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Author: Katerina Lawton Publisher: Taylor & Francis ISBN: 1000866041 Category : Performing Arts Languages : en Pages : 172
Book Description
A Tailoring Guide to Pattern Drafting offers pattern drafting instructions for men’s most popular tailored garment styles from 1850 to 1900, used in theatres and film productions today. The book features a wide range of 19th-century garments, providing information and detailed instructions on the frock coat, morning coat, lounge jacket, smoking jacket, shirt, waistcoats, trousers and long-riding breeches. It includes a brief history of each garment, accompanied by colourful illustrations and easy-to-follow instruction to draft historical 19th-century silhouettes for modern performances. The book features: A brief history of each garment, accompanied by full-colour illustrations. Modern step-by-step instructions with clear diagrams to draft 19th-century menswear. Instructions incorporating both the imperial and metric systems. Recommendations on choosing the appropriate modern-day equivalent fabric. Recommendations on the quantity of the fabric. Recommendations on the button size to make the garment appear more authentic. A table of Dress Code Ethics for Gentlemen from 1850 to 1900. Descriptions and visual information on how to take accurate measurements. Photographs of costumes and images of the 19th-century Carte de Visite for visual support. A Tailoring Guide to Pattern Drafting is intended for anyone with a desire to learn or refine their costume-cutting skills for theatre and film production. The book is aimed at undergraduate and graduate students, tutors and both amateur and professional makers interested in the subject. To access the author’s YouTube channel, featuring 130 step-by-step lessons to make a 19th-century Morning Coat using classical tailoring techniques, visit www.routledge.com/9780367265335.
Author: Rosemary Ingham Publisher: Waveland Press ISBN: 1478652802 Category : Performing Arts Languages : en Pages : 302
Book Description
The Costume Designer's Handbook is the definitive guide for both aspiring and seasoned costume designers, blending the art and business of theatrical costume design since its inception in 1983. Rosemary Ingham and Liz Covey offer deep insights into play analysis, historical research, collaboration techniques, drafting, and setting up an effective workspace. The book addresses the practicalities of the industry, including job market navigation, freelancing, contracts, and taxes. With over 150 illustrations, an 8-page color insert, and a comprehensive reference section for resources, this handbook encapsulates the essence of costume design, making it an indispensable resource for professionals in the field.
Author: Rosemary Ingham Publisher: Waveland Press ISBN: 1478652829 Category : Performing Arts Languages : en Pages : 551
Book Description
Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.
Author: Thomas Hiram Holding Publisher: ISBN: Category : Crafts & Hobbies Languages : en Pages : 196
Book Description
The facsimile of a manual with patterns, cutting and sewing instructions for jackets, skirts, coats, capes, riding and cycling clothes. Also includes braiding designs for trim and underwear.
Author: Dominique Kalifa Publisher: Columbia University Press ISBN: 0231554389 Category : History Languages : en Pages : 167
Book Description
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Author: Kevin L. Seligman Publisher: SIU Press ISBN: 9780809320066 Category : Crafts & Hobbies Languages : en Pages : 380
Book Description
Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.
Author: William D. F. Vincent
Author: William D. F. Vincent
Author: William D. F. Vincent
Author: Katerina Lawton
Author: Costume Society
Author: Rosemary Ingham
Author: Rosemary Ingham
Author: 
Author: Thomas Hiram Holding
Author: Dominique Kalifa
Author: Kevin L. Seligman