Tectonic Affects in Contemporary Architecture PDF Download

Author: Yonca Hurol
Publisher: Cambridge Scholars Publishing
ISBN: 152758822X
Category : Architecture
Languages : en
Pages : 264

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Book Description
Tectonics is an old, ontological concept which simultaneously claims to cover the aesthetics/meaning and the technological/technical in architecture. However, since the advent of ‘modernity’, the relationship between architecture and building technology has been problematic. Some of these problems, which are reflected in the theories of architecture and tectonics, relate to the separation of the technology/technical dimension from the aesthetic/artistic, rendering one of them dominant over the other. This book explores the tectonic affects in architecture because these do not separate building technology and aesthetics or meaning. Affects are preconscious aesthetic feelings which can cause meanings if we start thinking about these affects. The book claims that tectonic affects can generate aesthetic value and meaning. It adopts a practical position towards architectural aesthetics and meaning, and concentrates on tectonic affects.

Author: Christina Glasgow McCoy
Publisher:
ISBN:
Category :
Languages : en
Pages : 158

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Book Description
This thesis is an exploration of the meaning of tectonics in contemporary architecture. The topic of tectonics can be approached as a relationship of an architectural structural concept with space/form, assembly, and surface. Recently, however, architectural historians and theorists such as Kenneth Frampton, with his 1990 essay, "Rappel à l'Ordre, the Case for the Tectonic," and his 2006 book Studies in Tectonic Culture: the Poetics of Construction in Nineteenth and Twentieth Century Architecture, have questioned the capacity of contemporary architectural design culture to fully integrate the notion of tectonics, which calls for a highly expressive relationship between structural force and form, into today's built projects. Is the notion of tectonic architecture fading? Or, is the view of tectonics held by Frampton and his followers incomplete, rendering them a partial understanding of tectonic presence in contemporary architecture? Or, lastly, is the notion of tectonics no longer relevant considering the vast, rapid changes during the recent half-century in the creation and perception of architecture? This thesis hopes to address these questions with a survey of the meaning of "tectonic" that considers the challenges to its understanding in current architectural discourse and practice. It aims to grasp the strengths and weaknesses of Frampton's position. Further, opportunities to expand the definition of tectonics are sought, so that it may be shown to be relevant to changing values, design sensibilities, and technologies. In addition, a series of case studies will be presented that merit a new (or, in some cases, renewed) notion of tectonics. These case studies are selected based on the premise that they stand for a position that offers a relationship between form, space, surface, and assembly to the poetics of construction, but also that addresses the conditions that Frampton feared would render tectonic culture's demise. The conclusive message urges architectural discourse to seek out tectonic expression as a means to convey forces beyond the statical, such as cultural, economic, and technological.

Author: Robert Maulden
Publisher:
ISBN:
Category :
Languages : en
Pages : 209

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Book Description
Tectonics in architecture is defined as "the science or art of construction, both in relation to use and artistic design." It refers not just to the "activity of making the materially requisite construction that answers certain needs, but rather to the activity that raises this construction to an art form." It is concerned with the modeling of material to bring the material into presence: from the physical into the meta-physical world. The topic is, in part, a reaction to some contemporary trends in architecture. Part one discusses two current trends perceived to be negative: the effacement of history, both in an architectural and a temporal sense; and the tendency toward scenographic representation. Part two discusses the external references and internal references of buildings. These references are developed in two ways: a building's inter-consciousness and inner-consciousness. The former is concerned with the general circumstances of a building, (physical, social, political, economic), or in Heidegger's terms, the way in which it "gathers the fourfold," and the latter is concerned with the intrinsic properties of a building. The two are completely interdependent, however, this thesis is primarily concerned with a building's inner-consciousness. Part three defines tectonics first by discussing its relation with meta-physics; second by tracing an abbreviated lineage of nineteenth century German practitioners and theorists; third by describing different kinds of tectonic expression and finally by outlining only a few "subjects" of tectonic architecture. Part four examines two examples in detail - the 25bis Rue Franklin Apartment Building by August Perret, and the Richards Medical Research Laboratories by Louis Kahn. These are intended to give concrete examples of some of the issues and subjects discussed previously in the thesis. Tectonics is primarily concerned with the making of architecture in a modem world. Its value is seen as being a partial strategy for an architecture rooted in time and place, as well as an architecture of "depth." In bringing the physical into the meta-physical, tectonics begins to talk of a poetic of construction.

Author: Chad Schwartz
Publisher: Routledge
ISBN: 0429582803
Category : Architecture
Languages : en
Pages : 236

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Book Description
This anthology of selected works outlines three critical instigators of architecture, all tied directly to the tectonic makeup of our built environment – place, material, and assembly. These catalysts provide the organizational framework for a collection of essays discussing their significant influence on the processes of architectural design and construction. With content from a diverse collection of notable architects, historians, and scholars, this book serves as a theoretical structure for understanding the tectonic potential of architecture. Each chapter is thematically driven, consisting of a pair of essays preceded by an introduction highlighting the fundamental issues at hand and comparing and contrasting the points of view presented. Situate, Manipulate, Fabricate offers an opportunity to explore the essential topics that affect the design and construction, as well as the experiential qualities, of our built environment.

Author: Isak Worre Foged
Publisher:
ISBN: 9788771126716
Category : Architecture, Modern
Languages : en
Pages : 0

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Book Description
This reader on Tectonics in Architecture forms a hitherto non-existing common point of reference from which to expand and continue the discourse on tectonic theory as a vehicle for innovation in the built environment. The reader presents the notion of tectonics as a critical and methodological entrance to the broader field of architectural theory by gathering a selection of key readings on Tectonics in Architecture covering the span from mid-18th century German architectural theory through to state of the art recent research on the topic. The collection addresses students of architecture and engineering while simultaneously providing an overview as a foundation for further research on the topic.

Author: Yonca Hurol
Publisher: Routledge
ISBN: 1317518551
Category : Architecture
Languages : en
Pages : 456

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Book Description
The Tectonics of Structural Systems provides an architectural approach to the theory of structural systems. The book combines: structural recommendations to follow during the architectural design of various structural systems and the tectonic treatment of structural recommendations in architecture. Written expressly for students, the book makes structures understandable and useful, providing: practical and useful knowledge about structures a design based approach to the subject of structures and a bridge in the gap between structures and the theory of design. Good architectural examples for each structural system are given in order to demonstrate that tectonics can be achieved by applying technical knowledge about structures. Over 300 illustrations visually unpack the topics being explained, making the book ideal for the visual learner.

Author: Gevork Hartoonian
Publisher: Cambridge University Press
ISBN: 9780521586450
Category : Architecture
Languages : en
Pages : 142

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Book Description
Ontology of Construction explores theories of construction in modern architecture, focusing on the relationship between nihilism of technology and architecture. The essays articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, and Mies Van der Rohe. Hartoonian also examines Gottfried Semper's discourse on the tectonic and the relationship between architecture and other crafts. Emphasizing "fabrication" as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas.

Author: Anthony P. Rizzuto
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 728

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Book Description

Author: Kenneth Frampton
Publisher: MIT Press
ISBN: 9780262561495
Category : Architecture
Languages : en
Pages : 452

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Book Description
Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde." A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

Author: Branko Kolarevic
Publisher: Routledge
ISBN: 1134723962
Category : Architecture
Languages : en
Pages : 321

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Book Description
Designers are becoming more directly involved in the fabrication process from the earliest stages of design. This book showcases the design and research work by some of the leading designers, makers and thinkers today. This highly illustrated text brings together a wealth of information and numerous examples from practice which will appeal to both students and practitioners.