Talking with Flutists: Jean-Pierre Rampal, Julius Baker, Marcel Moyse, Hubert Laws, Doriot Anthony Dwyer, Harvey Sollberger, Samuel Baron, Paula Robison. v. 2, Donald Peck, Mary Louise Poor, James Pappoutsakis, Thomas Nyfenger, Henry Zlotnik, Eugenia Zukerman, Bernard Goldberg, Murray Panitz PDF Download

Author: Pilar Estevan
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 0

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Author: Pilar Estevan
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 106

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Book Description

Author: Pilar Estevan
Publisher:
ISBN: 9780894050008
Category : Flute players
Languages : en
Pages : 0

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Author: Claude Dorgeuille
Publisher: HP Books
ISBN:
Category : Flute
Languages : en
Pages : 152

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Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0199883556
Category : Music
Languages : en
Pages : 452

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Book Description
Georges Barrère (1876-1944) holds a preeminent place in the history of American flute playing. Best known for two of the landmark works that were written for him--the Poem of Charles Tomlinson Griffes and Density 21.5 by Edgard Varèse--he was the most prominent early exemplar of the Paris Conservatoire tradition in the United States and set a new standard for American woodwind performance. Barrère's story is a musical tale of two cities, and this book uses his life as a window onto musical life in Belle Epoque Paris and twentieth-century New York. Recurrent themes are the interactions of composers and performers; the promotion of new music; the management, personnel, and repertoire of symphony orchestras; the economic and social status of the orchestral and solo musician, including the increasing power of musicians' unions; the role of patronage, particularly women patrons; and the growth of chamber music as a professional performance medium. A student of Paul Taffanel at the Paris Conservatoire, by age eighteen Barrère played in the premiere of Debussy's Prelude to the Afternoon of a Faun. He went on to become solo flutist of the Concerts Colonne and to found the Sociètè Moderne d'Instruments á Vent, a pioneering woodwind ensemble that premiered sixty-one works by forty composers in its first ten years. Invited by Walter Damrosch to become principal flute of the New York Symphony in 1905, he founded the woodwind department at the Institute of Musical Art (later Juilliard). His many ensembles toured the United States, building new audiences for chamber music and promoting French repertoire as well as new American music. Toff narrates Barrère's relationships with the finest musicians and artists of his day, among them Isadora Duncan, Yvette Guilbert, André Caplet, Paul Hindemith, Albert Roussel, Wallingford Riegger, and Henry Brant. The appendices of the book, which list Barrère's 170 premieres and the 50 works dedicated to him, are a resource for a new generation of performers. Based on extensive archival research and oral histories in both France and the United States, this is the first biography of Barrère.

Author: Ann McCutchan
Publisher: Hal Leonard Corporation
ISBN: 0931340683
Category : Biography & Autobiography
Languages : en
Pages : 349

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Drawing on well over 100 interviews with European and American students, colleagues, and family members, McCutchan traces his career, with particular attention to the cultural and political conditions that helped mold him. She distills a truthful and full portrait of this charismatic, complex and sometimes puzzling man.

Author: Gareth Farr
Publisher: Promethean Editions Limited
ISBN: 1776600010
Category : Music
Languages : en
Pages : 26

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Kembang Suling (1996) for flute and marimba is one of Farr’s earliest works and has become a standard in the repertoire for flute and percussion. Displaying Farr’s love of Indonesian gamelan music, Kembang Suling contains flowing gamelan-inspired melodies that intertwine with the sound of the suling (Balinese bamboo flute) to form rich, colourful tapestries.

Author: Leonardo Acosta
Publisher: Smithsonian Institution
ISBN: 1588345475
Category : Biography & Autobiography
Languages : en
Pages : 321

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Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.

Author: James J. Pellerite
Publisher: Alfred Music
ISBN: 9780882844497
Category : Music
Languages : en
Pages : 0

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Book Description
One of the most complete guides for the flute ever published! Covers basic fingerings, trills, tremolos (3rds through octaves), quarter-tones, multiphonics. A unique reference book for studio and classroom by James J. Pellerite, Professor of Flute, Indiana University.

Author: Ardal Powell
Publisher:
ISBN: 9780300094985
Category : Music
Languages : en
Pages : 347

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Book Description
This book tells the story of the flute in the musical life of Europe and North America from the twelfth century to the present day. It is the first history to illustrate the relationship that has bound the instrument, its music, and performance technique together through eight centuries of shifting musical tastes and practices. In a comprehensive and authoritative account of the flute's development, Ardal Powell takes full account of recent research: on military flutes and fifes of the fifteenth century, the renaissance consort flute, baroque and classical instruments, mechanically advanced nineteenth-century designs by Theobald Boehm and others, and further innovations that led to the modern flute. All these transformations are related to revolutions in playing style and repertoire, in the lives of flute players and makers, and in the uses of the instrument to play military, religious, consort, solo, chamber, opera, symphony, jazz, popular, and flute band music. For the first time the role of amateur flutists receives due consideration alongside the influence of famous players and teachers. The ultimate guide to the heritage of the flute, this volume will delight both those who play the flute and those who love its music.