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Author: Sean Day Publisher: ISBN: 9781534738058 Category : Languages : en Pages : 152
Book Description
Synesthesia is the general name for a related set of cognitive traits. Synesthesia may be divided into two general, somewhat overlapping forms. In the first, "synesthesia proper", stimuli to a sensory input will also trigger perceptions in one or more other sensory modes. For example, a person might not only hear music, but also see it; or might not only feel a touch to the hand, but also taste it.In the second form of synesthesia, called "cognitive category synesthesia", sets of things which cultures teach us to put together and categorize, such as letters, numbers, or people's names, also get sensory addition, such as a smell, color or flavor. The letter 'A' might be seen as red; the word 'book' might put a taste of oranges in one's mouth.Synesthesia affects more than 3.7% of the world's population - that's at least one out of every 27 people! Yet it is generally unknown to most people. This book explores more than 80 different types of synesthesia, from the more common, such as colored letters and numbers and time-lines, to the extraordinarily rare, such as flavors in one's mouth producing perceptions of musical chords. The author is himself a multiple synesthete who has researched and interacted with other synesthetes around the world for over 25 years.
Author: Sean Day Publisher: ISBN: 9781534738058 Category : Languages : en Pages : 152
Book Description
Synesthesia is the general name for a related set of cognitive traits. Synesthesia may be divided into two general, somewhat overlapping forms. In the first, "synesthesia proper", stimuli to a sensory input will also trigger perceptions in one or more other sensory modes. For example, a person might not only hear music, but also see it; or might not only feel a touch to the hand, but also taste it.In the second form of synesthesia, called "cognitive category synesthesia", sets of things which cultures teach us to put together and categorize, such as letters, numbers, or people's names, also get sensory addition, such as a smell, color or flavor. The letter 'A' might be seen as red; the word 'book' might put a taste of oranges in one's mouth.Synesthesia affects more than 3.7% of the world's population - that's at least one out of every 27 people! Yet it is generally unknown to most people. This book explores more than 80 different types of synesthesia, from the more common, such as colored letters and numbers and time-lines, to the extraordinarily rare, such as flavors in one's mouth producing perceptions of musical chords. The author is himself a multiple synesthete who has researched and interacted with other synesthetes around the world for over 25 years.
Author: Patricia Lynne Duffy Publisher: Henry Holt and Company ISBN: 1429928271 Category : Psychology Languages : en Pages : 221
Book Description
Imagine a world in which words have colors and sounds have tastes. In his autobiography, Vladimir Nabokov described this neurological phenomenon, which helped inspire David Hockney's sets for the Metropolitan Opera. Richard Feynman experienced it while formulating the quantum theory that won him a Nobel Prize. Sometimes described as a blending of perceptions, synesthesia occurs when only one of the fives senses is aroused but two respond. Journalist Patricia Lynne Duffy draws from her own struggles and breakthroughs with synesthesia to help us better understand the condition, while describing some of the major theories surrounding it. An illuminating examination of the world of synesthetes, Blue Cats and Chartreuse Kittens is a must-read for science and health buffs, as well as for artists, writers, and creative thinkers-or anyone generally intrigued by the brain, the senses, and perception.
Author: Julia Simner Publisher: Oxford University Press ISBN: 0198836279 Category : Medical Languages : en Pages : 1104
Book Description
Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This title brings together a broad body of knowledge about this condition into one definitive state-of-the-art handbook.
Author: Cretien Van Campen Publisher: MIT Press ISBN: 0262265001 Category : Psychology Languages : en Pages : 199
Book Description
The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature. What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.
Author: Gemma Calvert Publisher: MIT Press ISBN: 9780262033213 Category : Medical Languages : en Pages : 954
Book Description
Research is suggesting that rather than our senses being independent, perception is fundamentally a multisensory experience. This handbook reviews the evidence and explores the theory of broad underlying principles that govern sensory interactions, regardless of the specific senses involved.
Author: K. Sathian Publisher: Academic Press ISBN: 0128125640 Category : Psychology Languages : en Pages : 490
Book Description
Multisensory Perception: From Laboratory to Clinic surveys the current state of knowledge on multisensory processes, synthesizing information from diverse streams of research and defining hypotheses and questions to direct future work. Reflecting the nature of the field, the book is interdisciplinary, comprising the findings and views of writers with diverse backgrounds and varied methods, including psychophysical, neuroanatomical, neurophysiological and neuroimaging approaches. Sections cover basic principles, specific interactions between the senses, the topic of crossmodal correspondences between particular sensory attributes, the related topic of synesthesia, and the clinic. - Offers a comprehensive, up-to-date overview of the current state of knowledge on multisensory processes - Coverage includes basic principles, specific interactions between the senses, crossmodal correspondences and the clinical aspects of multisensory processes - Includes psychophysical, neuroanatomical, neurophysiological and neuroimaging approaches
Author: Nicolas Rothen Publisher: Frontiers Media SA ISBN: 2889195791 Category : Neurosciences. Biological psychiatry. Neuropsychiatry Languages : en Pages : 175
Book Description
Synaesthesia is a condition in which a stimulus elicits an additional subjective experience. For example, the letter E printed in black (the inducer) may trigger an additional colour experience as a concurrent (e.g., blue). Synaesthesia tends to run in families and thus, a genetic component is likely. However, given that the stimuli that typically induce synaesthesia are cultural artefacts, a learning component must also be involved. Moreover, there is evidence that synaesthetic experiences not only activate brain areas typically involved in processing sensory input of the concurrent modality; synaesthesia seems to cause a structural reorganisation of the brain. Attempts to train non-synaesthetes with synaesthetic associations have been successful in mimicking certain behavioural aspects and posthypnotic induction of synaesthetic experiences in non-synaesthetes has even led to the according phenomenological reports. These latter findings suggest that structural brain reorganization may not be a critical precondition, but rather a consequence of the sustained coupling of inducers and concurrents. Interestingly, synaesthetes seem to be able to easily transfer synaesthetic experiences to novel stimuli. Beyond this, certain drugs (e.g., LSD) can lead to synaesthesia-like experiences and may provide additional insights into the neurobiological basis of the condition. Furthermore, brain damage can both lead to a sudden presence of synaesthetic experiences in previously non-synaesthetic individuals and a sudden absence of synaesthesia in previously synaesthetic individuals. Moreover, enduring sensory substitution has been effective in inducing a kind of acquired synaesthesia. Besides informing us about the cognitive mechanisms of synaesthesia, synaesthesia research is relevant for more general questions, for example about consciousness such as the binding problem, about crossmodal correspondences and about how individual differences in perceiving and experiencing the world develop. Hence the aim of the current Research Topic is to provide novel insights into the development of synaesthesia both in its genuine and acquired form. We welcome novel experimental work and theoretical contributions (e.g., review and opinion articles) focussing on factors such as brain maturation, learning, training, hypnosis, drugs, sensory substitution and brain damage and their relation to the development of any form of synaesthesia.
Author: Lynn C. Robertson Publisher: Oxford University Press ISBN: 019516623X Category : Medical Languages : en Pages : 279
Book Description
Owing to its bizarre nature and its implications for understanding how brains work, synesthesia has recently received a lot of attention in the popular press and motivated a great deal of research and discussion among scientists. The questions generated by these two communities are intriguing: Does the synesthetic phenomenon require awareness and attention? How does a feature that is not present become bound to one that is? Does synesthesia develop or is it hard wired? Should it change our way of thinking about perceptual experience in general? What is its value in understanding perceptual systems as a whole?This volume brings together a distinguished group of investigators from diverse backgrounds--among them neuroscientists, novelists, and synesthetes themselves--who provide fascinating answers to these questions. Although each approaches synesthesia from a very different perspective, and each was curious about and investigated synesthesia for very different reasons, the similarities between their work cannot be ignored. The research presented in this volume demonstrates that it is no longer reasonable to ask whether or not synesthesia is real--we must now ask how we can account for it from cognitive, neurobiological, developmental, and evolutionary perspectives. This book will be important reading for any scientist interested in brain and mind, not to mention synesthetes themselves, and others who might be wondering what all the fuss is about.
Author: Ophelia Deroy Publisher: Oxford University Press ISBN: 0199688281 Category : Medical Languages : en Pages : 331
Book Description
Synaesthesia is a strange sensory blending: synaesthetes report experiences of colours or tastes associated with particular sounds or words. This volume presents new essays by scientists and philosophers exploring what such cases can tell us about the nature of perception and its boundaries with illusion and imagination.
Author: Sean Day
Author: Sean Day
Author: Patricia Lynne Duffy
Author: Julia Simner
Author: Richard E. Cytowic
Author: Cretien Van Campen
Author: Gemma Calvert
Author: K. Sathian
Author: Nicolas Rothen
Author: Lynn C. Robertson
Author: Ophelia Deroy