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Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1054

Book Description


Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1054

Book Description


Tableaux du XIX.e siècle - Aquarelles - Gouaches. Dessins - Tableaux anciens - Gravures

Tableaux du XIX.e siècle - Aquarelles - Gouaches. Dessins - Tableaux anciens - Gravures PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 27

Book Description


The Artist and His Critic Stripped Bare

The Artist and His Critic Stripped Bare PDF Author: Paul B. Franklin
Publisher: Getty Publications
ISBN: 1606064436
Category : Art
Languages : en
Pages : 422

Book Description
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.

Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index

Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656

Book Description


Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

Book Description


Art and Auctions

Art and Auctions PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

Book Description


Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 128

Book Description


Dictionary Catalog of the Art and Architecture Division

Dictionary Catalog of the Art and Architecture Division PDF Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 752

Book Description


Library Catalog

Library Catalog PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1040

Book Description


The Rise of the Cult of Rembrandt

The Rise of the Cult of Rembrandt PDF Author: Alison McQueen
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392

Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.