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Author: Barbara Duffy Publisher: ISBN: 9781977783066 Category : Languages : en Pages : 132
Book Description
Tap into Improv is a guide for tap dancers, both students and professionals, which provides tools, ideas, and concepts to help any level of dancer become more expressive in their tap improvisation. The guide contains physical, mental, musical and emotional exercises to be practiced either alone or in a group setting. Barbara Duffy has compiled these ideas from her 27 years of teaching improvisation classes in New York City and in 20 countries. If you are a beginner or a professional tap dancer, this guide presents valuable ideas to expand your creativity and freedom.
Author: Barbara Duffy Publisher: ISBN: 9781977783066 Category : Languages : en Pages : 132
Book Description
Tap into Improv is a guide for tap dancers, both students and professionals, which provides tools, ideas, and concepts to help any level of dancer become more expressive in their tap improvisation. The guide contains physical, mental, musical and emotional exercises to be practiced either alone or in a group setting. Barbara Duffy has compiled these ideas from her 27 years of teaching improvisation classes in New York City and in 20 countries. If you are a beginner or a professional tap dancer, this guide presents valuable ideas to expand your creativity and freedom.
Author: Dan Diggles Publisher: Simon and Schuster ISBN: 1581159412 Category : Performing Arts Languages : en Pages : 230
Book Description
In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons—each of which includes warm-ups, points of concentration, and improvisation exercises—Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more. Actors of all levels will soon be able to give a fresh, original approach to classic characters, create funnier performances in farce and comedy, and make dramatic characters richer and more believable.
Author: Kelly Leonard Publisher: Harper Collins ISBN: 0062248553 Category : Business & Economics Languages : en Pages : 174
Book Description
Executives from The Second City—the world’s premier comedy theater and school of improvisation—reveal improvisational techniques that can help any organization develop innovators, encourage adaptable leaders, and build transformational businesses. For more than fifty years, The Second City comedy theater in Chicago has been a training ground for some of the best comic minds in the industry—including John Belushi, Bill Murray, Gilda Radner, Mike Myers, Steve Carell, Stephen Colbert, and Tina Fey. But it also provides one-of-a-kind leadership training to cutting-edge companies, nonprofits, and public sector organizations—all aimed at increasing creativity, collaboration, and teamwork. The rules for leadership and teamwork have changed, and the skills that got professionals ahead a generation ago don’t work anymore. Now The Second City provides a new toolkit individuals and organizations can use to thrive in a world increasingly shaped by speed, social communication, and decentralization. Based on eight principles of improvisation, Yes, And helps to develop these skills and foster them in high-potential leaders and their teams, including: Mastering the ability to co-create in an ensemble Fostering a “yes, and” approach to work Embracing failure to accelerate high performance Leading by listening and by learning to follow Innovating by making something out of nothing Yes, And is a must-read for professionals and organizations, helping to develop the invaluable leadership skills needed to succeed today.
Author: Ben Hauck Publisher: Skyhorse Publishing Inc. ISBN: 1581159811 Category : Humor Languages : en Pages : 289
Book Description
Long-Form Improv deftly teaches the wildly popular form of improvisation that is so foundational to the comedy stylings of many of today’s top actors and thriving comedians. Crammed with innovative ideas for conceptualizing improvised scenework and “finding the game of the scene,” this crisply written manual covers techniques for experienced improvisers, curious actors, and even non-actors. A complete long-form improv resource comprising topics like ideation and character creation, improvising scenes for extended periods of time and enhancing them—and even performing the most famous expression of long-form improv, the half-hour improvised form known as “The Harold”—this astute text is written in a friendly, supportive voice by an experienced improv teacher and professional actor whose own frustration in learning the craft drove an obsession to create a program free of confounding teachings and contradictory concepts. The book’s groundbreaking infusion with drama theory and game theory brings new life to the teachings of the craft, breaking down various aspects of long-form improv into short chapters for swift, step-by-step intake of its vital lessons. Students of acting and long-form improv alike should expect Long-Form Improv to bolster their education and fast-track their course to improv greatness.
Author: Thomas Kaltenbrunner Publisher: Meyer & Meyer Sport ISBN: 9781841261386 Category : Dance Languages : en Pages : 0
Book Description
Books about contact improvisation are hard to find and it is even more difficult to find books containing specific exercises, instructions and ideas on how to lead a Contact Improvisation workshop. Each Contact-teacher has his or her own area of interest--a complete survey has not yet been published in spite of growing public awareness. This book ......
Author: Keith Johnstone Publisher: Routledge ISBN: 1136610456 Category : Performing Arts Languages : en Pages : 206
Book Description
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
Author: Publisher: Meriwether Publishing ISBN: Category : Games & Activities Languages : en Pages : 214
Book Description
This book is perfect "€" jam-packed with games and lists, it's also the most user-friendly book we've ever seen! Who knows what you'll love more? Maybe it will be the clean layout that specifies space prep minutes, player prep minutes, performance minutes, and number of players for every single game. Or maybe it will be the appendices, where each of the 71 games is cross-referenced by not only these details just mentioned, but also dramatic skills and National Theatre Standards by grade! Perhaps you'll best love the CD-Rom which includes printable PDF files of every list in the book. You can even print these lists directly onto labels or pages for student use. Besides directions and examples, every single game also has tips on side coaching and evaluation and critique. It just doesn't get better than this! This mother lode of rich activities will be mined by drama teachers in search of memory jogs and new inspirations for years to come!
Author: Cheryl Pallant Publisher: McFarland ISBN: 1476626499 Category : Performing Arts Languages : en Pages : 209
Book Description
In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name "contact improvisation" was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Instructors considering this book for use in a course may request an examination copy here.
Author: Barbara Duffy
Author: Barbara Duffy
Author: Dan Diggles
Author: Mark Bergren
Author: Ann Cooper Albright
Author: Kelly Leonard
Author: Ben Hauck
Author: Thomas Kaltenbrunner
Author: Keith Johnstone
Author: 
Author: Cheryl Pallant