Author: Chia-yuan Huang Publisher: Routledge ISBN: 1000407918 Category : Social Science Languages : en Pages : 213
Book Description
This edited volume provides a complete introduction to critical issues across the field of Indigenous peoples in contemporary Taiwan, from theoretical approaches to empirical analysis. Seeking to inform wider audiences about Taiwan’s Indigenous peoples, this book brings together both leading and emerging scholars as part of an international collaborative research project, sharing broad specialisms on modern Indigenous issues in Taiwan. This is one of the first dedicated volumes in English to examine contemporary Taiwan’s Indigenous peoples from such a range of disciplinary angles, following four section themes: long-term perspectives, the arts, education, and politics. Chapters offer perspectives not only from academic researchers, but also from writers bearing rich practitioner and activist experience from within the Taiwanese Indigenous rights movement. Methods range from extensive fieldwork to Indigenous-directed film and literary analysis. Taiwan's Contemporary Indigenous Peoples will prove a useful resource for students and scholars of Taiwan Studies, Indigenous Studies and Asia Pacific Studies, as well as educators designing future courses on Indigenous studies.
Author: Shu-mei Shih Publisher: Springer Nature ISBN: 9811541787 Category : Social Science Languages : en Pages : 362
Book Description
This book situates Taiwan’s indigenous knowledge in comparative contexts across other indigenous knowledge formations. The content is divided into four distinct but interrelated sections to highlight the importance and diversity of indigenous knowledge in Taiwan and beyond. It begins with an exploration of the recent development and construction of an indigenous knowledge and educational system in Taiwan, as well as issues concerning research ethics and indigenous knowledge. This is followed by a section that illustrates diverse forms of indigenous knowledge, and in turn, a theoretical dialogue between indigenous studies and settler colonial studies. Lastly, the Paiwan indigenous author Dadelavan Ibau’s trans-indigenous journey to Tibet rounds out the coverage. This book is useful to readers in indigenous, settler colonial, and decolonial studies around the world, not just because it offers substantive content on indigenous knowledge in Taiwan, but also because it offers conceptual tools for studying indigenous knowledge from comparative and relational perspectives. It also greatly benefits anyone interested in Taiwan studies, offering an ethical approach to indigeneity in a classic settler colony.
Author: John Balcom Publisher: Columbia University Press ISBN: 9780231509992 Category : Literary Criticism Languages : en Pages : 232
Book Description
Few people beyond the shores of Taiwan are aware that it is home to a population of indigenous peoples who for more than fifteen thousand years have lived on the island. Over the years, through the Chinese imperial period, the Japanese occupation, and for most of the twentieth century, the indigenous peoples of Taiwan were marginalized and deprived of rights. However, with the lifting of martial law in 1987, new government policies regarding ethnic groups, and growing interest in Taiwan's aboriginal peoples, indigenous writing began to blossom. With its intense and lyrical explorations of a fading culture, indigenous writing has become an important topic of discussion in Taiwanese literary circles. This collection of indigenous literature is the first such anthology in English. In selecting the stories, essays, and poems for the anthology, the editors provide a representative sampling from each of Taiwan's nine indigenous tribes. The writers explore such themes as the decline of traditional ways of life in Taiwan's aboriginal communities, residual belief in ancestral spirits, assimilation into a society dominated by Han Chinese, and the psychological and economic encroachment of the outside world. Their writings offer previously unheard perspectives on the plight of aboriginal cultures and the experiences of Taiwanese minorities. John Balcom has included an introduction to provide the reader with background information on Taiwan's indigenous peoples. The introduction addresses the origins of Taiwan's Austronesian peoples and general information on their culture, languages, and history. A discussion of the growth and development of indigenous literature, its sociolinguistic and cultural significance, and the difficulties faced by such writers is also included.
Author: J. Bruce Jacobs Publisher: Routledge ISBN: 1351794930 Category : Social Science Languages : en Pages : 223
Book Description
The peoples of Taiwan have been influenced by many different cultures and migrations throughout the island’s history. In the 20th and early 21st centuries especially it has been a stage for cultural and ethnic conflict, not least because of the arrival of mainland Chinese fleeing the Chinese Communist Revolution. The subsequent tensions between those who see Taiwan as a natural territory of China and those who would prefer to see it remain independent have brought to the fore questions of what it is to be ‘Taiwanese’. This book addresses the question of how Taiwanese identities have changed after the Taiwanization process which began in the 1990s. It also examines the impact of this process on cross-strait relations between Taiwan and the People's Republic of China after the return of the Kuomintang to power after 2008 and the Sunflower movement in 2014. The various contributors between them cover a range of topics including the waves of migration to Taiwan, changes of political regimes, generational differences and social movements. Taken as a whole, this book presents a nuanced picture of the patchwork of identities which exist in contemporary Taiwan.
