Author: Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984
Author: Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index
Author: Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1054
Book Description
Cataloghi di collezioni d'arte nelle biblioteche fiorentine (1840-1940)
Author: Giovanna De LorenziPublisher:
ISBN:
Category : Art
Languages : un
Pages : 726
Book Description
The Wrightsman Galleries for French Decorative Arts, the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)Publisher: Metropolitan Museum of Art
ISBN: 1588393666
Category : Decoration and ornament
Languages : en
Pages : 274
Book Description
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
Gauguin
Author: Jean LeymariePublisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
Paul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.
Tableaux anciens des écoles française et flamande, décorations
Author: Me Christian Delorme, Commissaire-PriseurPublisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Catalogue de 300 tableaux anciens et des objets d'art et d'ameublement, anciennes porcelaines de Chine, de Sèvres, de Saxe, émaux de Limoges, miniatures, sculptures en marbre, en ivoire, bronzes dart, bronze chinois, émaux cloisonnés, objets variés, meubles anciens, bronze d'ameublement, sièges, tapisseries, tapis persans, composant la collection de M. le baron de Beurnonville ...
Author: "Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "
Author: Ting ChangPublisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
Author: Émile Zola