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Author: John Condon Murray Publisher: Cambria Press ISBN: 1604976683 Category : Language Arts & Disciplines Languages : en Pages : 178
Book Description
This study examines the ways in which technological changes initiated during the Victorian period have led to the diminution of speech as a mode of critique. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests. It enabled the creation of a community of readers who would be responsive to the expansion of a industry and the emergence of a technical language and culture, a culture that precedes and predicts post-modern society. The purpose of this study is to employ Charlotte Brontë's Shirley (1849), Charles Dickens's Hard Times (1854), and George Eliot's Felix Holt (1866) to evidence how the growth of capitalist production and the development of new technologies of industry within the early- to mid-Victorian periods inspired the prioritization of the printed word over oratory and speech as a means for fulfilling the linguistic power exchanges found common in spoken discourse. Inventions such as Friedrich Gottlob Koenig and Andreas Friedrich Bauer's high-speed printing press enabled mass production and low-cost readership among the working class, who experienced literacy on multiple levels: to educate themselves, to experience leisure and diversion, to confirm their religious beliefs, and to improve their labor skills. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests that would create a community of readers who would be responsive to the expansion of a new technical society and would eventually perform the routines of mechanized labor. This book employs Victorian novelists such as Charlotte Brontë, Charles Dickens, and George Eliot to address representations of speech in fictional discourse. Critics like Nancy Armstrong and Garrett Stewart have considered these representations without addressing the ways in which print culture engendered and valued new forms of speech, forms which might re-engage critique of the human condition. More recent publications like The Crowd: British Literature and Public Politics, by John Plotz, do not respond to the ways in which individuals use the collective voice of crowd formations to redefine and resituate their subjective identities. This book serves to fill this gap in Victorian studies. Victorian novels are not, of course, pure representations of Victorian reality. However, many working-class Victorians engaged texts as authentic representations of society. How working-class readers then reconstructed their personal narratives in actuality suggests the affects of social assimilation upon subjective identity and advances the claim that Victorian novels did not provide solutions to the social and economic maladies they reported. Rather, they contextualized social and cultural problems without recognizing the dangers of how the decontextualized imagination of the reader locates placement within the same ontological and epistemological assumptions. Technologies of Power in the Victorian Period is an informative study that will appeal to members of academic groups such as the British Women's Writer's Association and the North American Victorian Association. Although the book bears relevance to scholars and students of Victorian studies, it will also serve as a point of reference for curious readers engaged in studies of the effects of industrial technologies on language acquisition and dissemination during the nineteenth century.
Author: John Condon Murray Publisher: Cambria Press ISBN: 1604976683 Category : Language Arts & Disciplines Languages : en Pages : 178
Book Description
This study examines the ways in which technological changes initiated during the Victorian period have led to the diminution of speech as a mode of critique. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests. It enabled the creation of a community of readers who would be responsive to the expansion of a industry and the emergence of a technical language and culture, a culture that precedes and predicts post-modern society. The purpose of this study is to employ Charlotte Brontë's Shirley (1849), Charles Dickens's Hard Times (1854), and George Eliot's Felix Holt (1866) to evidence how the growth of capitalist production and the development of new technologies of industry within the early- to mid-Victorian periods inspired the prioritization of the printed word over oratory and speech as a means for fulfilling the linguistic power exchanges found common in spoken discourse. Inventions such as Friedrich Gottlob Koenig and Andreas Friedrich Bauer's high-speed printing press enabled mass production and low-cost readership among the working class, who experienced literacy on multiple levels: to educate themselves, to experience leisure and diversion, to confirm their religious beliefs, and to improve their labor skills. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests that would create a community of readers who would be responsive to the expansion of a new technical society and would eventually perform the routines of mechanized labor. This book employs Victorian novelists such as Charlotte Brontë, Charles Dickens, and George Eliot to address representations of speech in fictional discourse. Critics like Nancy Armstrong and Garrett Stewart have considered these representations without addressing the ways in which print culture engendered and valued new forms of speech, forms which might re-engage critique of the human condition. More recent publications like The Crowd: British Literature and Public Politics, by John Plotz, do not respond to the ways in which individuals use the collective voice of crowd formations to redefine and resituate their subjective identities. This book serves to fill this gap in Victorian studies. Victorian novels are not, of course, pure representations of Victorian reality. However, many working-class Victorians engaged texts as authentic representations of society. How working-class readers then reconstructed their personal narratives in actuality suggests the affects of social assimilation upon subjective identity and advances the claim that Victorian novels did not provide solutions to the social and economic maladies they reported. Rather, they contextualized social and cultural problems without recognizing the dangers of how the decontextualized imagination of the reader locates placement within the same ontological and epistemological assumptions. Technologies of Power in the Victorian Period is an informative study that will appeal to members of academic groups such as the British Women's Writer's Association and the North American Victorian Association. Although the book bears relevance to scholars and students of Victorian studies, it will also serve as a point of reference for curious readers engaged in studies of the effects of industrial technologies on language acquisition and dissemination during the nineteenth century.
