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Tales of the Great St. Bernard: The squire's tale; The woes of wealth. The Wallachian's tale; Hebe

Tales of the Great St. Bernard: The squire's tale; The woes of wealth. The Wallachian's tale; Hebe PDF Author: George Croly
Publisher:
ISBN:
Category :
Languages : en
Pages : 352

Book Description


Tales of the Great St. Bernard: The squire's tale; The woes of wealth. The Wallachian's tale; Hebe

Tales of the Great St. Bernard: The squire's tale; The woes of wealth. The Wallachian's tale; Hebe PDF Author: George Croly
Publisher:
ISBN:
Category :
Languages : en
Pages : 352

Book Description


The squire's tale; The woes of wealth. The Wallachian's tale; Hebe

The squire's tale; The woes of wealth. The Wallachian's tale; Hebe PDF Author: George Croly
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


The Select Library

The Select Library PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 770

Book Description


The Fireside Book

The Fireside Book PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 658

Book Description


The Select Circulating Library

The Select Circulating Library PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 434

Book Description


Waldie's Select Circulating Library

Waldie's Select Circulating Library PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 540

Book Description


The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 750

Book Description


Bibliography of American Imprints to 1901: Main part

Bibliography of American Imprints to 1901: Main part PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 420

Book Description


The Atlas

The Atlas PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 428

Book Description


National Epics

National Epics PDF Author: Kate Milner Rabb
Publisher: Library of Alexandria
ISBN: 1465594280
Category : Fiction
Languages : en
Pages : 644

Book Description
This volume is intended for an introduction to the study of the epics. While the simplicity and directness of the epic style seem to make such a book unnecessary, the fact that to many persons of literary tastes some of these great poems are inaccessible, and that to many more the pleasure of exploring for themselves "the realms of gold" is rendered impossible by the cares of business, has seemed sufficient excuse for its being. Though the beauty of the original is of necessity lost in a condensation of this kind, an endeavor has been made to preserve the characteristic epithets, and to retain what Mr. Arnold called "the simple truth about the matter of the poem." It is believed that the sketch prefacing each story, giving briefly the length, versification, and history of the poem, will have its value to those readers who have not access to the epics, and that the selections following the story, each recounting a complete incident, will give a better idea of the epic than could be formed from passages scattered through the text. The epic originated among tribes of barbarians, who deified departed heroes and recited legends in praise of their deeds. As the hymn developed, the chorus and strophe were dropped, and the narrative only was preserved. The word "epic" was used simply to distinguish the narrative poem, which was recited, from the lyric, which was sung, and from the dramatic, which was acted. As the nation passed from childhood to youth, the legends of the hero that each wandering minstrel had changed to suit his fancy, were collected and fused into one by some great poet, who by his power of unification made this written epic his own. This is the origin of the Hindu epics, the "Iliad" and the "Odyssey," the "Kalevala," the "Shah-Nameh," "Beowulf," the "Nibelungen Lied," the "Cid," and the "Song of Roland." The conditions for the production of the primitive epic exist but once in a nation's growth. Its later epics must be written on subjects of national importance, chosen by the poet, who arranges and embellishes his material according to the rules of the primitive epic.