Author: Raymond Knapp
Publisher: Wesleyan University Press
ISBN: 9780819566362
Category : Music
Languages : en
Pages : 348
Book Description
An intimate investigation of Mahler's distinctive voice.
Symphonic Metamorphoses
Author: Raymond Knapp
Publisher: Wesleyan University Press
ISBN: 9780819566362
Category : Music
Languages : en
Pages : 348
Book Description
An intimate investigation of Mahler's distinctive voice.
Publisher: Wesleyan University Press
ISBN: 9780819566362
Category : Music
Languages : en
Pages : 348
Book Description
An intimate investigation of Mahler's distinctive voice.
Employment and Vulnerabilities in the World of Orchestral Musicians: Symphonic Metamorphoses
Author: Heather Kurzbauer
Publisher: Kluwer Law International B.V.
ISBN: 9403527471
Category : Law
Languages : en
Pages : 392
Book Description
The state subsidies and philanthropy that traditionally allowed orchestras to flourish have greatly diminished in the wake of recent financial crises and the COVID-19 pandemic. As in other fields affected by the precarious labor arrangements prevalent in the world of work today, it is the employees and freelancers—in this case, the musicians themselves—who suffer most. In this deeply knowledgeable and provocative book, a highly acclaimed scholar who combines the roles of law professor, music journalist, and orchestral violinist presents the first major legal study to focus on labor relations and the institutional dynamics at play within orchestras. Drawing on personal interviews with more than 250 orchestral musicians and other stakeholders—whose testimonies and actions often stand in contradiction to narratives provided by cultural economists and government cultural policymakers—the author uncovers the deteriorating welfare of musicians in two countries, the United States and the Netherlands, in which she has considerable practical orchestral experience. The methodology will reverberate with great intensity to musicians worldwide with its novel system of “movements” that focus on different vulnerabilities besetting orchestral players to highlight such issues and topics as: orchestra financing, with a special focus on the nonprofit sector and the changing nature of state subsidies in Europe; the impact of the perception of orchestras as “elitist” and of limited social value; discriminatory practices in auditions and hiring; legal and practical relevance of contemporary questions of employee categorization (regularly employed; self-employed; false self-employed); and how fair practice codes and collective bargaining agreements can be designed, implemented, and enforced. An interdisciplinary approach to a multiplicity of vulnerabilities in the sector, the study incorporates economic, historical and legal research along with a consideration of sociological factors. Case studies—from the EU Court of Justice, the Dutch Supreme Court, the Supreme Court of the United States, and the U.S. National Labor Relations Board—offer practical insight into specific legal issues, including the fundamental question of how musician employees are differentiated from freelancers. Reflecting on the cutbacks and compromises that traumatize orchestral negotiations in today’s musical world, the book not only provides orchestral musicians with a wealth of useful information and suggestions for future action but also adds to the growing body of legal literature on the self-limitations of labor law and the increasing vulnerability of workers. Practitioners in labor and employment law as well as academics in the field will benefit from a powerful analysis of workers’ vulnerabilities in today’s labor market.
Publisher: Kluwer Law International B.V.
ISBN: 9403527471
Category : Law
Languages : en
Pages : 392
Book Description
The state subsidies and philanthropy that traditionally allowed orchestras to flourish have greatly diminished in the wake of recent financial crises and the COVID-19 pandemic. As in other fields affected by the precarious labor arrangements prevalent in the world of work today, it is the employees and freelancers—in this case, the musicians themselves—who suffer most. In this deeply knowledgeable and provocative book, a highly acclaimed scholar who combines the roles of law professor, music journalist, and orchestral violinist presents the first major legal study to focus on labor relations and the institutional dynamics at play within orchestras. Drawing on personal interviews with more than 250 orchestral musicians and other stakeholders—whose testimonies and actions often stand in contradiction to narratives provided by cultural economists and government cultural policymakers—the author uncovers the deteriorating welfare of musicians in two countries, the United States and the Netherlands, in which she has considerable practical orchestral experience. The methodology will reverberate with great intensity to musicians worldwide with its novel system of “movements” that focus on different vulnerabilities besetting orchestral players to highlight such issues and topics as: orchestra financing, with a special focus on the nonprofit sector and the changing nature of state subsidies in Europe; the impact of the perception of orchestras as “elitist” and of limited social value; discriminatory practices in auditions and hiring; legal and practical relevance of contemporary questions of employee categorization (regularly employed; self-employed; false self-employed); and how fair practice codes and collective bargaining agreements can be designed, implemented, and enforced. An interdisciplinary approach to a multiplicity of vulnerabilities in the sector, the study incorporates economic, historical and legal research along with a consideration of sociological factors. Case studies—from the EU Court of Justice, the Dutch Supreme Court, the Supreme Court of the United States, and the U.S. National Labor Relations Board—offer practical insight into specific legal issues, including the fundamental question of how musician employees are differentiated from freelancers. Reflecting on the cutbacks and compromises that traumatize orchestral negotiations in today’s musical world, the book not only provides orchestral musicians with a wealth of useful information and suggestions for future action but also adds to the growing body of legal literature on the self-limitations of labor law and the increasing vulnerability of workers. Practitioners in labor and employment law as well as academics in the field will benefit from a powerful analysis of workers’ vulnerabilities in today’s labor market.