Author: John Condon Murray Publisher: ISBN: 9781624992483 Category : LITERARY CRITICISM Languages : en Pages : 177
Book Description
This study examines the ways in which technological changes initiated during the Victorian period have led to the diminution of speech as a mode of critique. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests. It enabled the creation of a community of readers who would be responsive to the expansion of a industry and the emergence of a technical language and culture, a culture that precedes and predicts post-modern society. The purpose of this study is to employ Charlotte Bront's Shirley (1849), Charles Dickens's Hard Times (1854), and George Eliot's Felix Holt (1866) to evidence how the growth of capitalist production and the development of new technologies of industry within the early- to mid-Victorian periods inspired the prioritization of the printed word over oratory and speech as a means for fulfilling the linguistic power exchanges found common in spoken discourse. Inventions such as Friedrich Gottlob Koenig and Andreas Friedrich Bauer's high-speed printing press enabled mass production and low-cost readership among the working class, who experienced literacy on multiple levels: to educate themselves, to experience leisure and diversion, to confirm their religious beliefs, and to improve their labor skills. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests that would create a community of readers who would be responsive to the expansion of a new technical society and would eventually perform the routines of mechanized labor. This book employs Victorian novelists such as Charlotte Bront, Charles Dickens, and George Eliot to address representations of speech in fictional discourse. Critics like Nancy Armstrong and Garrett Stewart have considered these representations without addressing the ways in which print culture engendered and valued new forms of speech, forms which might re-engage critique of the human condition. More recent publications like The Crowd: British Literature and Public Politics, by John Plotz, do not respond to the ways in which individuals use the collective voice of crowd formations to redefine and resituate their subjective identities. This book serves to fill this gap in Victorian studies. Victorian novels are not, of course, pure representations of Victorian reality. However, many working-class Victorians engaged texts as authentic representations of society. How working-class readers then reconstructed their personal narratives in actuality suggests the affects of social assimilation upon subjective identity and advances the claim that Victorian novels did not provide solutions to the social and economic maladies they reported. Rather, they contextualized social and cultural problems without recognizing the dangers of how the decontextualized imagination of the reader locates placement within the same ontological and epistemological assumptions. Technologies of Power in the Victorian Period is an informative study that will appeal to members of academic groups such as the British Women's Writer's Association and the North American Victorian Association. Although the book bears relevance to scholars and students of Victorian studies, it will also serve as a point of reference for curious readers engaged in studies of the effects of industrial technologies on language acquisition and dissemination during the nineteenth century.
Author: Tony McHugh Publisher: Routledge ISBN: 1317136934 Category : Social Science Languages : en Pages : 206
Book Description
Drawing on studies of surface topography, image editing, and diagnostic and surgical experience, Faces Inside and Outside the Clinic addresses the notion of ’truth’ in what are considered to be ’right’ and ’wrong’ faces, whether in clinical cosmetic procedures or in specific sociocultural contexts outside the clinic. With attention to the manner in which the human face - and often the individual herself or himself as a consequence - is physically defined, conceptually judged, numerically measured and clinically analysed, this book reveals that on closer inspection, supposedly objective and evidential ’truths’ are in fact subjective and prescriptive. Adopting a Foucauldian analysis of the ways in which ’normalising technologies’ and ’techniques’ ultimately preserve and expand upon an increasing array of ’abnormal’ facial configurations, Faces Inside and Outside the Clinic shows that when determining ’right’ and ’wrong’ faces, what happens inside the clinic is inextricably linked to what happens outside the clinic - and vice versa. As such, it will be of interest to scholars and students of social, cultural and political theory, contemporary philosophy and the social scientific study of science, health and technology.
