Author: THOMAS KENNEDYPublisher: TATE PHOTOGRAPHY
ISBN: 9781849768009
Category :
Languages : en
Pages : 64
Book Description
TATE PHOTOGRAPHY SIRKKA LISA KONTTINEN
Author: THOMAS KENNEDYPublisher: TATE PHOTOGRAPHY
ISBN: 9781849768009
Category :
Languages : en
Pages : 64
Book Description
TATE PHOTOGRAPHY LIZ JOHNSON ARTUR
Author: YASUFUMI NAKAMORIPublisher: TATE PHOTOGRAPHY
ISBN: 9781849768016
Category :
Languages : en
Pages : 64
Book Description
Step by Step
Author: Sirkka-Liisa KonttinenPublisher: Dufour Editions
ISBN: 9781852240592
Category : Dance
Languages : en
Pages : 127
Book Description
Photographer Sirrka-Liisa Konttinen traces the lives of the mothers and daughters from a dancing school in North Shields into the outside world over a period of seven years, documenting their dreams and realities in conversations and photographs. Publication coincides with an exhibition of the photographs at Newcastle's Side Gallery. This was a co-publication with Amber/Side.
Writing in the Sand
Author: Sirkka-Liisa KonttinenPublisher: Dewi Lewis Publishing
ISBN:
Category : Nature
Languages : en
Pages : 128
Book Description
The British seaside at its most welcoming.
Byker Revisited
Author: Sirkka-Liisa KonttinenPublisher:
ISBN: 9781904794424
Category : Byker (England)
Languages : en
Pages : 0
Book Description
Sirkka-Liisa Konttinen moved to the Byker area of Newcastle in 1970 & shortly after her arrival she began to capture the spirit of the community in evocative photographs that formed the basis of a book & film. 'Byker Revisited' is a visual & verbal documentary of a contemporary community that is in flux.
Hannah Starkey
Author: Publisher:
ISBN: 9781912339198
Category : Photography
Languages : en
Pages : 184
Book Description
Since the mid nineties, the Northern Irish photographer Hannah Starkey has dedicated her work to a labyrinth of ideas surrounding the female experience and the medium of photography. Recognised for her artfully constructed mise-en-scenes in which women of different generations take centre stage, Starkey's colour photographs often arise from close collaborations with actresses, friends or acquaintances she meets on site. Her images combine the subtlest of gazes and gestures with sophisticated forms of lighting, framing, colour and composition, to build multiple narratives that explore the psychological complexity of women. Challenging the aggressive ways in which the media often fetishize and sexualize women, she draws on the languages and techniques of an array of photographic genres to investigate the influence of photography on how it has shaped our ideas of what it means to be female. In Starkey's work, everyday moments of self-reflection or social interaction can take on the gravitas of modernday genre paintings, or the fleeting appearance of a film still. From her early staged scenes in Belfast, to her most recent documentation of the Women's Marches in London, this monograph spans the first twenty years of work by one of the most significant photographic artists of our time.
The Northern Arts/Northern Gasboard Fellow in Creative Photography
Author: Sirkka-Liisa KonttinenThe Coal Coast
Author: Sirkka-Liisa KonttinenPublisher:
ISBN: 9780951205815
Category : Beaches
Languages : en
Pages : 56
Book Description
Tate Photography Series
Author: A Gust of Photo-Philia
Author: Alexandra MoschoviPublisher: Leuven University Press
ISBN: 946270242X
Category : Photography
Languages : en
Pages : 332
Book Description
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.