Author: M. Knoedler & CoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
Knoedler Library: Belgian and German
Author: M. Knoedler & CoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
Florentine Renaissance Sculpture
Author: Charles AveryPublisher: John Murray Pubs Limited
ISBN: 9780719519321
Category : Art
Languages : en
Pages : 274
Book Description
"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.
Verrocchio
Author: John K. DelaneyPublisher: Princeton University Press
ISBN: 069123308X
Category : Art
Languages : en
Pages : 385
Book Description
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
Masters of 17th-century Dutch Landscape Painting
Author: Peter C. SuttonPublisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 588
Book Description
Impressionism
Author: Robert L. HerbertPublisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Still-life in the Age of Rembrandt
Author: E. de JonghPublisher:
ISBN:
Category : Painters
Languages : nl
Pages : 244
Book Description
Landscape and Ideology
Author: Ann BerminghamPublisher: Univ of California Press
ISBN: 9780520066236
Category : Architecture
Languages : en
Pages : 288
Book Description
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
Jacob Van Ruisdael and the Perception of Landscape
Author: E. John WalfordPublisher:
ISBN: 9780300049947
Category : Art, Dutch
Languages : en
Pages : 243
Book Description
Jacob van Ruisdael is widely acknowledged as one of the great Dutch landscape artists of the 17th century. This major study aims to provide a comprehensive overview of the artist's work and critical reception.
Tempest and Shipwreck in Dutch and Flemish Art
Author: Lawrence Otto GoeddePublisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
This innovative study is the first to analyze systematically an important category of Netherlandish seascape--the storm at sea. It addresses the fundamental issues of meaning and purpose that such pictures pose for students of Dutch landscape and, indeed, of all Dutch realism. Bringing together a vast body of imagery and texts never before assembled, Goedde places this imagery within historical and cultural contexts that permit us to enter into the ideas, values, and metaphorical associations that such pictures held for seventeenth-century viewers. He amplifies this iconographic study with a meticulous and subtle analysis of narrative incident and expressive form that, while respecting the naturalism of the art, reveals its surprisingly conventional and rhetorical character. In particular Goedde links the meaning of Dutch tempest paintings with a rhetorical tradition in Dutch literature. Through his analysis he is able to offer fresh insights not only into these seascapes but into the interpretation of all pre-Romantic landscapes as well. This book is addressed at once to specialists in Dutch art and to a broad group of art historians and scholars concerned with cultural history and the relation of literature to art. It offers a survey of the tempest in art and literature from antiquity to the modern era in order to define the conventional elements of Dutch painting and writing on this theme. An exceptional feature of this study is the author's analysis of the ways conventions encode meaning in both literary and pictorial representations. Explicating these conventional structures and themes in terms of the cosmology of correspondences and of elemental love and strife, Goedde's discussion both encourages and controls metaphorical interpretation of stormscapes. This study also offers an essential historical background to anyone concerned with the picturesque, sublimity, and Romanticism in eighteenth- and nineteenth-century culture because of the importance of the themes of storm and shipwreck in the later period.
Joachim Patinir
Author: Reindert Leonard FalkenburgPublisher: John Benjamins Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
The study of Patinir's landscapes sets out to demonstrate that they are grounded in the moral and religious thought of his time and closely related to late Medieval devotional art. The first part demonstrates that the figural elements in Patinir's landscapes are based on a type of 'devotional image (Andachtsbild) with secondary scene's that goes back to the paintings of Van der Weyden and Memling. The second part of the book contains an iconographic analysis of the landscape itself, particularly in The Penitence of St Jerome in the Louvre, Paris, and in three paintings in the Prado, Madrid: Landscape with St Jerome, Charon and Man's Soul and Rest on the Flight into Egypt. The book argues that these images are determined by the allegories of the pilgrimage of life and of life's two paths.