Mahler's Symphonic Sonatas
Author: Seth Monahan
Publisher: Oxford University Press
ISBN: 0190266465
Category : Music
Languages : en
Pages : 297
Book Description
Why would Gustav Mahler (1860-1911), modernist titan and so-called prophet of the New Music, commit himself time and again to the venerable sonata-allegro form of Mozart and Beethoven? How could so gifted a symphonic storyteller be drawn to a framework that many have dismissed as antiquated and dramatically inert? Mahler's Symphonic Sonatas offers a striking new take on this old dilemma. Indeed, it poses these questions seriously for the first time. Rather than downplaying Mahler's sonata designs as distracting anachronisms or innocuous groundplans, author Seth Monahan argues that for much of his career, Mahler used the inner, goal-directed dynamics of sonata form as the basis for some of his most gripping symphonic stories. Laying bare the deeper narrative/processual grammar of Mahler's evolving sonata corpus, Monahan pays particular attention to its recycling of large-scale rhetorical devices and its consistent linkage of tonal plot and affect. He then sets forth an interpretive framework that combines the visionary insights of Theodor W. Adorno-whose Mahler writings are examined here lucidly and at length-with elements of Hepokoski and Darcy's renowned Sonata Theory. What emerges is a tensely dialectical image of Mahler's sonata forms, one that hears the genre's compulsion for tonal/rhetorical closure in full collision with the spontaneous narrative needs of the surrounding music and of the overarching symphonic totality. It is a practice that calls forth sonata form not as a rigid mold, but as a dynamic process-rich with historical resonances and subject to a vast range of complications, curtailments, and catastrophes. With its expert balance of riveting analytical narration and thoughtful methodological reflection, Mahler's Symphonic Sonatas promises to be a landmark text of Mahler reception, and one that will reward scholars and students of the late-Romantic symphony for years to come.
Publisher: Oxford University Press
ISBN: 0190266465
Category : Music
Languages : en
Pages : 297
Book Description
Why would Gustav Mahler (1860-1911), modernist titan and so-called prophet of the New Music, commit himself time and again to the venerable sonata-allegro form of Mozart and Beethoven? How could so gifted a symphonic storyteller be drawn to a framework that many have dismissed as antiquated and dramatically inert? Mahler's Symphonic Sonatas offers a striking new take on this old dilemma. Indeed, it poses these questions seriously for the first time. Rather than downplaying Mahler's sonata designs as distracting anachronisms or innocuous groundplans, author Seth Monahan argues that for much of his career, Mahler used the inner, goal-directed dynamics of sonata form as the basis for some of his most gripping symphonic stories. Laying bare the deeper narrative/processual grammar of Mahler's evolving sonata corpus, Monahan pays particular attention to its recycling of large-scale rhetorical devices and its consistent linkage of tonal plot and affect. He then sets forth an interpretive framework that combines the visionary insights of Theodor W. Adorno-whose Mahler writings are examined here lucidly and at length-with elements of Hepokoski and Darcy's renowned Sonata Theory. What emerges is a tensely dialectical image of Mahler's sonata forms, one that hears the genre's compulsion for tonal/rhetorical closure in full collision with the spontaneous narrative needs of the surrounding music and of the overarching symphonic totality. It is a practice that calls forth sonata form not as a rigid mold, but as a dynamic process-rich with historical resonances and subject to a vast range of complications, curtailments, and catastrophes. With its expert balance of riveting analytical narration and thoughtful methodological reflection, Mahler's Symphonic Sonatas promises to be a landmark text of Mahler reception, and one that will reward scholars and students of the late-Romantic symphony for years to come.
Gustav Mahler's Symphonic Landscapes
Author: Thomas Peattie
Publisher: Cambridge University Press
ISBN: 110702708X
Category : History
Languages : en
Pages : 233
Book Description
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
Publisher: Cambridge University Press
ISBN: 110702708X
Category : History
Languages : en
Pages : 233
Book Description
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
Evenings with the Orchestra
Author: D. Kern Holoman
Publisher: W. W. Norton & Company
ISBN: 9780393029369
Category : Music
Languages : en
Pages : 768
Book Description
Going to concerts is becoming, for large numbers of Americans, an increasingly frequent pleasure. For those who encounter unfamiliar traditions and terms in the concert hall, here is information and advice which tells all listeners what they need to know to be comfortable at an orchestral concert. Includes background, biographies, and discussions of 200 masterpieces. Drawings.
Publisher: W. W. Norton & Company
ISBN: 9780393029369
Category : Music
Languages : en
Pages : 768
Book Description
Going to concerts is becoming, for large numbers of Americans, an increasingly frequent pleasure. For those who encounter unfamiliar traditions and terms in the concert hall, here is information and advice which tells all listeners what they need to know to be comfortable at an orchestral concert. Includes background, biographies, and discussions of 200 masterpieces. Drawings.
Boston Youth Symphony Orchestras Revised Edition
Author: Krysten A. Keches
Publisher: Arcadia Publishing
ISBN: 1439661979
Category : Music
Languages : en
Pages : 160
Book Description
In 1958, under the founding music director, Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 60 years, impacting the lives of thousands of young musicians. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, BYSO serves 500 students from over 120 communities throughout New England. BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program, and a nationally recognized outreach program that provides rigorous instrument instruction to students from underrepresented communities. In 2008, BYSO established an opera program that has become an integral part of the season repertoire. BYSO has selected images from its extensive archives to exhibit its rich history.
Publisher: Arcadia Publishing
ISBN: 1439661979
Category : Music
Languages : en
Pages : 160
Book Description
In 1958, under the founding music director, Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 60 years, impacting the lives of thousands of young musicians. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, BYSO serves 500 students from over 120 communities throughout New England. BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program, and a nationally recognized outreach program that provides rigorous instrument instruction to students from underrepresented communities. In 2008, BYSO established an opera program that has become an integral part of the season repertoire. BYSO has selected images from its extensive archives to exhibit its rich history.
Rethinking Mahler
Author: Jeremy Barham
Publisher: Oxford University Press
ISBN: 0190665963
Category : Music
Languages : en
Pages : 433
Book Description
As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world, Gustav Mahler continues to generate significant interest, and the global appetite for his music, and for discussions of it, remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahler's relationship with music, media, and ideas past and present, addressing issues in structural analysis, performance, genres of stage, screen and literature, cultural movements, aesthetics, history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist, with hitherto neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives, the book pursues ideas of nostalgia, historicism and 'pastness' in relation to an emergent modernity and subsequent musical-cultural developments, yielding a wide-ranging exploration and re-evaluation of Mahler's works, their historical reception and understanding, and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally, and will also find an audience among the many devotees of Mahler's music.
Publisher: Oxford University Press
ISBN: 0190665963
Category : Music
Languages : en
Pages : 433
Book Description
As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world, Gustav Mahler continues to generate significant interest, and the global appetite for his music, and for discussions of it, remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahler's relationship with music, media, and ideas past and present, addressing issues in structural analysis, performance, genres of stage, screen and literature, cultural movements, aesthetics, history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist, with hitherto neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives, the book pursues ideas of nostalgia, historicism and 'pastness' in relation to an emergent modernity and subsequent musical-cultural developments, yielding a wide-ranging exploration and re-evaluation of Mahler's works, their historical reception and understanding, and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally, and will also find an audience among the many devotees of Mahler's music.
Works Performed at the Symphony Concerts During the Season of ...
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 1908
Book Description
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 1908
Book Description
The Composer-pianists
Author: Robert Rimm
Publisher: Hal Leonard Corporation
ISBN: 1574670727
Category : Biography & Autobiography
Languages : en
Pages : 347
Book Description
"The recordings made by Marc-Andre Hamelin in recent years have cast new light on an extraordinary group of composers - Alkan, Busoni, Feinberg, Godowsky, Medtner, Rachmaninov, Scriabin, and Sorabji - whose works heralded a Golden Age of virtuosic writing for the piano." "The Eight, as author Robert Rimm has termed these composer-pianists, have much in common, traits shared in our own age with Marc-Andre Hamelin, their foremost interpreter. For all their evident differences of age, nationality, and philosophy, they each created music of unprecedented ingenuity - often complex and of immense scale - that stretched the limits of the piano's capabilities. And all were genuine virtuosos with the technical resources to play these demanding works in public." "The volume includes rare photographs and concludes with an extensive bibliography, listings of the complete solo piano works of The Eight, and discographies of their solo piano recordings. In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating inspiration for the future.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Hal Leonard Corporation
ISBN: 1574670727
Category : Biography & Autobiography
Languages : en
Pages : 347
Book Description
"The recordings made by Marc-Andre Hamelin in recent years have cast new light on an extraordinary group of composers - Alkan, Busoni, Feinberg, Godowsky, Medtner, Rachmaninov, Scriabin, and Sorabji - whose works heralded a Golden Age of virtuosic writing for the piano." "The Eight, as author Robert Rimm has termed these composer-pianists, have much in common, traits shared in our own age with Marc-Andre Hamelin, their foremost interpreter. For all their evident differences of age, nationality, and philosophy, they each created music of unprecedented ingenuity - often complex and of immense scale - that stretched the limits of the piano's capabilities. And all were genuine virtuosos with the technical resources to play these demanding works in public." "The volume includes rare photographs and concludes with an extensive bibliography, listings of the complete solo piano works of The Eight, and discographies of their solo piano recordings. In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating inspiration for the future.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
School of Music Programs
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 740
Book Description