Author: Jean Sutherland BoggsPublisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Portraits by Degas
Author: Jean Sutherland BoggsPublisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Aquarelles - Dessins - Gouaches - Pastels..... ; Sculpture ; Tableaux Modernes.....
Author: Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Hillyer Art Gallery
Author: Smith College. Museum of ArtPublisher:
ISBN:
Category :
Languages : en
Pages : 350
Book Description
Catalogue of Books on the Fine Arts
Author: Martinus NijhoffPublisher: Springer
ISBN: 9401529728
Category : Art
Languages : en
Pages : 101
Book Description
Vlaminck: Catalogue critique des peintures et céramiques de la période fauve
Author: Maurice de VlaminckPublisher: Wildenstein institute
ISBN:
Category : Art criticism
Languages : en
Pages : 612
Book Description
Tableaux modernes - Aquarelles - Pastels - Dessins
Author: The Case of the Disappearing Gauguin
Author: Stephanie A. BrownPublisher: Rowman & Littlefield
ISBN: 1538173115
Category : Business & Economics
Languages : en
Pages : 205
Book Description
A globetrotting Gold Rush heiress. An awkward Paris schoolmaster. A celebrated French actor. And a museum of history and art in California’s Central Valley. What do they have in common? They are all connected by an oil painting, a still life called Flowers and Fruit, that may or may not have been painted by the post-Impressionist Paul Gauguin. In the decade that museums began to collect modern art, Flowers and Fruit traveled the art market in Paris and New York. Experts and connoisseurs hailed it as a signature work of Gauguin just as he came to be acknowledged as a master. When it joined the Haggin Museum in Stockton, California, locals treasured it as “the Museum’s Gauguin.” But by 1964, Gauguin scholars and experts in Paris and New York had lost track of the painting and declared it lost. When it resurfaced in 2018, they questioned its authenticity. How could a genuine Gauguin have been hiding in plain sight in a provincial American museum? Is Flowers and Fruit a forgery or is it authentic? Follow along as historian, curator, and professor of museum studies Dr. Stephanie Brown traces the unlikely history of the painting. Using never-before-seen archives and making new connections, Brown writes the biography of a painting—and explores what we mean by authenticity and who gets to define it. Now undergoing technical examination as a result of Dr. Brown’s findings, Flowers and Fruit has embarked on a new chapter of its life. If the painting is authentic, it will be the most valuable painting in the Haggin’s collection—and one of the most important paintings in California. And if the painting is a forgery, who was the forger?
Author: