Vlaminck: Catalogue critique des peintures et céramiques de la période fauve PDF Download

Author: Maurice de Vlaminck
Publisher: Wildenstein institute
ISBN:
Category : Art criticism
Languages : en
Pages : 612

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Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642

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Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302

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Book Description

Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662

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Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092

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Author: Joachim Pissarro
Publisher: Skira/Wildenstein
ISBN:
Category : Art
Languages : en
Pages : 452

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Book Description
This new catalogue of the paintings of Camille Pissarro, while drawing extensively on the 1939 edition published by his son, makes an innovative contribution to the understanding of the work of this great artist through the discovery of previously unpublished pictures and documents. Over a career that spanned the second half of the 19th century, Pissarro tested every pictorial experiment of his time, from Impressionism to Pointillism. His rich style reveals the gifts of a great colorist and of a master of light endowed with a striking sensitivity to nature. This exhaustive 3-volume catalogue, co-published with the Wildenstein Institute, features 1528 paintings--of which 213 have never been published or are little known--detailed commentaries with rigorous analyses of each work, a complete biography of the artist, illustrated with archival photographs, a bibliography and a complete list of exhibitions.

Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656

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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032181
Category : Art
Languages : en
Pages : 414

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Book Description
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.

Author: Juliet Wilson-Bareau
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 104

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Book Description
Manet's well-known painting in the National Gallery, London, of a café-concert--a kind of cabaret performance that was the latest fashion in Paris of the 1870s--has a peculiar history. The painter initially planned an ambitious canvas with which he grew dissatisfied, then cut in two, one half being the painting in the National Gallery and the other half now in Winterthur in Switzerland. He repainted both fragments to make each a picture in its own right, but modern technology has discovered and reconstructed the original greater work. New research has also identified the café, the Reichshoffen, and even the Folies-Bergère performance that is advertised on a poster represented in the picture. This study of a pivotal work in the troubled painter's oeuvre reveals his pioneering genius and the modernity of his search to capture a distillation of life in his own time through disconcertingly direct brushstrokes. The book discusses and illustrates related drawings and other paintings on the same theme, which would culminate a mere three or four years later in the Bar in the Folies-Bergère. Without the experimentation, false paths and new discoveries of the Reichshoffen he would never have painted that masterpiece.