Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1040
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1040
Book Description
Art and Auctions
The Burlington Magazine for Connoisseurs
Catalogue Des Tableaux, Sculptures, Gravures, Dessins Exposés Dans Les Galeries Du Musée de Bordeaux
Author: Bordeaux (France). Musée des beaux-arts
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 268
Book Description
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 268
Book Description
Portraiture and Politics in Revolutionary France
Author: Amy Freund
Publisher: Penn State Press
ISBN: 0271066733
Category : Art
Languages : en
Pages : 312
Book Description
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
Publisher: Penn State Press
ISBN: 0271066733
Category : Art
Languages : en
Pages : 312
Book Description
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
The Studio
Biographie Universelle, Ancienne Et Moderne
Mariette and the Science of the Connoisseur in Eighteenth-Century Europe
Author: Kristel Smentek
Publisher: Routledge
ISBN: 1351559214
Category : Art
Languages : en
Pages : 343
Book Description
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Publisher: Routledge
ISBN: 1351559214
Category : Art
Languages : en
Pages : 343
Book Description
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Piety and Politics
Author: Martha Mel Stumberg Edmunds
Publisher: University of Delaware Press
ISBN: 0874136938
Category : Chapels royal
Languages : en
Pages : 344
Book Description
"This book provides the first comprehensive analysis of Louis XIV's magnificent final chapel at Versailles, completed in 1710 near the end of his long reign (1643-1715). Construction, begun in 1699 on foundations of 1689, spanned the offices of two premiers architects du roi, Jules Hardouin-Mansart and Robert de Cotte. Eight painters and over 100 sculptors participated in the monumental undertaking, which remains almost unchanged today. An unusually large number of archival documents, drawings, and early texts about the chapel allow a detailed reconstruction of its history and meaning. Given Louis XIV's renown as one of the great kings and art patrons of all history and the universal definitions of his power in terms of divine kingship, the story of his palace chapel interests all historians of the ancien regime."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 0874136938
Category : Chapels royal
Languages : en
Pages : 344
Book Description
"This book provides the first comprehensive analysis of Louis XIV's magnificent final chapel at Versailles, completed in 1710 near the end of his long reign (1643-1715). Construction, begun in 1699 on foundations of 1689, spanned the offices of two premiers architects du roi, Jules Hardouin-Mansart and Robert de Cotte. Eight painters and over 100 sculptors participated in the monumental undertaking, which remains almost unchanged today. An unusually large number of archival documents, drawings, and early texts about the chapel allow a detailed reconstruction of its history and meaning. Given Louis XIV's renown as one of the great kings and art patrons of all history and the universal definitions of his power in terms of divine kingship, the story of his palace chapel interests all historians of the ancien regime."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved