Author: Joseph Edgar Maddy
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 274
Book Description
Instrumental Technique for Orchestra and Band
Author: Joseph Edgar Maddy
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 274
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 554
Book Description
Handbook of Instrumental Techniques for Analytical Chemistry
Author: Frank A. Settle
Publisher: Prentice Hall
ISBN:
Category : Science
Languages : en
Pages : 1032
Book Description
With this handbook, these users can find information about the most common analytical chemical techniques in an understandable form, simplifying decisions about which analytical techniques can provide the information they are seeking on chemical composition and structure.
Publisher: Prentice Hall
ISBN:
Category : Science
Languages : en
Pages : 1032
Book Description
With this handbook, these users can find information about the most common analytical chemical techniques in an understandable form, simplifying decisions about which analytical techniques can provide the information they are seeking on chemical composition and structure.
Gallo's Band Book: Wind instruments, their technique, notation, tone-color, and use in band and orchestra. [c1921
Author: Stanislao Gallo
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 102
Book Description
Compendium of Modern Instrumental Techniques
Author: Gardner Read
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician. An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage. An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician. An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage. An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.
Catalog
Author: Kansas State Teachers College of Emporia
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
Instruments and Experimental Techniques
A Course of Instruction in Instrumental Methods of Chemical Analysis
Author: William Noble Lacey
Publisher:
ISBN:
Category : Analytical chemistry
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Analytical chemistry
Languages : en
Pages : 112
Book Description
Les Livres de L'année
The Orchestra: Technique of the instruments
Author: Ebenezer Prout
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 312
Book Description