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Taiwan Cinema, Memory, and Modernity

Taiwan Cinema, Memory, and Modernity PDF Author: Ivy I-chu Chang
Publisher: Springer
ISBN: 9811335672
Category : Performing Arts
Languages : en
Pages : 289

Book Description
This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and young gangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.

Taiwan Cinema, Memory, and Modernity

Taiwan Cinema, Memory, and Modernity PDF Author: Ivy I-chu Chang
Publisher: Springer
ISBN: 9811335672
Category : Performing Arts
Languages : en
Pages : 289

Book Description
This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and young gangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.

Thirty-two New Takes on Taiwan Cinema

Thirty-two New Takes on Taiwan Cinema PDF Author: Emilie Yueh-yu Yeh
Publisher: University of Michigan Press
ISBN: 0472055461
Category : Social Science
Languages : en
Pages : 577

Book Description
A film-by-film introduction to Taiwan cinema and cultures

Social Media and the Cultural Politics of Korean Pop Culture in East Asia

Social Media and the Cultural Politics of Korean Pop Culture in East Asia PDF Author: Sunny Yoon
Publisher: Taylor & Francis
ISBN: 1000931668
Category : Social Science
Languages : en
Pages : 155

Book Description
This volume examines international engagement with Korean popular culture in East Asian online spaces, and how Asian identities are formed and perceived between nations within the region. In the context of global diversification and growing public participation in global issues, it builds up a new theoretical perspective in order to explain the emerging power of Asia in the global mediascape. With a focus on Korean media, touching upon K-pop and the phenomenon of Hallyu and anti-Hallyu, the author also looks at Japan, China, and Taiwan in this regional study. Combining theory with ethnographic audience studies in East Asian countries, the book elucidates East Asian media in a larger context of the changing global structure and media technology. This book will interest academics and students working on Asian popular culture and media, new media, East Asian studies, participatory media, and digital communication.

Transnational East Asian Studies

Transnational East Asian Studies PDF Author: Kevin Cawley
Publisher: Liverpool University Press
ISBN: 1802079106
Category : Language Arts & Disciplines
Languages : en
Pages : 312

Book Description
Transnational East Asian Studies demonstrates how transnationalism as a mode of intellectual enquiry has wide-ranging interdisciplinary potential and has immense value when examining the past, just as much as much as when examining the present. Artificially erected borders, which appear on maps and globes, fail to consider the ways people in diverse regions live and practice their everyday lives, existing beyond boundaries. The people of East Asia have always been on the move, they have never been homogeneous, and have evolved together, not apart. In this sense, people around the globe and also in East Asia have always been involved in a process of change and transformation. Hence, transnationalism is a way to overcome methodological nationalism, not only as a concept of identity and spatiality, but also as a concept temporally situated in the modern, because as a methodology, transnationalism does not take the national as a precondition. It allows us to move beyond and across borders, and to examine how ideas have been used and transformed in different contexts. This book thus underscores the complex interactions in the context of East Asia, past and present, while shaping the future of this complicated region.

Prosthetic Memory

Prosthetic Memory PDF Author: Alison Landsberg
Publisher: Columbia University Press
ISBN: 9780231129268
Category : History
Languages : en
Pages : 248

Book Description
Prosthetic Memory argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender, to share collective memories--to assimilate as deeply felt personal experiences historical events through which they themselves did not live.

Memory, Subjectivity and Independent Chinese Cinema

Memory, Subjectivity and Independent Chinese Cinema PDF Author: Qi Wang
Publisher: Edinburgh University Press
ISBN: 0748692347
Category : History
Languages : en
Pages : 264

Book Description
Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.

Documenting Taiwan on Film

Documenting Taiwan on Film PDF Author: Sylvia Li-chun Lin
Publisher: Routledge
ISBN: 1136345442
Category : Performing Arts
Languages : en
Pages : 245

Book Description
To date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations. Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.

The Cinema of Paolo Sorrentino

The Cinema of Paolo Sorrentino PDF Author: Russell Kilbourn
Publisher: Wallflower Press
ISBN: 9780231189927
Category :
Languages : en
Pages : 0

Book Description
"Paolo Sorrentino, the director of Il Divo (2008) and The Great Beauty (2013) and the creator of the HBO series The Young Pope (2016) (and The New Pope (2019)), has in recent years emerged as one of the most popular figures in 21st century European filmmaking. Critics, however, remain sharply divided in their opinions of his films and what tradition his work can be placed in. Questions of what his stylistic relationship to Neorealism, the touchstone of virtually all Italian cinema, his local/national identity, and the posturing of his films vis a vis gender and a seemingly reactionary conceptualization of masculinity, his embracing or subverting of the role of art house "auteur," surround his films, with little consensus as to the answers. He is a confounding figure that seems to occupy contradictory roles in each of his films. In taking up the question of how best to contextualize Sorrentino's work, this book tracks his progressive departure from the localized world of Neapolitan and middlebrow "quality cinema" tropes in favor of a more expansive and transnational approach to filmmaking. Sorrentino's more recent work explicitly engages late-capitalist spaces and aesthetics and problematizes authorial interpretation, the idea of the "foreign" film, the supposed dichotomy between the "realist" ethos that has, in the past, dominated Italian cinema, and a "post-realist"/"post-modernist" emphasis on style. Critically, Kilbourn tracks two key themes through Sorretino's oeuvre: the idea of "impegno" - often translated as "commitment" and referring to the social activist aims of Neorealism - and the director's repeated attempts to create a distinctive kind of subjectivity. Though often thought to be mutually exclusive with the flamboyant and de-subjectivized style in much of contemporary art cinema, Sorrentino continues to find ways to merge these themes in his work"--

Historical Dictionary of Taiwan Cinema

Historical Dictionary of Taiwan Cinema PDF Author: Daw-Ming Lee
Publisher: Scarecrow Press
ISBN: 0810879220
Category : Performing Arts
Languages : en
Pages : 509

Book Description
Taiwan was able to solidly build and sustain a film industry only after locally-produced Mandarin films secured markets in Hong Kong and Southeast Asia during the 1960s and 1970s. Though only a small island with a limited population, in its heyday, Taiwan was among the top-10 film producing countries/areas in the world, turning out hundreds of martial arts kung fu films and romantic melodramas annually that were screened in theaters across Southeast Asia and other areas internationally. However, except for one acclaimed film by director King Hu, Taiwan cinema was nearly invisible on the art cinema map until the 1980s, when the films of Hou Hsiao-hsien, Edward Yang, and other Taiwan New Cinema directors gained recognition at international film festivals, first in Europe, and later, throughout the world. Since then, many other Taiwan directors have also become an important part of cinema history, such as Ang Lee and Tsai Ming-liang. The Historical Dictionary of Taiwan Cinema covers the history of cinema in Taiwan during both the Japanese colonial period (1895-1945) and the Chinese Nationalist period (1945-present). This is accomplished through a chronology highlighting the main events during the long period and an introduction which carefully analyses the progression. The bulk of the information, however, appears in a dictionary section including over a hundred very extensive entries on directors, producers, performers, films, film studios and genres. Photos are also included in the dictionary section. More information can be found through the bibliography. Taiwan cinema is truly unique and this book is a good place to find out more about it, whether you are a student, or teacher, or just a fan.

An Annotated Bibliography for Taiwan Film Studies

An Annotated Bibliography for Taiwan Film Studies PDF Author: Jim Cheng
Publisher: Columbia University Press
ISBN: 0231540337
Category : Performing Arts
Languages : en
Pages : 586

Book Description
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.