Author: Ronald Carter Publisher: Psychology Press ISBN: 9780415243179 Category : English language Languages : en Pages : 598
Book Description
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Author: Kate Pullinger Publisher: Profile Books ISBN: 1847652425 Category : Fiction Languages : en Pages : 256
Book Description
Lady Duff Gordon is the toast of Victorian London. But when her debilitating tuberculosis means exile, she and her devoted lady's maid, Sally, set sail for Egypt. It is Sally who describes, with a mixture of wonder and trepidation, the odd ménage marshalled by the resourceful Omar, which travels down the Nile to a new life in Luxor. As Lady Duff Gordon undoes her stays and takes to native dress, throwing herself into weekly salons; language lessons; excursions to the tombs; Sally too adapts to a new world, affording her heady and heartfelt freedoms never known before. But freedom is a luxury that a maid can ill-afford, and when Sally grasps more than her status entitles her to, she is brutally reminded that she is mistress of nothing.
Author: PH D Antonia Losano Publisher: ISBN: 9780814257364 Category : Languages : en Pages : 316
Book Description
The nineteenth century saw a marked rise both in the sheer numbers of women active in visual art professions and in the discursive concern for the woman artist in fiction, the periodical press, art history, and politics. The Woman Painter in Victorian Literature argues that Victorian women writers used the controversial figure of the woman painter to intervene in the discourse of aesthetics. These writers were able to assert their own status as artistic producers through the representation of female visual artists. Women painters posed a threat to the traditional heterosexual erotic art scenarios--a male artist and a male viewer admiring a woman or feminized art object. Antonia Losano traces an actual movement in history in which women writers struggled to rewrite the relations of gender and art to make a space for female artistic production. She examines as well the disruption female artists caused in the socioeconomic sphere. Losano offers close readings of a wide array of Victorian writers, particularly those works classified as noncanonical--by Anne Thackeray Ritchie, Margaret Oliphant, Anne Brontë, and Mrs. Humphrey Ward--and a new look at better-known novels such as Jane Eyre and Daniel Deronda, focusing on the pivotal social and aesthetic meanings of female artistic production in these texts. Each of the novels considered here is viewed as a contained, coherent, and complex aesthetic treatise that coalesces around the figure of the female painter.
Author: T. Eagleton Publisher: Springer ISBN: 023050972X Category : Literary Criticism Languages : en Pages : 177
Book Description
Myths of Power - Anniversary Edition sets out to interpret the fiction of the Brontë sisters in light of a Marxist analysis of the historical conditions in which it was produced. Its aim is not merely to relate literary facts, but by a close critical examination of the novels, to find in them a significant structure of ideas and values which related to the Brontës' ambiguous situation within the class-system of their society. Its intention is to forge close relations between the novels, nineteenth-century ideology, and historical forces, in order to illuminate the novels themselves in a radically new perspective. When originally published in 1975 (second edition in 1988), it was the first full-length Marxist study of the Brontës and is now reissued to celebrate 30 years since its first publication. It includes a new Introduction by Terry Eagleton which reflects on the changes which have happened in Marxist literary criticism since 1988, and situates this reissue of the second edition in current debates.
Author: Marlene Tromp Publisher: ISBN: 9780814211953 Category : Literary Criticism Languages : en Pages : 0
Book Description
In this groundbreaking collection, scholars explore Victorian xenophobia as a rhetorical strategy that transforms "foreign" people, bodies, and objects into perceived invaders with the dangerous power to alter the social fabric of the nation and the identity of the English. Essays in the collected edition look across the cultural landscape of the nineteenth century to trace the myriad tensions that gave rise to fear and loathing of immigrants, aliens, and ethnic/racial/religious others. This volume introduces new ways of reading the fear and loathing of all that was foreign in nineteenth-century British culture, and, in doing so, it captures nuances that often fall beyond the scope of current theoretical models. "Xenophobia" not only offers a distinctive theoretical lens through which to read the nineteenth century; it also advances and enriches our understanding of other critical approaches to the study of difference. Bringing together scholarship from art history, history, literary studies, cultural studies, women's studies, Jewish studies, and postcolonial studies, Fear, Loathing, and Victorian Xenophobia seeks to open a rich and provocative dialogue on the global dimensions of xenophobia during the nineteenth century.
Author: John Condon Murray
Author: John Condon Murray
Author: John Condon Murray
Author: Tony McHugh
Author: John Kucich
Author: Ronald Carter
Author: Kate Pullinger
Author: PH D Antonia Losano
Author: T. Eagleton
Author: Marlene Tromp
Author: David Lowenthal