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Author: K. Young Publisher: Springer Science & Business Media ISBN: 9400935110 Category : Philosophy Languages : en Pages : 201
Book Description
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;>enings are already directed toward closings. The first question in presenting a body of work is where to cut in. This is an especially difficult question since the cut-in provides a perspecti ve on what follows. A cut is an angle of entry. Wherever I enter, from there, a realm unfolds itself. In that sense, my angle of entry is my point of view. A realm cut into has an orientation. It evidences a hierarchy of importance, relevance, accessability, value, or logic. Its content is no longer neutral and equivalent. From my perspective, the realm is not only differentiated in sUbstance but differential in significance. There is a relation between angles and attitudes. Where I look from is tied up with how I see. The first cut opens out into a frame of reference. What count as lines of evidence in that realm materialize along with its background expectancies, its assumptions, concentrations, and confusions, its coslTPlogy, quirks, and enchantments. Hence, once I am corrunitted to a perspective, I am implicated in a methodology, one possessed of puzzles of a certain shape, ITPving toward solutions wi thin its orthodoxy. Openings are directed toward closings. Another cut would open onto another realm. The realm of events I cut into is a Taleworld, inhabited by characters acting in their own space and time.
Author: K. Young Publisher: Springer Science & Business Media ISBN: 9400935110 Category : Philosophy Languages : en Pages : 201
Book Description
Beginning is the hardest ITPment, not because openers are all that scarce but because you're blowing into, cracking a universe. l Maurice Natanson q;>enings are already directed toward closings. The first question in presenting a body of work is where to cut in. This is an especially difficult question since the cut-in provides a perspecti ve on what follows. A cut is an angle of entry. Wherever I enter, from there, a realm unfolds itself. In that sense, my angle of entry is my point of view. A realm cut into has an orientation. It evidences a hierarchy of importance, relevance, accessability, value, or logic. Its content is no longer neutral and equivalent. From my perspective, the realm is not only differentiated in sUbstance but differential in significance. There is a relation between angles and attitudes. Where I look from is tied up with how I see. The first cut opens out into a frame of reference. What count as lines of evidence in that realm materialize along with its background expectancies, its assumptions, concentrations, and confusions, its coslTPlogy, quirks, and enchantments. Hence, once I am corrunitted to a perspective, I am implicated in a methodology, one possessed of puzzles of a certain shape, ITPving toward solutions wi thin its orthodoxy. Openings are directed toward closings. Another cut would open onto another realm. The realm of events I cut into is a Taleworld, inhabited by characters acting in their own space and time.
Author: Jennifer Coates Publisher: John Wiley & Sons ISBN: 0470754648 Category : Language Arts & Disciplines Languages : en Pages : 240
Book Description
Men Talk draws on rich conversational material from a wide range of contexts to illuminate our understanding of men and masculinities at the turn of the millennium. Draws on rich conversational material to illuminate our understanding of men and masculinities at the turn of the millennium. Collects data from a wide range of conversations, including garage mechanics on a break, carpenters at the pub after work, and university academics chatting after hours. Focuses on stories, which occur within all-male conversations. Makes a distinctive contribution to our understanding of the intersection of language and masculinity.
Author: Pauline Greenhill Publisher: Routledge ISBN: 1317368797 Category : Social Science Languages : en Pages : 858
Book Description
From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.
Author: Andrew Teverson Publisher: Routledge ISBN: 1351609947 Category : Literary Criticism Languages : en Pages : 905
Book Description
The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.
Author: David Herman Publisher: Routledge ISBN: 1134458398 Category : Literary Criticism Languages : en Pages : 1327
Book Description
The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Author: Melaqu’as Romero Publisher: University of Arizona Press ISBN: 9780816509775 Category : Social Science Languages : en Pages : 300
Book Description
One of the most fascinating folktales of New Mexico concerns a gold mine believed to lie near Truchas Peaks north of Santa Fe. Initially discovered by Spanish explorers, the mine is said to have been worked by three secretive German immigrants, who took its location to their graves. Some years later, so the story goes, the mine was rediscovered by a poor herder named Juan Mondragon, who died at the hand of his adulterous wife before he could make its location known.
Author: Pauline Greenhill Publisher: Wayne State University Press ISBN: 081434223X Category : Performing Arts Languages : en Pages : 279
Book Description
Exploration of fairy-tale movies that blur the line between reality and magic. Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives—including but not limited to anti-racist, decolonial, disability, and feminist theorizing—renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres," addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales," shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel," "The Juniper Tree," and "Cinderella." The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies—which will be of interest to film and fairy-tale scholars and students—considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.
Author: Wendelin Küpers Publisher: Springer ISBN: 3658169834 Category : Social Science Languages : en Pages : 234
Book Description
This book assembles multi-disciplinary contributions to delve deeper into ReThinking Management. The first part provides some foundational considerations and inspirations. Further chapters offer more specific links to the arts and creativity sectors as well as empirical research and case reflections. ReThinking Management pursues the main idea that management theory is not merely a sub-discipline of economics, but rather a cross-disciplinary and critical field of research and practice, with a decidedly cultural perspective. While questioning the status and practices of conventional management, the book opens up for new understandings, turns and perspectives.
Author: K. Young
Author: K. Young
Author: Jennifer Coates
Author: Pauline Greenhill
Author: Andrew Teverson
Author: David Herman
Author: Tak-hung Leo Chan
Author: Melaqu’as Romero
Author: Pauline Greenhill
Author: Pauline Greenhill
Author: Wendelin Küpers