Author: Murray A. Rubinstein Publisher: Routledge ISBN: 1317459075 Category : Religion Languages : en Pages : 650
Book Description
This is a comprehensive portrait of Taiwan. It covers the major periods in the development of this small but powerful island province/nation. The work is designed in the style of the multi-volume "Cambridge History of China".
Author: Andrew D. Morris Publisher: Univ of California Press ISBN: 0520262794 Category : Baseball Languages : en Pages : 301
Book Description
"Morris successfully weaves the intricacies of baseball's history into a compelling narrative while giving us a keen analysis of its larger significance. It is rare to find someone who can pull that off. This is an absorbing and distinguished addition to sports history, to Taiwanese history, and to studies of colonialism and its aftermath."--William Kelly, Yale University "Colonial Project, National Game offers an engaging and penetrating analysis of the culture of baseball in Taiwan, in both its local and global conditions. Morris weaves details into a compelling narrative that is as much about the game on the field as the game being played out in the arenas of ethnicity, nationalism and geopolitics. Morris's study is a model of sophistication and lucidity. He demonstrates that through a perceptive reading of the mundane world of curve balls and player contracts, we can better understand the ideological substructure of the social."--Joseph R. Allen, University of Minnesota, Twin Cities
Author: ShzrEe Tan Publisher: Routledge ISBN: 1351574094 Category : Music Languages : en Pages : 312
Book Description
Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the 1996 Olympics hit, Return To Innocence. Taking as her starting point the ripple effects of this case, Shzr Ee Tan explores the relationship of this song culture to contemporary Amis society. She presents Amis song in its multiple manifestations as an ecosystem, symbiotic components of which interact and feed back upon one another in cross-cutting platforms of village life, festival celebration, cultural performance, popular song, art music and Christian hymnody. Tan's investigation hinges upon drawing a conceptual line between ladhiw, the Amis term for 'song' - a word vested with connotations of life-force, tradition, ritual and taboo - and the foreign term of yinyue ('music' - borrowed from Mandarin). This difference forms the basis of how Amis song is (re)constructed through processes of modernization, Christianization and politico-economic change. A single Amis melody, for example, can exist in several guises that are contextually exclusive but functionally mutually-supportive. Thus, a weeding song (ladhiw), which may have lost its traditional context of existence following advancements in farming technology, becomes sustained within a larger ecosystem, finding new life on the interacting platforms of Amis Catholic hymnody, karaoke and tourist shows. The latter genres (collectively, yinyue) may not rely on traditional livelihoods for survival, but thrive on a traditional melody's deeper associations to local memory and idealized Amis identities. While these new and old genres are stylistically separate, they feed into each other and back into themselves - through transforming contexts and cross-referenced memes - in organic and developing cycles of song activity. Drawing from fieldwork conducted from 2000-2010 as well as a background in ethnomusicology and journalism, Ta
Author: Scott E. Simon Publisher: Taylor & Francis ISBN: 1000779076 Category : Social Science Languages : en Pages : 283
Book Description
This book draws attention to the issues of Indigenous justice and reconciliation in Taiwan, exploring how Indigenous actors affirm their rights through explicitly political and legal strategies, but also through subtle forms of justice work in films, language instruction, museums, and handicraft production. Taiwan’s Indigenous peoples have been colonized by successive external regimes, mobilized into war for Imperial Japan, stigmatized as primitive “mountain compatriots” in need of modernization, and instrumentalized as proof of Taiwan’s unique identity vis-à-vis China. Taiwan’s government now encapsulates them in democratic institutions of indigeneity. This volume emphasizes that there is new hope for real justice in an era in which states and Indigenous peoples seek meaningful forms of reconciliation at all levels and arenas of social life. The chapters, written by leading Indigenous, Taiwanese, and international scholars in their respective fields, examine concrete situations in which Indigenous peoples seek justice and decolonization from the perspectives of territory and sovereignty, social work and justice. Illustrating that there is new hope for real justice in an era in which states and Indigenous peoples seek meaningful forms of reconciliation, this book is an invaluable resource for students and scholars of Taiwan Studies, Indigenous Studies, and Social Justice Studies.
Author: Philip J. Deloria Publisher: University of Washington Press ISBN: 029574524X Category : Art Languages : en Pages : 338
Book Description
"The moment to savor [Mary Sully]. . . has arrived." —New York Times Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
Author: Chia-yuan Huang
Author: Shu-mei Shih
Author: John Balcom
Author: Sharlotte Neely
Author: J. Bruce Jacobs
Author: Murray A. Rubinstein
Author: Andrew D. Morris
Author: ShzrEe Tan
Author: Scott E. Simon
Author: Philip J. Deloria