Author: Rine Leal
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 400
Book Description
Teatro cubano en un acto
Author: Rine Leal
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 400
Book Description
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 400
Book Description
Teatro cubano en un acto
Obras en un acto
Author: Matías Montes Huidobro
Publisher:
ISBN:
Category : Drama
Languages : es
Pages : 260
Book Description
Publisher:
ISBN:
Category : Drama
Languages : es
Pages : 260
Book Description
Teatro cubano
6 obras de teatro cubano
Teatro cubano
Author: Natividad González Freire
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 204
Book Description
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 204
Book Description
Cuban American Theater
Author: Rodolfo J. Cortina
Publisher: Arte Publico Press
ISBN: 9781611921021
Category : Drama
Languages : en
Pages : 288
Book Description
Cuban American Theater brings together six plays on the Cuban American experience. Here are presented dramatically the themes of exile, culture clash, the generation gap and discrimination, along with the full gamut of concerns about art, theatre and life itself. The plays vary in format from conventional two act realism, to absurdist theatre and, of course, to Cuban musical farce (teatro bufo), which accounts for some of the humor and characterization. Professor Rodolfo J. Cortina has provided an introduction to situate this theatrical production within an historical and aesthetic context. In all respectsÑ linguistic, artistic and philosophicalÑ Cuban American Theater is the first of its kind, a truly historical and ground-breaking document.
Publisher: Arte Publico Press
ISBN: 9781611921021
Category : Drama
Languages : en
Pages : 288
Book Description
Cuban American Theater brings together six plays on the Cuban American experience. Here are presented dramatically the themes of exile, culture clash, the generation gap and discrimination, along with the full gamut of concerns about art, theatre and life itself. The plays vary in format from conventional two act realism, to absurdist theatre and, of course, to Cuban musical farce (teatro bufo), which accounts for some of the humor and characterization. Professor Rodolfo J. Cortina has provided an introduction to situate this theatrical production within an historical and aesthetic context. In all respectsÑ linguistic, artistic and philosophicalÑ Cuban American Theater is the first of its kind, a truly historical and ground-breaking document.
Marginality Beyond Return
Author: Lillian Manzor
Publisher: Taylor & Francis
ISBN: 1000625605
Category : Performing Arts
Languages : en
Pages : 306
Book Description
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Publisher: Taylor & Francis
ISBN: 1000625605
Category : Performing Arts
Languages : en
Pages : 306
Book Description
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Breve historia del teatro cubano
Pensar el teatro en voz alta
Author: Vivian Martínez Tabares
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 368
Book Description
Publisher:
ISBN:
Category : Cuban drama
Languages : es
Pages : 368
Book Description