The Maori Collections of the British Museum PDF Download

Author: British Museum
Publisher:
ISBN: 9780714125947
Category : Art
Languages : en
Pages : 0

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Book Description
This work comprises a major monument to Maori creativity and history, and will remain an invaluable reference on the subject for generations to come. --Book Jacket.

Author: D. C. Starzecka
Publisher:
ISBN: 9781877385766
Category : Art
Languages : en
Pages : 168

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Book Description
The British Museum holds the largest Maori collections outside New Zealand, including some items of major artistic and cultural significance. This important book will contain a substantial introduction including a history of the study of Maori material culture in Britain and New Zealand and a history of the British Museum collection and how it was acquired. This is followed by a detailed catalogue describing over 2,300 items - including woodcarvings, model canoes and paddles, domestic equipment, cloaks, baskets and bags, jewellery, musical instruments, ceremonial objects, fishing and hunting equipment, tools, weapons, and modern ceramics - an appendix listing collectors, donors and vendors, a glossary, and about 340 photographs illustrating approximately 500 objects. Written by specialists from both Britain and New Zealand, this book is the definitive publication on this remarkable collection.

Author: Amiria Henare
Publisher: Cambridge University Press
ISBN: 9780521835916
Category : Art
Languages : en
Pages : 356

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Book Description
Amiria Henare explores the role of material cultural research in anthropology and related disciplines from the late eighteenth century to the present.

Author: Roger Blackley
Publisher: Auckland University Press
ISBN: 1776710215
Category : Art
Languages : en
Pages : 732

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Book Description
Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.

Author: Conal McCarthy
Publisher: Taylor & Francis
ISBN: 1040288499
Category : Social Science
Languages : en
Pages : 324

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Book Description
This richly illustrated book presents a comprehensive assessment of the display of Maori culture from the nineteenth century to today. In doing so, Exhibiting Maori traces the long journey from curio to specimen, artefact, art and taonga (treasure). Drawing on extensive and groundbreaking research, Exhibiting Maori reveals for the first time the remarkable story of Maori resistance to, involvement in, and eventual capture of the display of their culture.Ranging across museums, world fairs, fine art and tourism, Exhibiting Maori fuses museum studies, anthropology, and visual and material culture to uncover a history of active Maori engagement with the colonial culture of display.

Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505

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Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.

Author: Dean Sully
Publisher: Routledge
ISBN: 1315430592
Category : Social Science
Languages : en
Pages : 271

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Book Description
This book argues for an important shift in cultural heritage conservation, away from a focus on maintaining the physical fabric of material culture toward the impact that conservation work has on people’s lives. In doing so, it challenges the commodification of sacred objects and places by western conservation thought and attempts to decolonize conservation practice. To do so, the authors examine conservation activities at Maori marae—meeting houses—located in the US, Germany, and England and contrasts them with changes in marae conservation in New Zealand. A key case study is the Hinemihi meeting house, transported to England in the 1890s where it was treated as a curiosity by visitors to Clandon Park for over a century, and more recently as a focal point of cultural activity for UK Maori communities. Recent efforts to include various Maori stakeholder communities in the care of this sacred structure is a key example of community based conservation that can be replicated in heritage practice around the world.

Author: Anne Salmond
Publisher: Yale University Press
ISBN: 0300100922
Category : History
Languages : en
Pages : 528

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Book Description
The extraordinary story of Captain Cook's encounters with the Polynesian Islanders is retold here in bold, vivid style, capturing the complex (and sometimes sexual) relationships between the explorers and the Islanders as well as the unresolved issues that led to Cook's violent death on the shores of Hawaii. (History)

Author: Moira G. Simpson
Publisher: Routledge
ISBN: 1135632715
Category : Business & Economics
Languages : en
Pages : 354

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Book Description
Drawing upon material from Britain, Canada, the United States, Australia and New Zealand, Making Representations explores the ways in which museums and anthropologists are responding to pressures in the field by developing new policies and practices, and forging new relationships with communities. Simpson examines the increasing number of museums and cultural centres being established by indigenous and immigrant communities as they take control of the interpretive process and challenge the traditional role of the museum. Museum studies students and museum professionals will all find this a stimulating and valuable read.

Author: Conal McCarthy
Publisher: Routledge
ISBN: 1315423871
Category : Social Science
Languages : en
Pages : 351

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Book Description
This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.