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Author: Caroline Weber Publisher: Vintage ISBN: 0345803124 Category : History Languages : en Pages : 754
Book Description
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Author: Caroline Weber Publisher: Vintage ISBN: 0345803124 Category : History Languages : en Pages : 754
Book Description
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Author: Sonia Couturier Publisher: Silvana Editoriale ISBN: Category : Art Languages : en Pages : 260
Book Description
In the eighteenth century's burgeoning culture of travel and "Grand Tours," Rome was the essential destination. From all over Europe, artists jostled with art lovers and collectors of antiquities, each influencing the other in their respective ambitions. The cult of Rome was particularly strong in France, and this volume looks at more than 100 works by artists such as Hubert Robert, Jean-Honoré Fragonard and Jacques-Louis David, who made pilgrimages to the "Eternal City" and who were decisively influenced by their time there. The works are contextualized across five different sections: the first focuses on the tradition of academic training in Rome; the second explores the depiction of the city's landscape and surrounding countryside; the third looks at Rome and Paris' cultures of art lovers, patrons and artists; the fourth section examines the eighteenth-century conception of antiques; and the final section looks at Rome's annual festivals, and their influence on French artists.
Author: Caroline Weber
Author: Caroline Weber
Author: Harvard University. Fine Arts Library
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Author: New York Public Library. Art and Architecture Division
Author: 
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Author: Avery Library
Author: Sonia Couturier
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Author: Metropolitan Museum of Art (New York, N.Y.). Library