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Author: Katharina Loew Publisher: ISBN: 9781124868561 Category : Languages : en Pages : 196
Book Description
Based extensively on primary sources, this study undertakes a reevaluation of the interpretative categories by which German silent cinema has been described. Revealing the correlations between the technical achievements evident in the films of this period and the dominant aesthetic philosophy among filmmakers and theorists, this study presents a re-reading of the prominent fantastic films Der Student von Prag (Deutsche Bioscop, 1913, dir. Stellan Rye), Nosferatu (Prana Film, 1921, dir. F.W. Murnau) and Faust (Ufa, 1925/1926, dir. F.W. Murnau). German silent cinema was the site of a radical redefinition of the problematic relationship between art and technology. This fundamental shift in the cultural perception was the result of a "techno-romantic" ideology that eventually rendered possible technology's integration into the aesthetic discourse. Because they made perceptible the interrelations between modern technology and Romantic ideas, special effects played a key role in corroborating the techno-romantic outlook. Techno-romanticism served as the conceptual framework in which the parameters of aesthetic modernity were negotiated. Special effects allowed cinema to become the site where the gulf between technology and art was actually bridged.
Author: Katharina Loew Publisher: ISBN: 9781124868561 Category : Languages : en Pages : 196
Book Description
Based extensively on primary sources, this study undertakes a reevaluation of the interpretative categories by which German silent cinema has been described. Revealing the correlations between the technical achievements evident in the films of this period and the dominant aesthetic philosophy among filmmakers and theorists, this study presents a re-reading of the prominent fantastic films Der Student von Prag (Deutsche Bioscop, 1913, dir. Stellan Rye), Nosferatu (Prana Film, 1921, dir. F.W. Murnau) and Faust (Ufa, 1925/1926, dir. F.W. Murnau). German silent cinema was the site of a radical redefinition of the problematic relationship between art and technology. This fundamental shift in the cultural perception was the result of a "techno-romantic" ideology that eventually rendered possible technology's integration into the aesthetic discourse. Because they made perceptible the interrelations between modern technology and Romantic ideas, special effects played a key role in corroborating the techno-romantic outlook. Techno-romanticism served as the conceptual framework in which the parameters of aesthetic modernity were negotiated. Special effects allowed cinema to become the site where the gulf between technology and art was actually bridged.
Author: Sarah Keller Publisher: Columbia University Press ISBN: 0231543301 Category : Performing Arts Languages : en Pages : 202
Book Description
The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future.
Author: Anton Kaes Publisher: Univ of California Press ISBN: 0520962435 Category : Performing Arts Languages : en Pages : 701
Book Description
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.
Author: Paul Grainge Publisher: Edinburgh University Press ISBN: 0748628940 Category : Performing Arts Languages : en Pages : 616
Book Description
An introduction to film history, this anthology covers the history of film from 1895. It is arranged chronologically, and each chapter contains an introduction on the key developments within the period. Various types of film history are undertaken to enable students to become familiar with different types of film historical research.
Author: Katharina Loew Publisher: Amsterdam University Press ISBN: 9048551714 Category : Art Languages : en Pages : 322
Book Description
In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a "techno-romantic" paradigm that seeks to harness technology-the epitome of modern materialism-as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
Author: Michael Minden Publisher: Camden House ISBN: 9781571131461 Category : Drama Languages : en Pages : 350
Book Description
Providing a broad range of materials and resources for the study of Fritz Lang's classic film Metropolist (1972), this volume includes both standard critical essays and contributions appearing for the first time.
Author: Siegfried Kracauer Publisher: Princeton University Press ISBN: 0691191344 Category : Performing Arts Languages : en Pages : 432
Book Description
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author: Kathryn Kalinak Publisher: Oxford University Press ISBN: 0197628036 Category : Motion picture music Languages : en Pages : 177
Book Description
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Author: Robert C. Reimer Publisher: Hackett Publishing ISBN: 158510857X Category : Performing Arts Languages : en Pages : 371
Book Description
German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
Author: Katharina Loew
Author: Katharina Loew
Author: Sarah Keller
Author: Anton Kaes
Author: Paul Grainge
Author: Katharina Loew
Author: Michael Minden
Author: Siegfried Kracauer
Author: Ronald Bergan
Author: Kathryn Kalinak
Author: Robert C. Reimer