery Trades' Journal
Author: The Bookseller
Author: Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 926
Book Description
Official organ of the book trade of the United Kingdom.
Bibliotheca Sacra
Author: Monthly Bulletin of the Public Library of the District of Columbia
Author: District of Columbia. Public LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 728
Book Description
Monthly Bulletin of the Public Library of the District of Columbia
Author: Harmony and Dissent
Author: R. Bruce ElderPublisher: Wilfrid Laurier Univ. Press
ISBN: 1554580862
Category : Performing Arts
Languages : en
Pages : 517
Book Description
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Author: