Author: Richard Strauss
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 280
Book Description
Symphonia domestica
Symphonia Domestica, Op. 53
Symphonia domestica
Author: Richard Strauss
Publisher:
ISBN:
Category : Symphonies
Languages : de
Pages : 264
Book Description
Publisher:
ISBN:
Category : Symphonies
Languages : de
Pages : 264
Book Description
Alpensinfonie
Author: Richard Strauss
Publisher: Courier Corporation
ISBN: 0486277259
Category : Music
Languages : en
Pages : 290
Book Description
Two symphonic masterworks that employ vast orchestras offer a powerful portrayal of a day in the mountains and an intimate reflection of the composer's day-to-day life at home with his wife. Features lay-flat sewn binding.
Publisher: Courier Corporation
ISBN: 0486277259
Category : Music
Languages : en
Pages : 290
Book Description
Two symphonic masterworks that employ vast orchestras offer a powerful portrayal of a day in the mountains and an intimate reflection of the composer's day-to-day life at home with his wife. Features lay-flat sewn binding.
Symphonia domestica
Author: Richard Strauss
Publisher:
ISBN:
Category : Piano music (Pianos (2)), Arranged
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : Piano music (Pianos (2)), Arranged
Languages : en
Pages : 134
Book Description
Masterworks of the Orchestral Repertoire
Author: Donald N. Ferguson
Publisher: U of Minnesota Press
ISBN: 0816657629
Category : Music
Languages : en
Pages : 686
Book Description
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire. Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Publisher: U of Minnesota Press
ISBN: 0816657629
Category : Music
Languages : en
Pages : 686
Book Description
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire. Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Strauss
Author: Laurenz Lütteken
Publisher: Oxford University Press
ISBN: 0190605715
Category : Music
Languages : en
Pages : 285
Book Description
Richard Strauss is an outlier in the context of twentieth century music. Some consider him a composer of the late romantic period, while others declare him a traitor of modernity for his role in National Socialism. Despite the controversy surrounding him, Strauss's works--even beyond his most well-known operas Elektra and Rosenkavalier--are present in the repertories of concert halls worldwide and continue to enjoy large audiences. The details of the composer's life, however, remain shrouded in mystery and gossip. Laurenz Lütteken's Strauss presents a fresh approach to understanding this elusive composer's life and works. Dispensing with stereotypes and sensationalism, it reveals Strauss to be a sensitive intellectual and representative of modernity, with all light and shade of the turn of the twentieth century.
Publisher: Oxford University Press
ISBN: 0190605715
Category : Music
Languages : en
Pages : 285
Book Description
Richard Strauss is an outlier in the context of twentieth century music. Some consider him a composer of the late romantic period, while others declare him a traitor of modernity for his role in National Socialism. Despite the controversy surrounding him, Strauss's works--even beyond his most well-known operas Elektra and Rosenkavalier--are present in the repertories of concert halls worldwide and continue to enjoy large audiences. The details of the composer's life, however, remain shrouded in mystery and gossip. Laurenz Lütteken's Strauss presents a fresh approach to understanding this elusive composer's life and works. Dispensing with stereotypes and sensationalism, it reveals Strauss to be a sensitive intellectual and representative of modernity, with all light and shade of the turn of the twentieth century.
Report of the Librarian of Congress and Report of the Superintendent of the Library Buildings and Grounds
Richard Strauss
Author: Alan Jefferson
Publisher: CUP Archive
ISBN: 9780521278119
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
This book describes the pre-eminent achievement from the first years of collaboration between two great artists of the twentieth century, Hugo von Hofmannsthal and Richard Strauss. It explains how the poet drew upon a wealth of classical and literary sources to fashion his vivid characters, and how the composer further enhanced their lifelike charm in his potent and often magical score. An explanation of the psychological undertones of the libretto is supplemented by an appendix on Hofmannsthal's use of language. Critical comments and attacks on Der Rosenkavalier from its premiere to recent times are described and assessed, and the opera's stage history is recounted. The long central chapter of the book, adapted by Norman Del Mar from his celebrated three-volume study of the composer, combines musical analysis with a detailed synopsis. An appendix discusses versions of the opera as film and play. The book includes a bibliography and a detailed discography.
Publisher: CUP Archive
ISBN: 9780521278119
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
This book describes the pre-eminent achievement from the first years of collaboration between two great artists of the twentieth century, Hugo von Hofmannsthal and Richard Strauss. It explains how the poet drew upon a wealth of classical and literary sources to fashion his vivid characters, and how the composer further enhanced their lifelike charm in his potent and often magical score. An explanation of the psychological undertones of the libretto is supplemented by an appendix on Hofmannsthal's use of language. Critical comments and attacks on Der Rosenkavalier from its premiere to recent times are described and assessed, and the opera's stage history is recounted. The long central chapter of the book, adapted by Norman Del Mar from his celebrated three-volume study of the composer, combines musical analysis with a detailed synopsis. An appendix discusses versions of the opera as film and play. The book includes a bibliography and a detailed discography.
A Dictionary of Music Titles
Author: Adrian Room
Publisher: McFarland
ISBN: 1476610592
Category : Music
Languages : en
Pages : 305
Book Description
The title of a great musical composition is not always a clear or simple matter. An allusive title, particularly in a foreign language, or a title that does not seem related to the work, can confuse even the most devoted music lover. Here are histories of the creation of 3,500 titles for symphonies, operas, oratorios, ballets, orchestral works, choral works, chamber music, keyboard compositions, and songs, ranging from the popular to the obscure. Each entry (arranged by English, French, German, Italian or Spanish title) includes alternate titles where appropriate, the composer's name, date of composition and first performance, opus number where appropriate, a description of the work, and the origin of the title or any story behind it. A bibliography and an index conclude the work.
Publisher: McFarland
ISBN: 1476610592
Category : Music
Languages : en
Pages : 305
Book Description
The title of a great musical composition is not always a clear or simple matter. An allusive title, particularly in a foreign language, or a title that does not seem related to the work, can confuse even the most devoted music lover. Here are histories of the creation of 3,500 titles for symphonies, operas, oratorios, ballets, orchestral works, choral works, chamber music, keyboard compositions, and songs, ranging from the popular to the obscure. Each entry (arranged by English, French, German, Italian or Spanish title) includes alternate titles where appropriate, the composer's name, date of composition and first performance, opus number where appropriate, a description of the work, and the origin of the title or any story behind it. A bibliography and an index conclude the work.